Allan Rich, Anjelica Huston, Bart Burns

Jessica Lange gives a career performance in a role she was born to play: the talented and troubled Frances Farmer. Farmer's awful trajectory travels from bright Seattle girl to 1930s Hollywood starle...( read more  read more... )t to degraded (eventually lobotomized) mental patient. Lange, who has the blond, clean look of Farmer's heyday, goes into these places with the fierce abandon of a true believer. Her performance, the lush John Barry score, and the period re-creation are all worth applauding; almost everything else fails. Everyone except Farmer is grotesquely caricatured to fit the movie's thesis, which is that if you are intelligent and nonconformist, the system will resolutely destroy you. (The medical establishment is evil incarnate.) This simple conclusion seems inadequate and disrespectful of Frances Farmer's tragic problems. For a radiant glimpse of what the real Farmer had to offer, see Howard Hawks's Come and Get It, which bristles with excitement over a new discovery. --Robert Horton

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79% liked it

2,501 ratings

R, 113 min.

Directed by: Graeme Clifford

Release Date: December 17, 1982

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DVD Release Date: March 15, 2000

Stats: 126 reviews

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Flixster Reviews (126)


  • March 1, 2009
    This is a biopic about actress Frances Farmer. Although she was somewhat wild, I didn't think she was mentally ill.

    Her story is notable because she was committed to a psychiatric institution by her mother because she didn't adhere to how her mother thought she should live.
    ...( read more)
    She ended up getting invasive therapies such as insulin shock therapy, ECT and a lobotomy. It was fascinating and barbaric look at psychiatry in 1930s and 40s.
  • September 13, 2008
    "frances" is a flick based on 1930s rebel actress frances farmer whose life and great potentiality were wasted horridly in mental institution. (raped, marred and lobotomized.)and "frances" is obviously the homage to the un-compromising individuality of frances farmer who lived be...( read more)yond her time, a sound proof of social intolerance to outrageous candidness on woman. and there's a great sense of anachronism in the character of frances farmer who propels her tale of "one flew over cuckoo's nest" or female james dean way too early in this world.

    once a feministic author(possibly simone du bouvir) utters that society holds an enormous grudge against the woman who possesses both talent and beauty in the same time. (worse off, if she also has the edgy "IT") such woman is doomed to be ruptured by patriarchal society. beauty makes her the object of covetous desire for men, but her ego keeps her from being the willing puppet for chauvinistic sex commodity and hostility aroused around. then a misdemeanor leaves you into being diagnosed as schizophrenic, and you're F**KED.

    it takes gutsy pride to announce oneself as an atheist in public speech competition at the time frances farmer lived, and she even earns a prize as well as notoriety for it in her adolescence, a teenage girl who dares to shout out "god is not there!"

    then avidly ambitious frances shifts her aspiration from writing to acting since it's more immediate cannon for her spunk and wits. with her porcelain skin and statuesque looks, she reaches hollywood stardom which she rebuffs for its lack of depth, and it infuriates the mgm studio when she decides to nullify her movie contract for stage.

    her life begins to collapse when her beloved stage director, whom she was having an affair with, doublecross her together with the studio, dismissing her with an informative note about his wife's arrival. this event of heart-break detonates the frances' explosive nature then it leads to the accusation of mental illness. her doom ensues.

    firstly, she tries to offend the police officers who rudely abducts her from her private bathroom as well as the press by claiming her occupation is "c***s**ker". her proficiency of verbal defense/offense sinks her into even more severe discrimination. secondly, her rebellion against her overbearing mother who reports her whereabouts to the mad house, isolates her further. thirdly, the injustice of mental institution is sickeningly exploitative, and in one scene, she's ravished by numerous soldiers who buy off the guardian for their filthy privilege. "20 bucks to screw a movie star" is simply too harsh to endure. naked twisted bodies hang around grimly, an macabre image of grotesque. in the end, frances still says "i'm still me! it's one thing you cannot take away from me!!"

    apparently this movie is presented in the perspective of frances' mind, the angst of a wailing individual, and everything seems like others' fault and social wreckage over her incorruptible soul. but i cannot help but wonder why other female stars in her time could still glitter and also remain individualistic without suffering so? (garbo, dietrich, crawford, davis, stanwyck..all are female avant-gardists with the sharp edge.) so why can't she be one of them?

    primarily, farmer's family background is the bourgeois who settle in cozy suburbia, well-sheltered without the hard-boiled survival instincts. contradictorily, she ain't ordinary enough to mold herself in such environment. meanwhile her distinguished beauty makes people indulge her brittleness too easily. (beautiful women always tend to be spoilt. think about your other female classmates in high school.) she cannot take pressure and also too willfully idealistic to reconcile. if she ain't beautiful, she wouldn't be a sudden success. if she ain't beautiful, she wouldn't induce sexual ravages, right?

    it might be inappropriate to deem "frances" as avenging outcry of individuality, and it may be more like a dirge of american dream for female individuality. you're taught in childhood, men are born equal, and everyone has his right for public speech. BUT you forget it merely means MEN.
  • July 11, 2007
    very powerful, very very sad.
  • July 2, 2007
    I thought that Jessica Lange really did a nice job of playing this role of the 1930's film star Frances Farmer, and all of her struggles with her family, Holleywood and her problems with mental illness.
  • August 16, 2009
    Jessica Lange is amazing.
  • May 12, 2009
    Startling and tragic. Easily Lange's best work. Highly recommended.
  • April 20, 2009
    This is a very difficult film to watch. Jessica Lange gives an incredible performance, as the long tortured actress Frances Farmer. She was nominated for an Oscar, for this role, and she certainly earned that nomination!
  • April 4, 2009
    Great movie. Jessica Lange was awesome.
  • August 24, 2008
    an excellent film that had an impact on me for decades afterward.
  • June 5, 2008
    Not interested in watching this.

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