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Not rated. () |
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(1919) |
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(724) |
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(1195) |
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Plot: A notorious trio of bosomy, bisexual vixens goes on a greed- and lust-filled murder and kidnap spree.
No me queda más que citar a Sonic Youth: fear of female planet, el discurso de la película convierte el cliché en una crítica cultural adelantada a su época.
Sexploitation that manages to be entertaining and self-aware rather than just simply atrocious. It appears to be an attack against feminism as much as against male violence, but it's so unsubtle and poor that ultimately the movie just riffs on its own extremity because it's cool. I'd rather watch it than Tarantino.
This is such a fun exploitation flick. It suffers from a few filming problems (jump cuts that don't reveal what just happened, esp the race against the random "Boy Next Door" at the beginning). A great thriller story, and you can clearly see the influence on today's directors, especially Tarantino, and the rumor that he would do a remake of this has been reported numerous times on cinephile sites, but he sort of did his version of this with Death Proof and the Kill Bill films.
For my horror fan friends, this isn't horror perse but it is a very cool psychological thriller you need to check out if you have appreciation for compelling story as opposed to just gore. The body count is plenty high, but the accent here is on the distinctive characters and this odd world they've happened into. A must-see for anyone interested in film history as this film personifies much of the commonalities in exploitation film and bridges the gap between the masters of the 50s and the upped visual ante of the 70s.
You can totally see where Tarantino and many other directors were inspired by this film. A must see!!
Viewed 3/18. Three hotrodding vixens do battle in the desert with a pair of straights and a family of dysfunctional recluses. Director Russ Meyer is so focused on this scenario that the surrounding world is barely sketched in, and the conflict consequently takes on a weirdly Platonic or iconic quality. Sex plus violence filtered through a lens of otherworldly minimalism? Bizarre.
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