[following a blood test]
Vincent: What about the interview?
Dr. Lamar: That was it.
Here's a very good sci-fi drama that combines a smart and believable story with a sharp visual style and artistic design, a number of different themes, a very good score, and good performers.… More
[following a blood test]
Vincent: What about the interview?
Dr. Lamar: That was it.
Here's a very good sci-fi drama that combines a smart and believable story with a sharp visual style and artistic design, a number of different themes, a very good score, and good performers.
Writer/Director Andrew Niccol, who is also responsible for other smart stories such as The Truman Show and Lord of War, takes a topic and turns it into one of the top sci-fi films of the 90s.
The film is set in the not-to-distant future. People are now able to genetically engineer their offspring to make children with perfect genetic makeup. There are those that do not follow this logic and leave their children's lives up to fate.
Ethan Hawke stars as Vincent, a boy born with no enhancements. Because of this he is foreseen to have a heart condition, which will effect his dream of going into space. Businesses in general discriminate against those who are not designed perfectly.
In order to get around the system, Vincent forms a partnership with Jerome, played by Jude Law. Jerome was a perfect specimen, but he is now paralyzed. Vincent assumes Jerome's identity, posing as him through careful proceedings in order to have the system believe he is the other. He takes up a job at Gattaca, an aerospace company and all seems to go well into his plan to go to space and defying the system.
Vincent: They think I killed the mission director.
Jerome: What makes you think that?
Vincent: They found my eye lash.
Jerome: Where?
Vincent: In the corridor.
Jerome: Ah well it could be worse. They could have found it in your eye.
Problems arise when a murder takes place at Gattaca. Vincent as Jerome is not a suspect, but a small amount of evidence founds at the scene certainly implements Vincent, not Jerome. Vincent must now struggle with a couple of detectives, Loren Dean and Alan Arkin, who may get in the way of his trip to space.
Uma Thurman also stars as a fellow employee and love interest of Vincent's, with a similar problem and eventually more knowledge than she may have wanted.
The story is very good, working well with the kinds of developments the world is getting at, and while over ten years later the film may not have necessarily caught up with the times, it certainly still seems very believable.
The way the story builds upon the many themes such as the irony of ideal perfection verses "imperfection, personal identity, fate, and sacrifice is handled very well, and is effective as the various turns in the story unfold.
The actors are all well placed. Hawke and Law are very effective leads, but then you also have a good supporting cast of character actors, some more recognizable than others, including Loren Dean, Tony Shalhoub, Xander Berkley, Elias Coteas, and even Ernest Borgnine in a small role.
As mentioned, along with the story, the visual flow of this movie is wonderful. Besides the fact that it looks great in terms of its design, especially for its smaller budget, their are so many subtle visual cues throughout. A twisty staircase resembling a DNA helix, the cars, even the launching of rockets in the background that don't go over the top with effects.
As also mentioned, the score of this film also moves with it very appropriately. While the film as a whole can seem slow paced, it plays very comfortably enough for an interested observer to hardly notice.
If there is one gripe, it revolves around the fact that in this near perfect society, there is hardly room for a smile or joy from any of the "perfected" people. It's a minor quibble, which probably goes inline with some of the themes of the film.
However, this is a very well made movie, accompanied by a very well thought out story.
Dr. Lamar: You go up next week. Please tell me you're the least bit excited.
Vincent: I'll tell you at the end of the week