Darío Grandinetti, Geraldine Chaplin, Javier Cámara

Two men share an odd friendship while they care for their girlfriends who are both in deep comas.

Flixster Users

92% liked it

45,051 ratings

Critics

92% liked it

127 critics

R, 1 hr. 56 min.

Directed by: Pedro Almodóvar

Release Date: November 22, 2002

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DVD Release Date: May 27, 2003

Stats: 2,519 reviews

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Flixster Reviews (2,519)


  • September 25, 2009
    i've avoided this as a 'disease' film and i'm sorry i did. stunning work
  • July 28, 2009
    Pedro Almodóvar continues to confound and amaze me. He can take the most peculiar circumstances, the most perverse scenarios, and extract incredible, romantic love stories. I'm not certain how he does it, but after viewing several of his films I have formed a hypothesis: he vi...( read more)ews situations without prejudice. He ignores preconceived notions. Instead of focusing on the differences, Almodóvar concentrates on the commonality, thus encouraging us (his audience) to see the world with an unjaundice eye. In the end, what might have appalled us is now cause for reflection, maybe even celebration.

    Confounding and amazing...
  • May 28, 2009
    I won't sugar-coat it: I basically hated this film. Maybe it's an acquired taste, but this genre is not my thing.
  • March 19, 2009
    Beautiful, poetic, and funny often in unexpected ways until one character made a decision to do something to some girl in a coma that resulted in some other thing that I can't mention here, but this certain something took me completely out of the picture.
  • January 10, 2009
    "Talk to Her" begins with the opening of two vast red curtains to reveal a theater production. A woman drunkenly wanders around the stage as a man follows her, removing all the obstacles she comes across. In the crowd, the camera focuses on two men in particular, the two whom wil...( read more)l become the subjects of the film. Benigno (Javier Camara) is a male nurse who has spent most of his life caring for his now deceased mother, and Marco (Dario Grandinetti) is an author of travel guides. Marco cries at the production, and Benigno takes a noticing to the man's revealing passion. At this point in the film, the two had never crossed paths.

    Shortly thereafter, Marco meets Lydia (Rosario Flores), Mexico's most famous matador. She's been in the public eye due to problems in her love life, and Marco wishes to write an article about her. One night, he earns her trust enough to drive her home, and even disposes of a snake in her kitchen that had frightened her (in an homage to "Annie Hall"). The two have fallen in love and all seems to be well - that is, until Lydia is almost gored to death by a bull. She's hospitalized and in a coma, and this happens to be the same hospital where Benigno makes a living. He's caring for Alicia (Leonor Watling), a beautiful young girl that he had stalked prior to her comatose state. She had been a dancer whose studio was across the street from Benigno's apartment, and Benigno fell helplessly in love with her. In fact, he's still in love with her, and unbeknownst to her, they're in a relationship.

    Benigno befriends Marco, and he explains to him his love for Alicia. Benigno massages Alicia's nude body and cuts her hair, claiming that the years shes been in the hospital have been the richest in his life. Is this creepy? Absolutely. But there's something almost alarmingly sweet - a morale dilemma that's inescapable. Almodovar constantly keeps putting pressure on the viewer to the point where some may be so offended they'd leave the theater. However, it's the matter-of-fact, gentle, and loving way Benigno cares for Alicia that keeps your eyes glued to the screen.

    Javier Camara plays a wonderful weirdo. At many points in the film, he completely convinces you that his relationship with Alicia is appropriate... when its clearly not. Marco certainly has reservations about the way Benigno treats Alicia, but he grows to care for Lydia in the same fashion. "Talk to her", is the advice Benigno gives Marco.

    Perhaps the most memorable scene in the film is the reenactment of a silent film Benigno recalls. I won't unveil all the details, but it's about a man who tries desperately to please his wife. Being on the chubby side, he foolishly takes a potion to make him thinner - the potion, you see, had not been previously been tested on humans. As he gets thinner, he grows smaller and smaller, eventually getting so small that he could fit in his wife's palm. This story certainly reflects Benigno's loving passion with Alicia. And in a more startling way, it perhaps provides insight into the connection Benigno draws between Alicia and his own mother. The end of said silent film is reminiscent of a baby emerging from a womb, and at one point the miniature husband even hugs his wife's nipple as if suckling it. I'm not suggesting Benigno had a sexual relationship with his mother, but Almodovar's ideas here are certainly presented quite Freudian in execution.

    This is a wonderful film. It deals with disturbing material carefully enough that it never completely alienates the audience. While we never exactly agree with Benigno's actions, we also don't admittedly dismiss him. Almodovar constantly challenges up with these morale questions, while at the same time telling a simple story about two men. Although the characters in Almodovar's films are typical women, the men in this film are unusually feminine. It was good to see men have such full and satisfying roles - although homo-eroticism may be implied with Marco, it's never the forefront of the picture. This is a challenging film, and certainly a very good one.
  • October 27, 2009
    Sensibilidade é com Pedrito.
  • October 25, 2009
    I don't quite understand the ridiculous praise that this movie received. It was entertaining, and dealt with some depressing material with an interesting and clever tone. I liked it, but I'm not in love.
  • September 22, 2009
    beautiful art by a great passionate director. with a lot of wonderful music...
  • September 12, 2009
    An outstandingly harrowing and moving character study which results in a gem among the greatest contemporary foreign masterpieces, thanks to Almodovar.

    88/100
  • August 5, 2009
    Pedro Almodovar directs strange and heart felt love in two different stories that interact. Very beautiful film.

Critic Reviews


December 25, 2002
Moira MacDonald, Seattle Times

A deliciously precarious balance between comedy and drama, Talk to Her is ultimately a tribute to the balm that words provide, and to the infinite variations of love. full review

December 25, 2002
Roger Ebert, Chicago Sun-Times

Combines improbable melodrama (gored bullfighters, comatose ballerinas) with subtly kinky bedside vigils and sensational denouements, and yet at the end, we are undeniably touched. full review

December 24, 2002
Liam Lacey, Globe and Mail

Pure cinematic intoxication, a wildly inventive mixture of comedy and melodrama, tastelessness and swooning elegance. full review

November 23, 2002
David Edelstein, Slate

The movie is the strangest experience: a matter-of-fact thing that swallows you whole. full review

November 22, 2002
Claudia Puig, USA Today

A simple plot description sounds bizarre and off-putting, but the movie, in Spanish with subtitles, is anything but. full review

November 21, 2002
Stephanie Zacharek, Salon.com

There's no doubt that Pedro Almodóvar is a twisted master, but his newest gender-bending romp stumbles over itself. full review

November 6, 2002
Peter Travers, Rolling Stone

It's unmissable and unforgettable. full review

View more Hable con Ella (Talk to Her) reviews at RottenTomatoes.com

Comments


  • WrellikW
    July 15, 2008
    This had a unique storyline that I liked, but the film could have been better, but I still liked it.

    Take care all,
    William
    Zzzzoooommmmmm!

    "It is easy to be brave, from a distance." -American Indian Proverb-
  • Deleted0
    April 3, 2008
    Lo mejor que he visto de Almodovar. Bravo.
  • oreomoviejunkie
    February 2, 2007
    IMPRESIONANTE!!
    Almódovar nos presenta una película compleja, con personajes extraños y familiares a la vez. Está muy bien escrita, y la narración es muy efectiva, además de contar con un muy buen ensamble.Muy recomendable.

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Hable con Ella (Talk to Her) Trivia


  • Name the Almodóvar film in which which the two main female characters are in a coma for the majority of the film.  Answer »
  • What is the Spanish title of Talk To Her?  Answer »

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