Charlotte Gainsbourg, Vincenzo Amato, Vincent Schiavelli

Presented by Martin Scorsese, "Golden Door" is a modern fable from director Emanuele Crialese that captures the spirit of the immigrant experience as one family sheds the comfort of the Old World for ...( read more  read more... )the opportunities of the New – a risk that carries no guarantee of success. In a desolate corner of the Sicilian countryside lives a family of peasants who have worked the same land for generations, at one with nature, surrounded by the spirits of the dead. The hard changeless monotony of daily life is interrupted by tales of the New World where money falls from trees and carrots are ten feet long. Salvatore makes the momentous decision to sell all he has – his land, his home, his livestock – and take his children and aged mother to a better life across the ocean. To become citizens of the New World, they must die a little and be reborn, leaving behind the antiquated customs and superstitions of their homeland. They must be strong in body and healthy in mind, learn to obey and swear loyalty if they wish to pass through the Golden Door. Aided by a mysterious American woman aboard the ship, this metamorphosis occurs during the four difficult weeks of crossing the ocean, which leads to the final judgment: the Island of Tears, Ellis Island. Here, the guardians of the New World will scrutinize the bodies and minds of these prospective citizens, in this wonderful, terrible place where many families will be forced to choose to split up forever. Not all are destined to enter the gates of Heaven.

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4,395 ratings

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83 critics

PG-13, 120

Directed by: Emanuele Crialese

Release Date: May 25, 2007

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DVD Release Date: January 8, 2008

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Flixster Reviews (426)


  • March 17, 2009
    ''We have to arrive in America looking like princes!''

    The story is set at the beginning of the 20th century in Sicily.

    Charlotte Gainsbourg: Lucy Reed

    The Golden Door is a telling and rendition of a Sicilian family's journey from the Italy to

    ...( read more)America. Salvatore, a middle-aged man who hopes for a more fruitful life, persuades his family to leave their homeland behind in Sicily, take the arduous journey across the raging seas, and inhabit a land whose rivers supposedly flow with milk. In short, they believe that by risking everything for the New World their dreams of prosperity will be answered. The imagery of the New World is optimistic, clever and highly imaginative. Silver coins rain from heaven upon Salvatore as he anticipates how prosperous he'll be in America, carrots and onions twice the size of human beings are shown being harvested to suggest wealth and health, and rivers of milk are dove in and flow through the minds of those who anticipate what America will bring. All of this imagery is surrealistically interwoven with the characters and helps nicely compliment the gritty realism that the story unfolds to the audience. The contrast between this imagery versus the dark reality of the Sicilian people helps provide hope while they're aboard the ship to the New World.

    The voyage to the New World is shot almost in complete darkness, especially when the seas tempests roar and nearly kill the people within. The dark reality I referred to is the Old World and the journey itself to the New World. The Old World is depicted as somewhat destitute and primitive. This is shown as Salvatore scrambles together to sell what few possessions he has left (donkeys, goats and rabbits) in order to obtain the appropriate clothing he needs to enter the New World. I thought it was rather interesting that these people believed they had to conform to a certain dress code in order to be accepted in the New World; it was almost suggesting that people had to fit a particular stereotype or mold in order to be recognized as morally fit. The most powerful image in the film was when the ship is leaving their homeland and setting sail for the New World. This shot shows an overhead view of a crowd of people who slowly seem to separate from one another, depicting the separation between the Old and New Worlds. This shot also suggested that the people were being torn away from all that was once familiar, wanted to divorce from their previous dark living conditions and were desirous to enter a world that held more promise.

    As later contrasted to how the New World visually looks, the Old World seems dark and bleak as compared to the bright yet foggy New World. I thought it was particularly interesting that the Statue of Liberty is never shown through the fog at Ellis Island, but is remained hidden. I think this was an intentional directing choice that seemed to negate the purpose of what the Statue of Liberty stands for: "Give me your poor, your tired, your hungry" seemed like a joke in regards to what these people had to go through when arriving at the New World. Once they arrived in the Americas, they had to go through rather humiliating tests (i.e. delousing, mathematics, puzzles, etc.) in order to prove themselves as fit for the New World. These tests completely changed the perspectives of the Sicilian people. In particular, Salvatore's mother had the most difficult time subjecting herself to the rules and laws of the New World, feeling more violated than treated with respect. Where their dreams once provided hope and optimism for what the New World would provide, the reality of what the New World required was disparaging and rude. Salvatore doesn't change much other than his attitude towards what he felt the New World would be like versus what the New World actually was seemed disappointing to him. This attitude was shared by mostly everyone who voyaged with him. Their character arcs deal more with a cherished dream being greatly upset and a dark reality that had to be accepted.

    The film seems to make a strong commentary on preparing oneself to enter a heavenly and civilized society. Cleanliness, marriage and intelligence are prerequisites. Adhering to these rules is to prevent disease, immoral behavior and stupidity from dominating. Perhaps this is a commentary on how America has learned from the failings of other nations and so was purposefully established to secure that these plagues did not infest and destruct. Though the rules seemed rigid, they were there to protect and help the people flourish.

  • October 23, 2007
    Well-shot immigration drama ends on quite a peculiar note.
  • June 15, 2009
    A fascinating look at what it was like to immigrate to the U.S. through Ellis Island told with exquisite cinematography.
  • December 10, 2008
    Somptuously directed, it has great ambition, sadly is either too long or too slow and in that way, it never finds his rythm.
  • October 12, 2008
    Writer-director Emanuele Crialese (Respiro (2002), Once We Were Strangers (1997)) sets his tale of immigrants' dreams in Sicily at the beginning of the 20th century - the (at times brutal) immigrant experience is portrayed, stretching from Salvatore's dirt-poor Sicilian hamlet to...( read more) Ellis Island, the 'Golden Door' to the United States.

    Salvatore (Vincenzo Amato), an illiterate and very poor widower-farmer, believes the pictures he has seen, depicting America as the land of milk and honey, where money grows on trees and fruits/vegetables/animals grow to an enormous size.

    Salvatore sells his land, his home and his livestock and sets off for America with his two sons (one a deaf mute), daughters (who were locked into arranged marriages) and his cantankerous old mother.

    During the shenanigans and corruption of the boarding process (with a four-week voyage in steerage ahead of them), Salvatore meets Lucy (Charlotte Gainsbourg), a mysterious Englishwoman who seems incongruous among the Italian bumpkins.

    Once on-board ship, the women and men are split up and forced to sleep head to toe in iron cots, as the rusting, dangerous hulk of a ship rolls makes its slow, painful progress towards New York and whatever dreams may come...

    Though it's clear that Nuovomondo was shot on a limited budget, Crialese's skillful direction, coupled with clever cinematography from Agnès Godard, convey the immigrant ordeal in often harrowing, disturbing detail, but lifted by the sense of hope that is the voyagers' only solace - as in the key scene where Salvatore describes the towering skyscrapers of New York to his awe-struck fellow travellers.

    The only false note is sounded in the surreal 'visions' experienced by Salvatore as he dreams of America - an approach that seems distinctly at odds with the gritty realism that is to follow. Nevertheless, a moving and enjoyable look at the lengths people are/were prepared to go to in order to follow their dreams.
  • July 5, 2008
    Good intentions are not enough to make an interesting venture... slow-paced and unbearably boring...
  • March 25, 2008
    I know it had its slow parts, but I loved this film because it gave a sense of what it was like to be an immigrant coming through Ellis Island from the old country.
  • March 9, 2008
    Very artsy-fartsy, it's just so good.
  • February 28, 2008
    Loved it!!! Gorgeous cinema with impeccable characters. Filmmaking as Art.
  • February 5, 2008
    A slow, elegant story of the immigrant experience from Sicily to America, with a little magic mixed in. Great visuals and performances throughout, really gives a sense of the long, arduous, cramped and sometimes horrific conditions that immigrants endured.

Critic Reviews


June 29, 2007
David Edelstein, New York Magazine

The rhythms of the movie are slow and daydreamy, but [director] Crialese delights in breaking up the realism with his protagonist's mystical -- almost madcap -- visions of the New World's abbondanza. full review

June 27, 2007
Moira MacDonald, Seattle Times

[Director] Crialese ends his film on an exquisite note of fantasy: an indelible image of hope and good fortune. His vision is unique; his film, strange and lovely. full review

June 21, 2007
Colin Covert, The Minneapolis Star Tribune

Writer/director Emanuel Crialese gives his atmospheric film a look of daguerreotype authenticity. full review

June 15, 2007
Liam Lacey, Globe and Mail

Unfolding like a gorgeous coffee-table book of photographs, Emanuele Crialese's film Golden Door is as lovely to look at as it is dramatically inert. full review

June 15, 2007
Steven Rea, Philadelphia Inquirer

There's an old Zen saying, 'It's the journey, not the destination.' The Golden Door offers an extraordinary journey of its own. full review

May 25, 2007
A.O. Scott, The New York Times

What makes Mr. Crialese's telling unusual, apart from the gorgeousness of his wide-screen compositions, is that his emphasis is on departure and transition, rather than arrival.

May 24, 2007
Joe Morgenstern, Wall Street Journal

After countless films in which immigration plays a central role you'd think the canon was essentially complete. Yet this visionary work adds to it by combining harsh realities with magic-realist fanta... full review

View more Golden Door reviews at RottenTomatoes.com

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Golden Door Trivia


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