Buck Henry, Frank Belgiorno, Gary Howard Klar

Even a genre film looks different in the hands of writer-director John Cassavetes. In this one, he casts a wonderfully hard-boiled Gena Rowlands as the title character: a former Mob moll who picked up...( read more  read more... ) a few tricks along the way. She becomes the unexpected guardian of a young boy (John Adames) who has just seen his parents wiped out. Worse, the Mob is after him as well, seeking a book he has--and the overdue fine is a killer. Though Cassavetes lets his actors have a little too much rein, it pays off in the complex--and surprisingly funny--performance by Rowlands as an unlikely nanny who discovers that, though she is an unwilling bodyguard, she actually learns to care for the tough little guy she's trying to keep out of harm's way. --Marshall Fine

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79% liked it

3,679 ratings

Critics

95% liked it

20 critics

PG, 121 min.

Directed by: John Cassavetes

Release Date: January 1, 1980

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DVD Release Date: February 25, 2003

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Flixster Reviews (142)


  • May 18, 2009
    Indie godfather John Cassavetes transforms Gena Rowlands into his own little Pam Grier in this odd mob melodrama with, naturally, an orphan kid. Rowlands is an extremely classy ex-mob dame with a hair-trigger temper and a tongue of fire.

    If there is any dead weight in the fil...( read more)m, it's child actor John Adams, screeching and squeaking that he's "the man" and knows what to do. But what child actor isn't irritating? In the end, Gloria isn't a major effort or breakthrough film, it's just Cassavetes creating a fun action/chase movie that features a female heroine with a set of brass balls.
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  • June 27, 2008
    An ass-kicking Gena Rowlands is the major force behind this riveting, one of a kind gangster film from the unique vision of American new wave's craftsman John Cassavetes. direct precursor of Leon: The professional.
  • November 1, 2007
    I'll start by saying that this is by no means a masterpiece. It's very flawed with quite large plotholes and very visible mistakes. But don't let this turn you off of this film because it really is one of the most entertaining films of the 80s. John Cassavetes always makes good m...( read more)ovies and with this he doesn't disappoint. His unique style of filmmaking is what makes him so extraordinary, but with this movie I felt that he hollywoodized it a little bit more than it should have been.

    Gena Rowlands is absolutely brilliant in her role as the ass-kicking, mob-killing, tough-talking, car-tipping heroine Gloria Swenson. She is the perfect protagonist: a middle-aged woman who has a heavy criminal record is protecting a six-year-old Puerto Rican boy who has lost his family to a mob killing. She hides him from the mob, but finally gives up hiding when things get serious. She fights back with a vengeance because no one shoots at Gloria and gets away with it. Gena Rowlands, in one of the best performances of the 80s, was nominated for Best Actress in 1980 (losing to Sissy Spacek for [i]Coal Miner's Daughter[/i]).

    Unlike Cassavetes previous films ([i]Rosemary's Baby, A Woman Under the Influence, Faces[/i]) this is going against the grain of independent and arthouse cinema and making a true Hollywood picture. No matter, Cassavetes still pulls off what is a great movie. He only made this movie, he said, so his wife (Rowlands) could have a great and independent character to play. I'm glad he did, though, because Rowlands shines in her role.

    The ending left me a little uneasy, though. I wish it would have ended differently. I won't spoil it for anyone, but it should have ended with two more casualties. That's all I will say. The screenplay is no more than average. It's interesting and a little original, but what makes it memorable is the strong lead character (Gloria).

    John Adames plays the child and is almost unwatchable in some scenes, but for the most part he holds his own. For his first acting job he did ok. I won't patronize him, but he did mess up many of times and it was quite evident in the film. But other than that, he did a fair job.

    So overall, the film is 'good', but Gena Rowlands performance is sensational, brilliant, superb, out of this world... I can't keep going or else I will run out of page room. She makes this movie and having said that, I recommend you all to see it mainly for her performance alone. Enjoy.
  • December 17, 2006
    full of twisted scumbags with even the lil kid unable to decide if he's on his own side or not on one occassion. gloria picks up the pieces though an saves his unknowlegable lil ass. an ok flick. nice to see a female in a strong role which is why i gave it the extra half star
  • July 10, 2008
    Although the re-make is not that bad, I prefer this version of "Gloria" with Gena Rowlands.
  • May 6, 2009
    Gena Rowlands performance was flawless and this is a really good movie but i like the Sharon Stone version more. I think the kid ruined this movie for me,he drove me mad and he was really creepy in his creepy little trousers and his creepy little shirt and he kept saying "I'm the...( read more) man,i'm the man". On IMDB it says this was the only movie the kid was ever in and to be honest i am not surprised because he sucked.
  • February 21, 2009
    Cassavetes wrote this script with Gena in mind. He never intended on directing it. It's most definitely his most commercial film. (Leon the Professional stole a great deal from it.) Rowlands is a sight to behold and the child actor is also absolutely wonderful. Despite its Hollyw...( read more)ood story (and over the top score), Cassavetes still manages to imbue definitive non-cliche moments, with original dialogue and honest character moments.
  • July 21, 2008
    This should really be an embarrassment for Cassavetes and Rowlands. It's the worst performance I've seen from her and the worst script I've seen from him. Goes nowhere and it takes its time. The direction is uncharacteristically ordinary and unashamedly manipulative. It seems...( read more) they sold out to Hollywood, but fortunately they were able to follow up with the much more fulfilling "Love Streams".
  • April 5, 2008
    Gena Rowland is amazing in this movie!
  • November 21, 2007
    Sorry Sharon but I prefered Gena

Critic Reviews


January 1, 2000
Roger Ebert, Chicago Sun-Times

Tough, sweet, and goofy. full review

View more Gloria reviews at RottenTomatoes.com

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