If I asked you to name a great movie starring John Cleese, Jamie Lee Curtis, Kevin Kline and Michael Palin, what's the first thing that comes to your minds? OK, A Fish Called Wanda. And I would say well, you're right. A Fish Called Wanda is a marvelous farcical tour de… More
If I asked you to name a great movie starring John Cleese, Jamie Lee Curtis, Kevin Kline and Michael Palin, what's the first thing that comes to your minds? OK, A Fish Called Wanda. And I would say well, you're right. A Fish Called Wanda is a marvelous farcical tour de force. But it's this team-up I really prefer. Probably long forgotten by a majority of people, it's the little film that provides big laughs.
Although the core cast is the same as A Fish Called Wanda, it is not a sequel of any sorts. While the plot of A Fish Called Wanda is quite enjoyable, Fierce Creatures tries something a little different than a jewel heist-caper. The story goes thus: with an English zoo taken over by Octopus, Inc (hee hee. Little touches like that get bonus points from me. Even a bad film can score a few with things like that), the zoo is under pressure to gain more money. Rollo Lee's (John Cleese, a comedic genius who has never fallen from grace) proposition is to rid the zoo of the "cute and cuddly factor" and keep the vicious, fierce creatures since violence brings in the cash.
I want to stop the plot synopsis for a moment and comment on how much I love the theme the film is already trying to set up: the idea that people, in order to bring in the long-green/cabbage/insert own slang for money here, people rely on the primal urges of humanity. Even more relevant today, with everything supposedly going "darker and grittier". However, there are two definitions to that term. The true definition is to add a little more reality to something usually considered fantastical. Deeper characterization, making things a little more grim, bittersweet endings, that sort of thing. Watchmen is like that. It's like a deconstruction of your standard superhero comics.
The other definition, unfortunately, is the one most people latch onto: darker and edgier must mean more violence, T&A, swearing and such. No real deep, underlying themes of the complexity of human life, just guys shooting people while making out with busty blondes who use the F word every three words or so.
How does this tie in to the plot theme? Well, the second definition of darker and grittier is what Rollo relies on to sell. It takes a jab at the idea that making EVERYTHING dark is a sure-fire way to get money (after Batman Begins, the idea reared its head again). I can see it now: "Frisbee too lame now? Try Kool Extreme Frisbee, dood! It has sharp edges, is painted blood red and takes no shit from anyone! Throw it at your mother, throw it at your teachers, throw it at The Man! The Kool Extreme Frisbee has a bad attitude and lets no woman push him around! KOOL EXTREME FRISBEE! Buy it or be a lameoid!"
If anyone felt the need to gouge out their eyes after reading that, I apologize. To anyone who wants one now... what the Hell, man? Anyway, my point is, some things do not need to be dark and edgy. Which is also what the movie is trying to say, among other things. Zoos in particular do not need to resort to this kind of gimmick.
Wow, I haven't really finished explaining the plot but look how big this review has gotten. Anyway, to help oversee the new direction the zoo is taking we have the cocky Vince (Kevin Kline, who also plays Vince's father Rod and is one of the most convincing non-Australians to ever try an Australian accent) and go-getter Willa (Jamie Lee Curtis, one actress I hope isn't thinking of retiring anytime soon). The staff at the zoo are attempting to keep their jobs and resort to all sorts of antics to do so.
One such example is when the staff fake animal attacks, stating that the usually docile creatures are out for blood. Rollo is shocked at this turn of events and it seems to draw interest from the people currently at the zoo. Of course, this leads to a Fawlty Towers-esque resolution but since Cleese co-created it, you expect that kind of shout-out.
Although it's already interesting in its own rights, one further aspect I like is that one of the zookeepers (Ronnie Corbett) is trying a different approach. He's wearing a snazzy jacket, has beautiful women assisting him and his appeal is based on showmanship. While he has good intentions and is doing an admirable job, I can't help but wonder if this is another dig at the methods businesses and industries use to draw in crowds. Rather than let the animal's allure do it for him, he's appealing to baser instincts too, only not violence. Rather, he's relying on sex appeal and bright colours to appeal to the masses (OK, that one's not so much about baser instincts but it does work from an advertising standpoint. Apparently, people really love their shiny things). Again, not faulting his good intentions and his novel approach (compared to his co-workers at any rate).
While they are both very different films and I like them both, the key reason I prefer Fierce Creatures to A Fish Called Wanda is the relationship between the characters played by Jamie Lee Curtis and John Cleese. In A Fish Called Wanda, she's a jewel thief seducing his character, a lawyer, but ends up falling for him for real. Here, she's as interested in the welfare of the zoo as Rollo is and seems genuinely interested in him (though that might also be in relation to her perception of him being some sort of Lothario, in a recurring sex joke that I actually found amusing). Likewise, he grows attached to her and he's a sympathetic man, despite what the staff initially think.
There's a part early on in the film that paints him in an unfavorable light at first until the truth is revealed, which involves the staff with their animals and them forcing Rollo into something he really doesn't wish to do.
A smaller thing I owe this movie for is introducing me to a wonderful song. There's a scene in the film in which Vince tries the gimmick of celebrity endorsements and one of which is a tortoise which he says is now "Bruce Springsteen's tortoise". To that end, he plays the song Hungry Heart. Up until seeing this movie, I had never heard that song but it was so amazing that I just had to obtain it. So, to whoever decided to include that song: thank you so very much for introducing a young man to the wonders of Springsteen beyond the already rockin' Dancing In The Dark.
So, just because it's not exactly like A Fish Called Wanda doesn't mean it's any less valid. It doesn't try to be like it, it just tries to have fun. And it is a lot of fun. It's inventive, it's clever, it's funny. I really hope they get together at least one more time.