Elizabeth Taylor, Rock Hudson, James Dean

They call it Giant because everything in this picture is big, from the generous running time (more than 200 minutes) to the sprawling ranch location (a horizon-to-horizon plain with a lonely, m...( read more  read more... )odest mansion dropped in the middle) to the high-powered stars. Stocky Rock Hudson stars as the confident, stubborn young ranch baron Bick Benedict, who woos and wins the hand of Southern belle Elizabeth Taylor, a seemingly demure young beauty who proves to be Hudson's match after she settles into the family homestead. For many the film is chiefly remembered for James Dean's final performance, as poor former ranch hand Jett Rink, who strikes oil and transforms himself into a flamboyant millionaire playboy. Director George Stevens won his second Oscar for this ambitious, grandly realized (if sometimes slow moving) epic of the changing socioeconomic (and physical) landscape of modern Texas, based on Edna Ferber's bestselling novel. The talented supporting cast includes Mercedes McCambridge as Bick's frustrated sister, put out by the new "woman of the house"; Chill Wills as the Benedicts' garrulous rancher neighbor; Carroll Baker and Dennis Hopper as the Benedicts' rebellious children; and Earl Holliman and Sal Mineo as dedicated ranch hands. --Sean Axmaker

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86% liked it

18,100 ratings

G, 201 min.

Directed by: George Stevens

Release Date: November 24, 1956

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DVD Release Date: June 10, 2003

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  • May 18, 2009
    Really long and occasionally brilliant, this production lives up to it's name in the scale of the story alone. James Dean's best overall performance.
  • February 20, 2009
    "giant" is james dean's final screen presence, perhaps the leastly empathetic one. it's an overlong "masterpiece" of george stevens who brings the dynamic trio of taylor, hudson and dean together to delineate a epic of texas. excessively ambitious, but the plots're teetering afte...( read more)r the first hour and it almost flops.

    the epic sets off with mighty texasian ranch baron(hudson) who discovers the breathbreaking beauty from the daughter(taylor) of a prestiged family who sells the horse he wants in the east coast. then the dashing baron walks away with the horse as stallion and the daughter as wife. but this woman is more brightful and un-tamed than what he expects, so they quarrel over their perceptions on various local customs. meanwhile the insolent, outrageous worker of his sister's (dean) harbors a severe crush on his lovely wife, and this petite worker inherits a small piece of lean land of baron's according to his sister's will, so this insignificant man gets to be the biggest texasian tycoon to emulate him.

    the first one hour of the film is highly watchable for its grappling tension between the trio, and the smoldering covet of dean's character for taylor is a great stimulant to defy rock hudson who is literarily the stance of patriachy. and mercedes maccambridge gives an impressionable cameo as hudson's rough-to-the-bone "cowgirl" sister who wants to teach taylor a lesson of how to be a competent texasian wife, but maccambridge who may be the most interesting character dies too soon to redeem the giant from being a lump of ponderous work.

    the gratuitous feast for the eye would probably be the youthful looks of taylor and hudson while james dean's boyish cuteness is shrouded by the muddy cowboy hat. when the trio play out the senile part with grey dust sprinkled over their ebony hair, the movie loses its charm. additionally, it is comically absurd to see james dean in overcoat with oversized shoulder-paddings to dwarf his height. the whole flick remains in a certain interesting light until the character began to age and their kids grow into goofy teenage bores. who cares how those kids are gonna be? give me back the dynamic trio in their glowing beauty.

    the first hour passes, the story starts to go flat with all those politically righteous issues, such as racial bigotry, the demise of ranch business and the swarming oil-pumping fever. and it's very corny and contrived to assert racial equality by having the son married to a hispanic woman, then the patriach fistfights in a local restaurant to claim the notion of civil rights. also it attempts to bare the wasted hollowness of the nouveau riche by having dean's character rot in alcoholism an his un-fulfilled yearnings for elizabeth taylor, so the shrewd capitalist who is smart enough to conquer the market insightfully must be pathetic loser who groans like a wretched baby? so the reactionary family, as long as they embrace multiculturalism, could thrive as a whole.

    oddly two actors of "rebel without a cause" also appear in the giant, dennis hopper and "plato", the rebel gay who adores dean. unfortunately the james dean formuli cannot fit into the giant, and my private doubt would be, could james dean play any other character except the stretched reflection of himself? it's like, if he seeks an appropriate niche for his idiosyncrasies, he dominates the show, if not, he vanishes into thin air carrying his personal wound to rush toward the merciless highway then passes for good without even bidding a farewell to others.

    (ps)

    as i pointed out, the james dean pattern would be eternal defiance to paternality or the void of patriachal recognitions. for the giant, it would be his repugnance to rock hudson who symbolizes the authorized patriach who possesses everything he covets but couldn't get as the void of recognition, even he's got everything, he still mourns over the abscence of the beautiful wife of hudson's that he couldn't have.

    also, the last shooting of giant is the scene dean serves tea to elizabeth taylor, but he got too god-damned nervous to pull it off, but the whole crew of 2000 men were awaiting him to finish, so he took the necessary means to get riddance of his nervousness: take a piss in front of the 2000 crew!!! dean announces, if he has the courage to take a piss in front of everyone, he would also have the guts to finish his last scene with taylor.
  • December 27, 2008
    I enjoyed this movie immensely! Although I liked Deans goofy character, Taylor and Hudson made the biggest impression on me.
    I don't want to bother you with what the movie is about, but what I can say that it's more than a story about the life of a family, it also covers some ve...( read more)ry interesting social themes.

    This movie had everything that I missed in the Maltese Falcon (which I saw a couple of days ago).
    Although it's running time is very generous, it didn't take any effort to watch it all the way through.
  • September 28, 2008
    Lengthy ode to the oil industry among other things. Family dysfunction for example, things that coulda been, etc. It's tragic, and vast, and classic.
  • September 26, 2007
    The cast are great, especially James Dean and Mercedes McCambridge but I always find it hard going getting to the end of this!
  • November 15, 2009
    Three and a half hours of James Dean as the broody, rebellion "stable boy" who he plays so well, what a treat (although his appearances are scarce throughout, but I take what I can get). Taylor is awesome as well as the tough lady who holds her own between Texan chauvinists. Get ...( read more)those two together, and the tension is undeniable. Dean is the ingredient which makes this film, that could have been a less mainstream version of Gone With the Wind, extraordinary.
  • November 15, 2009
    giant was an inspired title.
    this is a wonderful movie. a tad long for some, but as for me it could have gone on for decades and be the next dallas :))
    a brilliant casting (james dean is phenomenal, btw) and a wonderful setting.
    i found the story captivating and the issues put i...( read more)nto matter - marital relations, social and racial prejudice in a rural America setting - make this movie one of a kind.
  • October 24, 2009
    Although it may not have the graceful structure of a masterpiece like Gone with the Wind, I consider Giant to be a great film in its own right. The scope of the picture is enormous, and although it isn't always ideally handled, the strength of the material radiates through its fl...( read more)aws. Making powerful statements about racial intolerance, sexism and class differences, this is a film that touches on a lot of themes. It's a piece full of rapturous visual appeal, filled with memorable set pieces and performances. As a finale to his three-picture career, James Dean is particularly brilliant. For fans of classic Hollywood epics, this is a must-see.
  • October 13, 2009
    When I borrowed this movie, it did not say "Side A" it only said "widescreen" so I thought that the other side would be full screen. I ended up watching the entire movie from middle to end (and it was looooong!) I didn't realize that I missed the whole first half until the movie ...( read more)was over and I looked at the front cover of the DVD and thought, "Hey, I didn't see Elizabeth Taylor with black hair or James Dean with brown hair. They both had gray hair. That's strange..." So I flipped it over and started to watch the beginning. I was like oooooh man I just ruined the whole movie for myself but now things are really starting to make sense that didn't make sense before like the part where the guy I just met died and they made a big deal out of his death and I didn't know why because I didn't know who he was. The movie stinks because I saw it backwards but maybe if I come back to it in the future, it will make more sense!
  • October 10, 2009
    James Dean is in and out of the screen.The respective leads flash in an instant and if the terrific direction won't shun you,family epics aren't your thing.Stevens reaches pinnacle and as the sparkling tension of American civilized attention processes,we can always diminish those...( read more) criticisms and enjoy the ruthless catapults of ranchers,crooks and brawlers.

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  • shortcartoonist
    December 22, 2006
    Such an underrated pleasure. See this film, see it now. In many respects I consider this to be better than the fabled 'Casablanca'.

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