Farinelli

Farinelli (1994)

  • 64% of critics liked it
    (22 reviews)

  • 80% of users liked it
    (4,885 ratings)

The performer known as Farinelli, born Carlo Broschi (and played in this film by Stefano Dionisi), was famous in the 18th century as the world's greatest castrato, a male singer whose testicles were removed in childhood so that he would retain the high, clear voice of a child while gaining the… More

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In Theaters
Dec 7, 1994 Wide
Sony Pictures Home Entertainment

Critic Reviews

  • Kevin Thomas, Los Angeles Times

    Artistry abounds in every aspect of the film.

  • James Berardinelli, ReelViews

    A fascinating, if occasionally overly melodramatic, recreation of a period when Baroque music ruled Europe.

  • Hal Hinson, Washington Post

    Because Carlo Broschi, the 18th-century castrato singer known as Farinelli, was himself such an exotic and sensationalistic figure, you'd think that creating a dull movie out of his flamboyant life would be next to impossible. Think again.

  • Edward Guthmann, San Francisco Chronicle

    Glossy and histrionic, salacious and empty, Farinelli reduces a fascinating story to a series of hissy fits and leering glances.

  • Roger Ebert, Chicago Sun-Times

    Farinelli, one of the 1995 Oscar nominees in the foreign film category, is onto an interesting story, all right, but it leaves us feeling, like some of Farinelli's lovers, that something is missing.

Read all 13 critic reviews

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Fresh (60% or more critics rated the movie positively)

Rotten (59% or fewer critics rated the movie positively)

Featured Audience Ratings

  • Kylie B


    Beautiful, lush, sumptuous...all words that can be used to describe various aspects of this film. My only issue would be that the love between Farinelli and the woman who would later be his wife was barely explored at all - they go from arguing and ignoring each other to later living… More

  • Pierluigi P


    The colourful and uninhibited life of "il castrato" Farinelli and his brother Riccardo Broschi, two men who shared their music and their women. An operatic biopic with impressive production values and a dreamy score. Not as big as Milos Forman's Amadeus, but still, a… More

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