Habib Cheik, Leila Makhlouf, Lubna Azabal

Zano and his companion Naima travel across France and Spain down to Algeria, where they might ultimately come to know the land their parents once had to flee. Enamored with their freedom, they let the...( read more  read more... ) time slip by, intoxicated by the Andalusia's sensuality, before they finally decide to cross the Mediterranean, reconstructing in reverse the path of the exile and ending their travels with the promise of recapturing themselves.

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80% liked it

2,961 ratings

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78% liked it

9 critics

Unrated, 1 hr. 44 min.

Directed by: Tony Gatlif

Release Date: May 19, 2004

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DVD Release Date: March 28, 2006

Stats: 155 reviews

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Flixster Reviews (155)


  • August 9, 2008
    I was unfortunate enough to catch this movie in some godforsaken film festival. I don't know much about Tony Gatlif but if I only judge him based on this movie, I 'd say the poor fellow should give up on cinema now. This is simply a bad film disguised as cult. There is a scene at...( read more) the end showing some people dancing manic, a scene that lasts about 4 or 5 minutes long, and it feels like you've been watching people dance for two years in a row. Avoid if possible..
  • June 12, 2008
    An unconventional - and therefore, seemingly realistic - "road movie" about finding one's roots, the Franco-Algerian experience is well documented by this film that is worth seeing for, at the very least, its depictions of Spain as the young couple makes its way "home". Edgy, and...( read more) impossible to turn away from, and while the filmmaker makes some questionable directing choices, the good far, far outweighs the bad.
  • October 5, 2008
    Avoid one of the comments below,the film is original.If people still think Mamma Mias and Rents are the sole disposals of "entertainment",well they're wrong.Music comes from various backgrounds.Exils has a pair of most beloved protagonists and a dynamic beat.Of course it's a musi...( read more)c movie,road trip fused with sounds and wonders.Identity and nostalgia.Common themes and yet Gatlif likes what he accomplishes.He should absolutely enchant us but with better scripts next time.
  • August 27, 2009
    Paris, the present. French Arab Zano suggests to the girl sharing his bed, Naïma, that they travel to Algeria. Although the music-obsessed pair are all but strangers, she agrees. They catch a train to Seville, but, travelling without tieckets, are forced off before reaching the c...( read more)ity. Continuing on foot, Zano and Naïma discuss their Algerian ancestries: form him an anti-coloniast grandfather; for her a father who refused to acknowledge his heritage. They meet Habib and Leila, young Algerian siblings, making their way to Paris.

    Zano and Naïma reach Seville. At a flamenco bar, Naïma disappears with another man. The next day, she and Zano squabble bitterly on a tain out of the city. In an unnamed Spanish port, they reconcile, then encounter Habib and Leila once more, who give the couple a note to take to Algiers asking their family to put them up. Zano and Naïma travel as stowaways on a ferrry to North Africa, but the boat goes to Morocco not Algeria. They land in Morocco; an aborted bus journey obliges them to cross a section of desert on foot, befroe another train takes them to Algiers.

    Although they are taken in by Habib and Leila's family, both Zano and Naïma feel alienated from the city, with Naïma abused for not wearing a headscarf. Zano finds his grandfather's house, and breaks down when people living in it hand him mementoes of his family's time there. That night, Naïma takes part in a Sufi musical ritual in which she enters a trance-like state. the next day, the pari visit the grave of Zano's grandfather. They leave smiling. (Synopsis from Sight & Sound, 2, 2004)

    The film by Algerian émigré director Tony Gatlif provides interesting comparisons with Mehdi Charef's Keltoum's Daughter in so far as both films depict home-seeking journeys that result in a sense of alienation. In Algeria, the protagonists are perceived as French rather than Algerians and, when Naïma is asked why she does not speak Arabic, she replies that nobody taught her.

    The film engages with the theme of exile and migration in multiple ways: through language, the significant importance assigned to music, and through the itineraries of the protagonists, which are presented to go against the flow of a large number of North Africans who are depicted heading for Europe.
  • January 10, 2009
    No thankyou - Not interested.
  • October 4, 2008
    one of the best trip movies I have seen, I must say. tony gatlif brought us a trip inside spanish minorities/immigrants and north africa's roots, in a very musical hippie-kind way. the freedom, the passion... and the trance session made my head blow!
  • July 26, 2008
    Makes you happy to be alive
  • November 22, 2007
    loved the storyline and music love french movies lol
  • November 18, 2007
    Another masterpeice involving real music
  • October 23, 2007
    I tend to avoid movies where the female leads have as much hair on their faces as the dudes do.

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