Over the decades, we've seen many Bond films come and go, with different men taking on the role. But my personal pick of the pictures of the super suave secret agent is his third outing, Goldfinger.
After listening to one of the best theme songs in the series (about a man... a… More
Over the decades, we've seen many Bond films come and go, with different men taking on the role. But my personal pick of the pictures of the super suave secret agent is his third outing, Goldfinger.
After listening to one of the best theme songs in the series (about a man... a man with the Midas touch), we get into the story about our man Bond (Sean Connery, THE best Bond to me. Though I do not disparage Moore, Craig, Brosnan or even Dalton) who has to find out what Auric Goldfinger (Gert Frobe) is up to. As it turns out, Goldfinger plans to eradicate the gold at Fort Knox to make his own gold more valuable. Considering the original novel's plot had the gold being stolen, this makes it a change I approve of. It's cleverer and could possibly be pulled off a lot easier. Also a change from the novel, Goldfinger appears to be working on his own accord in the film and not in cahoots with SMERSH as he is in the novel (the film equivalent of SMERSH is SPECTRE for those of you not as familiar with Bond). Nice to see Bond tackling singular adversaries. I mean, not every crime is going to be committed by the one organization all the time.
Some of the most famous aspects of the Bond franchise originate here (mostly, Oddjob and the infamous exchange "Do you expect me to talk?" "No, Mr Bond. I expect you to die!") and have seen countless parodies, but seeing them in their original form, you can understand why they are so lovingly parodied.
The above quote is taken from a scene in which Bond is on a table with a laser pointing at him, slowly edging up to slice him in half. Bond only manages to escape it by convincing Goldfinger he knows about Operation Grand Slam. This aspect is one of my favourite aspects of the film, the idea that Bond can still be one of the best in his field but gets into situations where he needs quick wits and cunning to escape, not a bunch of gadgets (I don't hate the gadgets but it's the norm these days to see someone whip out a device. Works on Get Smart, the series, but as a parody, it's exempt). In the scene described, he's trying a few bluffs, looking a little nervous. Great acting by Connery, great direction by Guy Hamilton.
And for those of you watching the films for the eye candy, no disappointments here. Pussy Galore (Honor Blackman, so an unusual name either way) is quite capable of dispatching Bond by herself but doesn't come across as a complete ice queen which allows us to like her and makes her changing of allegiance believable. Jill Masterson (Shirley Eaton), for all her time on screen, puts it to good use, though ends up being painted in gold for her betrayal (Either these women aren't entirely evil or Bond IS that good). And as for Tilly Masterson (Tania Mallet)... well, she didn't make much of an impact on me. Not her fault, really, her role is reduced quite a bit in comparison to the book. I will say, when we first see her, driving in her car while Bond is in his, the scenery was just beautiful. Absolutely gorgeous. Geneva really does look quite exquisite and the scene benefits from choosing that as the location.
If we don't include Never Say Never Again (as it's a remake of Thunderball, quite odd that Connery is in both), then I feel Connery had some of the best Bond adventures (Diamonds Are Forever being the odd man out but I'll save that for another review). An afternoon with Goldfinger then Thunderball is an afternoon well spent.