Heat (1995)

Featured Audience Ratings

• Mark W

  
  When this was released in 1995, most people believed it to be an original idea. It wasn't. It was actually a more fleshed out and elborate version of Michael Mann's 80's TV movie "L.A. Takedown". He obviously didn't have the budget or the actors, to… More
  When this was released in 1995, most people believed it to be an original idea. It wasn't. It was actually a more fleshed out and elborate version of Michael Mann's 80's TV movie "L.A. Takedown". He obviously didn't have the budget or the actors, to realise his vision at this time, so with a second chance, Mann grabs it with both hands and both of the best actors in the business. Professional and precise thief Neil McCauley (Robert DeNiro) lives by a strict code and doesn't chances. He has a tight-knit crew that takedown big jobs for big money but he ends up drawing the attention of determined and obsessive robbery/homicide cop Vincent Hanna (Al Pacino). The two of them have more in common than one might think and as their worlds draw closer,they are led to an inevitable confrontation. At it's core, "Heat" can be viewed as an old fashioned cops-and-robbers tale but it's done with such vastness and great attention to detail that it rises above most, if not all, of the genre. It not only focuses on the the lives of the two main characters - at opposite ends of the moral scale - but it pays attention to the city and environment in which they operate. What almost overshadowed the storyline, was the anticipation of seeing DeNiro and Pacino share the screen for the first time (They were both in "The Godfather part II" but never had any scenes together). Comparisons between their acting styles will obviously be made and without focusing too much on their different approaches, I found DeNiro's more subtle, calculating delivery far more convincing than Pacino's tendency to overact with random, explosive outbursts, bellowing at everyone he meets. There, I said it. However, the film is far more than just these two great actors. It's a multi-layered character study and the supporting roles, particularly Sizemore and Kilmer (in a role originally intended for Keanu Reeves) are given a substantial amount of work and the female parts of Venora, Brenneman and Judd play a massive part in shaping the leads also. We are given a glimpse into their home lives and the struggle they all face in maintaining a 'normal' life - when it goes against their nature. The actors are all given roles to work with, allowing us to identify and care about them. It's because of this, that when the action is delivered, it's edge of your seat stuff. There are three great 'Getaway' scenes from movies that I found particularly powerful; Kathryn Bigelow's "Point Break" had Keanu Reeves and Patrick Swayze (on foot) running through suburban houses and backyards; The opening of Nicolas Winding Refn's "Drive" had Ryan Gosling (in a car) careening and speeding through a darkened urban jungle and this... the major characters (with weapons) shooting it out through a busy congested Los Angeles street. As much as this isn't just about the two leads, it's not just about the action either. It's more about the city itself and it's inhabitants. The refined dialogue allows these inhabitants to come alive and Mann's meticulous, hypnotic direction and ethereal choice of music breathes life into the city as well. An exciting and methodical piece of work from a highly accomplished cast and director. A near masterpiece of modern cinema.

• Liam G

  
  One of the best crime thrillers ever made.

• KJ P

  
  Crime stories do not get any better than this! Neil (Robert De Niro) and his teams of bank robbers, pull off many robberies and jobs throughout the course of this film, but that is not the main focus. The fact that each character has a back story, and somehow, a bond is able to grow… More
  Crime stories do not get any better than this! Neil (Robert De Niro) and his teams of bank robbers, pull off many robberies and jobs throughout the course of this film, but that is not the main focus. The fact that each character has a back story, and somehow, a bond is able to grow through Vincent (the cop played by Al Pacino) and Neil, gives this film every elements it needs to be perfect. In movies like this, I usually try to find problems, or mistakes that writers or filmmakers made throughout the film, but I could not see anything wrong here. The acting is phenomenal, the characters are very well developed, the romances are very hard to see end, and the camerawork captures everything to perfection. The only thing that I would have changed were some of the locations. I mean, the settings were perfectly written, but displayed on camera made it seem a little dull. That being said, it is not enough to take me out of my reasons for absolutely loving this film. "Heat" is an all-around well crafted crime film that I will remember forever!

• Albert K

  
  I have always loved Michael Mann's detail to firefights in all of his movies; not only is that backing up this entertaining movie but Robert De Niro and Al Pacino carry every scene. Unfortunately, Michael Mann has always struggled to create a convincing character developing… More
  I have always loved Michael Mann's detail to firefights in all of his movies; not only is that backing up this entertaining movie but Robert De Niro and Al Pacino carry every scene. Unfortunately, Michael Mann has always struggled to create a convincing character developing story, especially with female roles. The love interests and the relationships are uninteresting and uninspired. Other than that, This is a very entertaining movie.

• Sanjay R

  
  The heists and shootout scenes are entertaining, but the story drags itself out for far too long. This film can lull you to sleep as it tries to establish a dark/serious tone (and fails). Also, many story lines go nowhere by the movie's end.

• moon r

  
  A platform as old as the movies: cops and robbers, played to the hilt by top notch production and the ever-so-stellar cast. The best of the best at the top of their game ... simply exciting filmmaking.

• Nav K

  
  Without a doubt one of the best movies to come out of Hollywood, and probably the THE seminal cops and robbers stories; the kind which all movies of the genre have been influenced by. Michael Mann has really outdone himself here. In his magnum opus, 'Heat', he employed an… More
  Without a doubt one of the best movies to come out of Hollywood, and probably the THE seminal cops and robbers stories; the kind which all movies of the genre have been influenced by. Michael Mann has really outdone himself here. In his magnum opus, 'Heat', he employed an almost deadpan and minimalist cinematography skilfully. Los-Angeles is given it's own character within the movie, with long, sweeping shots of the 'city of lights' interspersed lucidly between scenes of fast-paced action and moments of great depth and gravitas. His faith is well placed in a cavalcade of incredibly talented acts including Al Pacino as a hard-hitting, obsessive cop and Robert De-Niro as the clinical, disciplined and hardline thief out to tackle the biggest scores. Val Kilmer, Ashley Judd and Tom Sizemore all play vital support roles. Their ability to express emotion that are aside from what is happening on screen is a testament to Mann's storytelling through minimalist direction. Rather than resorting to flashy screen-grabs or depictions of flashbacks and mental processes, Mann rightfully invests full focus on the actors themselves and the characters they play. We can see what is going through their minds. We believe the struggles they go through in their lives. Their decisions and repercussion they face are real and entertaining. Definitely a movie one would regret missing.

• xGary X

  
  An obsessive robbery homicide detective is locked in a battle of wits with an ingenious crew of professional criminals looking to score a multi-million dollar bank heist under his very nose. When you see a cast list like this one you know you're in for something special, but Heat… More
  An obsessive robbery homicide detective is locked in a battle of wits with an ingenious crew of professional criminals looking to score a multi-million dollar bank heist under his very nose. When you see a cast list like this one you know you're in for something special, but Heat is not just special; it's an absolute masterclass. It's a fairly common formula in this day and age, showing cop and criminal as two sides of the same coin, but the way Mann effortlessly flits between both sets of superbly realised characters has never been bettered and paved the way for the modern cop drama including everything from Infernal Affairs to The Dark Knight. The performances are all, of course, top notch and every aspect of the film that surrounds them is faultlessly engineered to create a near perfect heist movie. The bank shoot out that turns the streets of L.A. into a war zone is astonishing in itself and candidate for best action sequence ever filmed. The soundtrack has maybe dated a little in places and some of the domestic drama a little heavy handed compared to the levels of sophistication shown in telling the life stories of these men born of violence, but it is all interwoven into something that exceeds the sum of its parts. A modern classic.

• Phil H

  
  Well this was it, now 16 years old yet back in 95 this was THE film of the year for action, suspense and the two biggest, serious and some might say best actors of our time to face off, bust each others chops and see just who had the bigger impact, the biggest appeal and the hardest… More
  Well this was it, now 16 years old yet back in 95 this was THE film of the year for action, suspense and the two biggest, serious and some might say best actors of our time to face off, bust each others chops and see just who had the bigger impact, the biggest appeal and the hardest set of kahunas haha. Much like 'Point Break' the film kicks off fast and doesn't let up till the credits role, its not continuous macho action like 'PB' as there is allot of build up and dialog involving the sting to get De Niro and his gang but when the action does hit its like a freight train in the face. I haven't seen this since its cinematic release and thought it may have lost some edge...it hasn't, its razor sharp and hardly looks dated in anyway, it could of been made today, you could never tell apart from the actors age of course. So apart from Mr De Niro and Mr Pacino you have a big name cast of stoic solid character actors and Val Kilmer, to be honest everyone is perfect accept Sizemore and Kilmer for me, both of whom just don't fit this kind of epic slick heist film with Kilmer being too weak and not believeable whilst Sizemore fits B-movies or less intelligent action flicks..in my opinion. The story arch is perfect and smoothly takes you from one plot point to another even having a small sub plot in a way with the character 'Waingro' who slips in and out of the main heist plot perfectly without causing any questions from the viewer. The film never lets you out as you struggle to decide who's side your on as the audience, do you root for De Niro as the criminal/anti hero type who finds love yet must give it up to survive or do you go for Pacino who is simply trying to keep his family life together and bust a dangerous gang of armed robbers? right to the end your never sure who to cheer for, its a personal choice almost like choosing your own ending. The highlight of the film of course must be the fight fire just over midway on a busy main downtown street, from a quiet, calm yet tense sequence it suddenly erupts into a massive onslaught of loud gun fire from the automatic weapons as the criminals must duck, cover and evade police covering each other step by step. The sequence may be one of the best gun fights ever filmed with heart racing camera movement to cover all the actors and bullet holes that spray the police cars, its fast, loud and relentless plus it looks damn real too. Add to all this a tremendous moving score for the very end as the credits role after the two main men of the film finally lock horns and you have a near if not perfect film from Mann, probably his best. 

• Kristijonas F

  
  A very well-rounded crime thriller featuring knock-out performances from Al Pacino and Robert De Niro.

• Jeff "

  
  Awesome crime Thriller. Two of cinemas greatest talents collide on screen in Michael Mann's Heat. This is an action packed tense, crime thriller that will keep you on the edge of your seat. One thing that Michael Mann has going for him in this film is a terrific cast that… More
  Awesome crime Thriller. Two of cinemas greatest talents collide on screen in Michael Mann's Heat. This is an action packed tense, crime thriller that will keep you on the edge of your seat. One thing that Michael Mann has going for him in this film is a terrific cast that deliver something special on screen. Heat is no ordinary heist film, it's a sophisticated film with sharp dialogue and sharp characters. It's strong story line only adds to it's sophistication. Heat is one of the best films of it's kind, no other heist film has come close to this action packed roller coaster ride. The scenes with Robert Deniero and Al Pacino electrify each scenes there in. Heat is a stunning crime epic. A jaw dropping masterpiece. This film is a grand film with a simple plot. Michael Mann has donne a terrific job with elevating the traditional cops and robbers heist films. This film is something else. The raid on the bank halfway through the film and ensuing shootout in downtown L.A showcases my point perfectly. The thing that elevates this film to epic stature is its impressive cast of actors who are able to turn a somewhat simple story into something grand. Obviously the most thrilling scenes are the ones with Al Pacino and Robert DeNiro going head to head. The combination of thrills, action, drama and suspense breaks new ground in the crime genre. Both main characters have really good motives, they do what what they do best. This is is a film filled with tension and as the Heat turns up, you stay glued to your tv set to know what will happen next. Heat is one of Michael Mann's greatest achievements as a director and I personally think he's very underrated as a true talent in the Crime genre of films. Heat is a well directed and plotted film that is definitely one of the greatest heist films ever made. This is definitely Michael Mann's finest film. No other Heist film has come close to Heat. This is definitely a classic in the crime genre.

• Thomas B

  
  Heat is not your typical crime thriller. If you've seen Mann's most recent work, the incredible Public Enemies, you'll know that the action, whilst being amazing, plays second fiddle to the atmosphere which Michael Mann endeavours to create and the characters which he… More
  Heat is not your typical crime thriller. If you've seen Mann's most recent work, the incredible Public Enemies, you'll know that the action, whilst being amazing, plays second fiddle to the atmosphere which Michael Mann endeavours to create and the characters which he makes you understand. So if you're expecting Bay-like explosions or... well... Bay-like character development, script or something within the realm of a Transformers film, best be changing you're thinking now. Heat follows the story of two men: the cop, Vincent Hanna (Al Pacino in one of his best performances ever) and the thief, Neil McCauley (Robert De Niro in one of HIS best performances). Yes, even though it is historic for bringing these two titans together onscreen for the first time, and a lot of the film is focussed on the characters these two bring to vivid life, Michael Mann, cleverly, keeps these two apart for almost the entire film, bringing them together for the first time in one of cinema's most reknowned scenes; the coffee shop scene. More of that later. We begin Heat with a cryptic first sequence which is only really understood after the second viewing, which shows De Niro simply walking through a hospital and driving out in an ambulance. Upon the second viewing, Mann's subtly brilliant directing becomes apparent, giving the viewer a real taste of McCauley and how he goes through life, analysing everything; every strange noise and random movement, anything even slightly out of the ordinary. Truly amazing stuff. The rest of the films direction is no less attentive or amazing as Mann creates a bleak yet fascinating, burnished daytime Chicago in which our character's live. It seems as though the scum of the city is just about to burst through but it's kept under a single layer of decency. Mann's precision filming is a fascinating thing to watch, as he captures every moment of the brilliant leads onscreen, drawing the best performance out of the both of them that he can. He lingers lovingly on his actor's faces, framed to perfection and set in a nighttime blue or a daytime darkness, as if you're wearing very light sunglasses while watching the film. Truly brilliant. The script is beyond any reproach; a perfect level of realism for every character as well as some killer lines. Mann obviously prefers to let his actors extrapolate for themselves what their character might be doing at the time, as most of the time more is understood from a single glance than any line of dialogue the character may utter. That doesn't render it obsolete, however. The film would be average without it. Without the support of this incredible document, De Niro and Pacino would never have made their characters so believeable or layered. Speaking of those two, they are absolutely amazing. They know their characters inside and out. Nothing about the people they portray is foreign to them, every tick, every movement, every glance, they are completely inhabiting the real-life counterparts at all times. The supporting cast pale comparrison, despite their own strong performances, in particular Amy Brenneman and Val Kilmer who both do extremely well, especially Kilmer who shows that he actually was good, extremely good, he just slipped a little. But these two performers, backed by this brilliant script and coached by this amazing director are the real strength of the film. Not that they carry it on their shoulders, but they take to a stratospheric level. Great action set pieces abound, just by the way, in particular the shootup in the streets of LA and others such as the first major heist, but Mann's action scenes are of a different breed to todays explosion fests. His action sequences involve the building of tremedous tension, an ever tightening which you fear will never break which is much more riveting than a simple shoot 'em up. Where every move is crucial and real danger is actually felt, these scenes are intensely dramatic as well as being some amazing spectacles. Heat is a modern American classic crime thriller, the obvious inspiration of films such as The Dark Knight and a must watch for any movie buff, or for someone who just wants to watch an awesome movie. Defining Scene: The coffee shop scene. Of course. The close runner-up is the platinum heist. Quotes: You wanna be making moves on the street, don't let yourself get attached to anything you are not willing to walk out on in thirty seconds flat if you feel the heat around the corner.

• Alexis N

  
  really good, long, but good. had a great cast.. just an all around awesome shoot em up-bad ass-heist-boy movie.

• Conner R

  
  Looking back on Heat, it is a complete modern masterpiece. Not only does it have one of the most amazing pairings of all time, it is in many ways the ultimate heist film. What I love about it is the fact that it looks at crime from almost every aspect. You see the effects of everyone… More
  Looking back on Heat, it is a complete modern masterpiece. Not only does it have one of the most amazing pairings of all time, it is in many ways the ultimate heist film. What I love about it is the fact that it looks at crime from almost every aspect. You see the effects of everyone involved, including the families of the heroes and the villains. I think it is what Michael Mann always wanted to bring to the screen with his TV experience on Miami Vice as well as Manhunter. It is visually flawless and captures the urban atmosphere perfectly. The writing is perfect and had to be in order to support the epic nature of the film. Also, no matter how many times it is mentioned, you have to mention Al Pacino and Robert De Niro. They both give some of their best performances in their entire careers. I think it's great that they both underplayed their characters and it really felt like they were real people that you could meet on the street. The supporting cast also helps give you the feeling of the bleak nature that the film promotes.

• James A

  
  My favorite part was when Val Kilmer says "oh man, I can't believe we're going to rob a bank in this heat. It's gotta be 100 degrees out here."

• Justin Y

  
  <i>Heat</i> is a crime drama done right by Michael Mann.<p>At a high level, this film has a simple "cops and robbers" type of story going for it. Mann just gives depth to the characters and adds multiple subplots to spice it up. The run time is a lengthy… More
  <i>Heat</i> is a crime drama done right by Michael Mann.<p>At a high level, this film has a simple "cops and robbers" type of story going for it. Mann just gives depth to the characters and adds multiple subplots to spice it up. The run time is a lengthy 2 hours 45 minutes and the film doesn't necessarily fly by; however, there is enough characters and story to fill the entire time. Still, there is the possibility for this movie to be shorter.</p><p>This picture isn't loaded with action, but when it happens, it really happens. The second half of the film contains, what many believe to be, a classic shootout in the streets of Los Angeles. It is easy to see why. The camerawork and the sounds of the gun blasts deliver a high sense of realism to this segment. It truly is a piece worth checking out. The airport segment, with some inspiration from <i>Bullitt</i>, also provides a nice conclusion to the film.</p><p>The cast is loaded with many recognizable faces and putting Pacino against De Niro works out wonderfully in the storyline. Pacino is a bit weird at times, but all in all the actors do fine jobs.</p><p><i>Heat</i> may be longer than it should be, but it still comes together as a successful movie on Mann's directing resume.

• Lewis C

  
  I'm not the biggest fan of crime dramas, but I can certainly recognize a good one when I see it. Heat easily falls into that category. It's remarkable that such a long movie could never feel dull or drawn-out, but Heat manages that feat with little effort. I called it a… More
  I'm not the biggest fan of crime dramas, but I can certainly recognize a good one when I see it. Heat easily falls into that category. It's remarkable that such a long movie could never feel dull or drawn-out, but Heat manages that feat with little effort. I called it a crime drama, but the actual crimes themselves receive relatively little of the movie's focus. Sure, when the action scenes occur they are very well done, but it's not hard to see that the private lives of the main characters are the real substance of the story. Thankfully, the actors assembled here are more than equal to the task. If you've wanted a thoughtful look at the other side of life for a dedicated cop or a wily thief, then you'll greatly enjoy Heat.

• Jens S

  
  Other directors would have probably shot this movie under 3 hours, but not Michael Mann. He decided to give his characters, even his bad guys, depth, which makes a few of the villains not even so bad and a few goodies not entirely shiny anymore. Their all humans, and it's a… More
  Other directors would have probably shot this movie under 3 hours, but not Michael Mann. He decided to give his characters, even his bad guys, depth, which makes a few of the villains not even so bad and a few goodies not entirely shiny anymore. Their all humans, and it's a pleasure to follow their lives for a while, as ugly as it gets sometimes. Together with a cast to dream of, a really intelligent script with great dialogues and a L.A. streets shoot-out that blows your head right off, the result is accordingly breath taking. The icing on top are Pacino and DeNiro's performances, especially in their infamous cafe scene together. If you're only gonna watch one cop vs. gangster thriller let it be this one. Excellent.

• Anthony L

  
  A great film in which we see Pacino and De Niro first act opposite each other (almost. it's quite dark). A scene movie fans had been waiting a long time for, which was ultimately a little disappointing. It's still a good film though, although I prefer the original, LA… More
  A great film in which we see Pacino and De Niro first act opposite each other (almost. it's quite dark). A scene movie fans had been waiting a long time for, which was ultimately a little disappointing. It's still a good film though, although I prefer the original, LA Takedown.

• Emile T

  
  Michael Mann's best. Al Pacino rules. One of the most intense and breathtaking films. « Heat » is inconditionably the best title the movie could have.

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