Family Law (Derecho de Familia)

Family Law (Derecho de Familia) (2006)

  • 73% of critics liked it
    (41 reviews)

  • 69% of users liked it
    (966 ratings)

Director Daniel Burman's "Fatherhood Trilogy" draws to a close with this follow-up to Lost Embrace detailing the efforts of a devoted lawyer and teacher to live up to the lofty standards set by his hard working father. Ariel Perelman, Jr. (Daniel Hendler) is a teacher whose widowed… More

Play Trailer

Unrated,
Directed By
Written By
Daniel Burman
Genres
Drama, Art House & International, Comedy
In Theaters
Dec 8, 2006 Wide
IFC First Take

Critic Reviews

  • Marta Barber, Miami Herald

    Full of subtle dark humor that won't make you bend with laughter but certainly may cause you to giggle.

  • Ruthe Stein, San Francisco Chronicle

    A subtly perceptive charmer that was Argentina's entry for a best foreign film Oscar and might have been nominated in a less competitive year.

  • Jonathan F. Richards, Film.com

    The lessons of this slight human comedy are not groundbreaking, but they do strike a warmly universal chord.

  • Ann Hornaday, Washington Post

    This observant little movie does delicately touch on those unspoken assumptions that animate so many filial relationships. And the wry, soft-spoken tone is a welcome one amid the dysfunctional burlesques Hollywood routinely extrudes.

  • Joshua Rothkopf, Time Out New York

    With its slack plotting, the film itself feels as aimless as its main character.

Read all 16 critic reviews

See more critic ratings and reviews on Rotten Tomatoes

Fresh (60% or more critics rated the movie positively)

Rotten (59% or fewer critics rated the movie positively)

Featured Audience Ratings

  • Walter M


    [font=Century Gothic]"Family Law" starts with Ariel Perelman(Daniel Hendler), a law professor, recounting how he met and fell in love with his wife Sandra(Julieta Diaz), a Pilates instructor, while she was auditing one of his classes. So taken was he with her that he… More

  • William G


    Slight drama places Pop on pedestal, uses narration as frequent crutch.

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