"Following" is director Christopher Nolan's debut full length feature which was written, directed, co-produced and even filmed by Nolan. This low-budget gem is a classic example of Nolan's early penchant for Neo-Noir which is clearly his forte.
Shot entirely in… More
"Following" is director Christopher Nolan's debut full length feature which was written, directed, co-produced and even filmed by Nolan. This low-budget gem is a classic example of Nolan's early penchant for Neo-Noir which is clearly his forte.
Shot entirely in black and white, "Following" follows the story of a struggling writer (Jeremy Theobald) known only as 'the young man' in the credits, who simply starts 'following' random people on the streets, with an initial intention of seeking inspiration for a novel. He is also narrating this story in a brooding voice over trying to explain 'what happened'. This, along with a somber tone and a melancholic background score, instantly draws the attention of the viewer.
The story is told, as is clear in the very beginning, in a non-linear format. This writer then proceeds to explain one particular case, where he ended up following a man called "Cobb" (Alex Haw) who later reveals himself to be a burglar. The writer is intrigued by Cobb's well-dressed persona and smooth-talking manner and a seeming ease with which he appears to carry himself. Cobb invites him to accompany him to one of his burglaries. The writer then gets to witness Cobb's redefined, twisted version of a burglary in which Cobb's real pleasure lies, not in the material things, but in simply disturbing the status quo in the house by ruffling through their personal belongings, even much more personal stuff like underwear, rearranging stuff, drinking some of their wine, etc. His philosophy is that this way, people discover that their lives have been invaded and they will be forced to re-examine their lives and bring about a change in them!
The writer is clearly impressed and starts to follow him on more his heists. The story takes a dramatically different, but a very interesting turn with the introduction of a couple more interesting characters.
What is perhaps the most commendable aspect of "Following" is, that although the story is told in a non-linear fashion, it is not at all difficult to comprehend and you can easily put pieces together and fathom the story in a wholly satisfying manner as the end credits start rolling. And the non-linear structure helps to strengthen the suspense and give an extra edge to the twists involved in the story. Here lies the finesse of Nolan, in the way he has structured and sequenced the events. Perhaps any other non-linear arrangement wouldn't have been as effective!
The film runs at a crisp length of about 70 minutes during which Nolan weaves a deadly web of deception and brews a classic neo-noir masterpiece in which, to use an oft-repeated phrase for lack of a better one, 'nothing is what it seems'!
Nolan's taut story-telling technique, a diabolically clever plot, and some impressive acting from a largely unknown British cast makes "Following" a must-watch.
Watch it for the early promise shown by Christopher Nolan in the Noir-drama genre, before he succumbed to the commercial aspects of film-making with his Batman comics adaptions and lengthy Sci-Fi action in recent years.