Heavy Traffic

Heavy Traffic (1973)

  • 88% of critics liked it
    (16 reviews)

  • 74% of users liked it
    (1,821 ratings)

Heavy Traffic represents a follow-up to animator Ralph Bakshi's first feature film, Fritz the Cat (1972). The central character is Michael, the ingenuous son of an Italian father and Jewish mother. An aspiring cartoonist, Michael leaves home in a huff and outrages his family by conducting an… More

R,
Directed By
Written By
Ralph Bakshi
Genres
Drama, Action & Adventure, Animation, Comedy
In Theaters
Jan 1, 1973 Wide

Critic Reviews

  • Jay Cocks, TIME Magazine

    Heavy Traffic not only has an authentic tenement toughness but the rough feeling of unassimilated autobiography, of experiences and fantasies still keenly felt.

  • Variety Staff, Variety

    There's something to offend everyone in this melange of crudely conceived, amateurishly animated stuff.

  • , Time Out

    The quality of the animation is cornflake packet standard, the script -- one or two minor moments excepted -- a disaster.

  • Roger Greenspun, New York Times

    A cruel, funny, heartbreaking love note to a city kept alive by its freaks, and always, always dying.

  • Don Druker, Chicago Reader

    Bakshi manages to offend nearly everyone from transvestites to mafiosi; but the comic distancing achieved by his army of animators manages to bring off a most difficult kind of humor: the humor of pain and despair.

Read all 11 critic reviews

See more critic ratings and reviews on Rotten Tomatoes

Fresh (60% or more critics rated the movie positively)

Rotten (59% or fewer critics rated the movie positively)

Featured Audience Ratings

  • Tim S


    To me, there's always been the Ralph Bakshi movie that everybody has seen (The Lord of the Rings) and then there are the rest that nobody has seen. Heavy Traffic is one of them, along with Coonskin and Fritz the Cat. These films are definitely not for everybody, but if you have a… More

  • AJ V


    A great animated film from Bakshi. It combines cartoon and live action actually. Plus, the story is really good, in that 70s realistic gritty style. I really liked it.

  • Mike T


    This film doesn't have the same cohesiveness or power as Bakshi's later work, Coonskin, but it's still an impressive vision. The influence of Selby Jr. is really visible here, in the style of language and the environment. Horrifying, surreal, surprising, and wholly… More

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