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[font=Arial][color=darkred]Crash ? A searing look at race relations and a powerful human drama at… More
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[font=Arial][color=darkred]Crash ? A searing look at race relations and a powerful human drama at that. This flick has some of the sharpest memories I?ve had from any movie all year, particularly the relationship between a Hispanic locksmith (Michael Pena) and his daughter and a special invisible cloak. Their first scene, where he talks her out of hiding under her bed, is one of the most beautifully written short scenes I have ever witnessed. A late scene involving the two of them knocked the wind out of me completely and is the most vivid moviegoing moment of all 2005 for me. Every character has at least one great moment, though time is not spaced equally amongst this large ensemble. [i]Crash[/i] has the intriguing practice of introducing near every character spouting some kind of racist diatribe, and then the movie spend the rest of its running time opening you up to these characters and getting to like them. Writer/director Paul Haggis has such a natural ear for terse, realistic dialogue that can really define characters with such brevity. A great movie, despite the overarching coincidences (I was rooting for [i]Brokeback[/i] come Oscar night even though they?re neck-and-neck in my view).[/color][/font]
[font=Arial][color=darkred]Nate?s Grade: A[/color][/font]
[font=Arial][color=darkred]Millions ? This movie feels like someone is projecting straight from the bountiful imagination of a child. It?s wildly whimsical and fantastical; it?s a fantasy film and a family film that never falters into treacle. Director Danny Boyle ([i]Trainspotting[/i], [i]28 Days Later[/i]) of all people has crafted a masterful living fantasy with great emotional heft. I was left very teary by the end and have remained so with repeat viewings. [i]Millions[/i] has great visuals, great acting, and is a great movie.[/color][/font]
[font=Arial][color=darkred]Nate?s Grade: A[/color][/font]
[font=Arial][color=darkred]Enron: The Smartest Guys in the Room ? The brilliance of this Oscar-nominated documentary is how distills a complicated, math-heavy scandal and makes it so easily digestible. The Enron tale really is a story calling out for the medium of film, relying on sound bytes, testimonials, public statements, interviews, video clips, and director Alex Gibny masterfully orchestrates the telling. The film is insightful, informative, and incredibly entertaining. It?s a real pleasure to watch, and you?ll be left scratching your head at how certain economic laws are even possible. If you are confused by the Enron scandal or know little to nothing about the biggest corporate scandal of our times (Enron was the seventh biggest corp. at one point), spend two hours of your life and watch this excellent film.[/color][/font]
[/color][font='Times New Roman'][font=Arial][size=2][color=darkred]Nate?s Grade: A[/color][/size][/font][/font]
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[font='Times New Roman'][/font][font=Arial][color=darkred]The Matador ? This is an adequate movie that doesn?t really resonate because at its heart it feels like a lot of interesting ideas and characters that are languished with a sitcom plot. I never thought Pierce Brosnan?s performance as the aging hit man was as funny as the film thought it was. [i]The Matador[/i] is actually a more interesting movie than funny or amusing. The movie doesn?t go deep enough; the story isn?t as refined as it could be, and there are so few set pieces that this flick could have worked as a play. The end feels a bit too tidy and asks Greg Kinnear?s ordinary husband character to act out of character. There?s an extended talk in [i]The Matador[/i] between Kinnear and his wife and Brosnan upon his unexpected visit, and it feels like a sitcom like the wacky neighbor next door has come over and hatched a hilarious scheme. I enjoyed the characters but they really just sit and stew in a really weak story. The characters are richly drawn but have nowhere to go.[/color][/font]
[font=Arial][color=darkred]Nate?s Grade: B-[/color][/font]