Hellraiser (1987)

Featured Audience Ratings

• Michael E

  
  Hellraiser is one of the most disturbing films made in the 80s, and when I say disturbing I mean sadomasochistic disturbing, mainly because of what the cenobites do to humans, but this is a very creative film when it comes to the plot and with the characters.

• Mike S

  
  Genuinely creepy and rife with suspense. Great make-up and gore effects for its time. Some characters actions are a bit stupid and unnatural though (such as the scene where Andrew Robinson's character gets his hand all bloody in an accident and his wife barely reacts to it). I… More
  Genuinely creepy and rife with suspense. Great make-up and gore effects for its time. Some characters actions are a bit stupid and unnatural though (such as the scene where Andrew Robinson's character gets his hand all bloody in an accident and his wife barely reacts to it). I was also repeatedly distracted by Clare Higgins' ugly hairdo. What in God's name were they thinking back then? Just minor irritants, however, in an otherwise good and well-made horror film.

• Film C

  
  God knows why they went on to make 2 others? but it was a very bad movie. Maybe i cant appreciate it because its an old moie and the graphics and the design of hellraiser himself was truly dreadful but i seriously wouldnt inflict this movie onto anyone.

• Melvin W

  
  Hellraiser is a cool and entertaining movie, but that's all it is. It's predictable and goes through long spells of horrible dialogue and even worse acting. All of that can be forgiven though because the story is really awesome. The greatest aspect of the movie is definitely… More
  Hellraiser is a cool and entertaining movie, but that's all it is. It's predictable and goes through long spells of horrible dialogue and even worse acting. All of that can be forgiven though because the story is really awesome. The greatest aspect of the movie is definitely the score which really sets the eerie atmosphere for the entire movie.

• Dean !

  
  A cult classic and for the time I can see why. However if watching it for the first time now, like I have, it looks very dated and the effects quite poor. Still it has its gory moments a rather simple story and could do with the cenobites being in the film a bit more. It did launch a… More
  A cult classic and for the time I can see why. However if watching it for the first time now, like I have, it looks very dated and the effects quite poor. Still it has its gory moments a rather simple story and could do with the cenobites being in the film a bit more. It did launch a whole load of sequels, 7 altogether?! and a remake of this is on the way soon!

• AJ V

  
  A brilliantly crafted horror film. The story is creepy, realistic, ancient, and awesome, the actors are good, and the blood and gore is spectacular. If you're a true horror fan you must see this movie. I love it!

• Veronique K

  
  Cenobites as polyphonic embodiments of superego in Clive Barker's The Hellbound Heart "Outside, somewhere near, the world would soon be waking. He had watched it wake from the window of this very room, day after day, stirring itself to another round of fruitless pursuits,… More
  Cenobites as polyphonic embodiments of superego in Clive Barker's The Hellbound Heart "Outside, somewhere near, the world would soon be waking. He had watched it wake from the window of this very room, day after day, stirring itself to another round of fruitless pursuits, and he'd known, known, that there was nothing left out there to excite him. No heat, only sweat. No passion, only sudden lust, and just as sudden indifference. He had turned his back on such dissatisfaction. If in doing so he had to interpret the signs these creatures brought him, then that was the price of ambition. He was ready to pay it." .....from Frank in The Hellbound Heart. The Hellbound Heart is Clive Barker's gothic tale about the pursuit of unfathomable pleasure through Lamarchband's box going awry, and the deformed Cenobites, which are semi-human creatures mutilated by excessive body-piercings, would be emancipated once the puzzle-box is solved, to torment the trespasser with excruciating pains like Pandora's box in Greek Mythology. The trespasser Frank is a lecherous occultist whose life has descended into a state of abjection after tasting various perverse form of carnal pleasure, and his fleshes are torn into fragments and re-incarnated into a wretched figure with feeble human resemblance. Thus Frank seeks to resuscitate his human flesh by the aids of his brother's wife Julia, who uses her sex appeals to prey male wooers for Frank, whose secretive reincarnation are exposed to the Cenobites after the murder of his brother. Forever as ever, no one could ever make his escape from the Cenobites. I shall interpret Hellbound from four perspectives: 1. Edge Allen Poe has brought up the idea of "spirit of perverseness" in his short story The Black Cat, and that is a potent force of morbidity propelling humans into brutal deeds. In other words, the spirit of perverseness is an archaic presentation of Lacanian jouissance. Abjection, according to Kristieva, is "the place where meaning collapse," and Goth is product of abjection which leads toward the reckless pursuit of jouissance. Here we have Frank and Julia, who're the abject figures who practice this extreme form of pleasure through violence. Contrary to the slasher genre, the victims here are all men who cannot resist the power of female sex, and Julia, as a jaded but beautiful housewife, protests the idea of female domesticity through her pursuit of jouissance. Julia even refers the doomed room where the uncanny Frank dwells as a "deadwoman's womb" in which she finds great soothing comfort of darkness. Julia here shall be Zizek's the dame who subjectifies her fate (Zizek's interpretation of femme fatale in Film Noir), and it is her decision of reviving Frank into human fleshes that enables the happenings of those tragic events because she wishes to have Frank as her kept lover. In a nutshell, woman here has a great personal agency. 2. Gothic fiction is usually a representation of the demons within human unconscious, and it liberates taints within the unconscious where "meaning collapses." In Hellbound, Cenobites are the embodiments of the subconscious inversion of Christian theology on crime and punishments. In Christianity, there're two attitudes toward sinners: rehabilitation and retribution. Rehabilitation is for the morally redeemable in the superstructure of moral hierarchy. On the contrary, retribution is for the unrepentant in the infrastructure. Retribution is what Cenobites inflicts upon those despicable sinners: Frank and Julia, who are punished in a series of sadomasochistic manners. Frank's slaughter of his own straight-laced brother is an implication of Biblical story of Cain and Abel, and Frank is seized again by the Cenobites after his murder of his good-natured brother. 3. The story of Barker's Hellbound is rendered through a "polyphonic" perspective, and it applies the visages from various protagonists in each chapter. Simultaneously the presences of various Cenobites in different gruesome forms shall formulate a Bakhtinian Carnival. According to Bakhtin's idea on "the carnival of polyphonic truth" in Problems of Dostoevsky's Art, the carnival invents "thresholds" where genuine dialogue becomes possible after the monophony gets shattered. Goth in postmodern stage is an apolitical aesthetic expression, "abandoning any credible historical grasp upon its object " (Baldick and Mighall). The grotesque Cenobites, rendered through polyphonic narrations, shall perform a post-gothic carnival for the reader with great relish, and audience would side with Cenobites to practice their duties of Superego and punishes the un-just with gratifying gore in an apolitical postmodern way, which rejoices pain as pleasure! 4. After The Hellbound Heart being adapted into the movie Hellraiser, the engineer Cenobite's become the figure of Pinhead, which has been highly fetishized into the Gothic Habitus(idea barrowed from Bourdieu's Habitus), which is a collective conceptualization of the images we see and the things we do as Gothic in the discourses of American Popular Culture.

• Jeff "

  
  Clive Barker's ultimate masterpiece of on screen Horror. Based on his novella, the Hellbound Heart, Hellraiser is one cool film to watch. The film surrounds a mysterious puzzle box built by toy maker, Philippe Lemarchand, unlocked the box opens the gates of hell, and summons… More
  Clive Barker's ultimate masterpiece of on screen Horror. Based on his novella, the Hellbound Heart, Hellraiser is one cool film to watch. The film surrounds a mysterious puzzle box built by toy maker, Philippe Lemarchand, unlocked the box opens the gates of hell, and summons demons. Hellraiser is a very cool, and atmospheric horror film. The film is gory and solid. Hellraiser is a terrifying film. Theres nothing that Clive Barker doesn't do to your senses. He successfully twists your imagination in ways that no other Horror master can. Barker's film has perverse elements of sexuality which add a certain twist to the overall plot of the film. I have read the book that Hellraiser is based on, and Clive Barker stays very faithful to his novella. The film as much as the book are excellent and this screen adaptation is very well done. After all the film is directed by the mastermind who conjured up this terrifying journey through hell.The acting is great, and the story has a melancholic Horror vibe to it, which makes Hellraiser a fine cinematic work in Horror, what else could you expect from Clive Barker? One thing that I love about Clive Barker, and the thing that he's able to do so well is obviously that he's able to reach beyond your imagination to truly terrify you. Enter the terrifying mind of Clive Barker.

• Tony G

  
  Horror films tend to just scratch the surface when it comes to the exploration of human's flirtations with evil. With "Hellraiser", Clive Barker's agents of evil - embodied by creatures called Cenobites - are called upon by a human looking to experience pleasure… More
  Horror films tend to just scratch the surface when it comes to the exploration of human's flirtations with evil. With "Hellraiser", Clive Barker's agents of evil - embodied by creatures called Cenobites - are called upon by a human looking to experience pleasure at any cost - even if the cost is eternal pain. "Hellraiser"'s low budget does not prevent it from becoming a truly scary and horrific voyage to the Gates of Hell.

• Chris G

  
  Hellraiser is really the story of how being kinky can get you into trouble. The film opens with Frank Cotton (Sean Chapman) playing with a puzzle box surrounded by candles. We don't know what he's doing, only that it's probably not going to be pretty because the title… More
  Hellraiser is really the story of how being kinky can get you into trouble. The film opens with Frank Cotton (Sean Chapman) playing with a puzzle box surrounded by candles. We don't know what he's doing, only that it's probably not going to be pretty because the title of this film is Hellraiser, right? So he proceeds to open the box and begins his journey of experience the pains and pleasures of hell, brought to you by a band of tour guides called the Cenobites. Of course, all good things come to an end and the Cenobites think they have gained Frank's soul for their collection. Enter Frank's brother Larry (Andrew "Scorpio" Robinson) and his wife Julia (Clare Higgins) who decide to move into the house that Frank completed his ritual and is virtually a disaster with each floor needing more work than the next. If Larry is really this cheap then it's no wonder his marriage is going down the toilet. I don't know if he was going to have Norm and the This Old House team come over and fix the joint up or what. So in the process of moving in, Larry cuts himself and drips blood on the floor of Frank's kinky room, fertilizing the little that is left of Frank's physical being that is hiding in the floor boards. Frank is back and so is the lust that Julia had for him (yep, they Tigered). The problem is that for Frank to be whole again he needs more blood and more bodies to make him a man again. That's when Julia agrees to help him by leading unsuspecting men to the kinky room and use them for spare parts while being discrete as not to arouse the suspicion of Larry or his daughter Kirsty (Ashley Laurence). When people think of Hellraiser they think of Pinhead, all decked out in his Judas Priest gear,ready to give it to the hapless puzzle fan that played with his box. This first film is actually more about the human characters and how they interact in the situation they've fallen into. The Cenobites, poster children for this films, only appear in three sequences so be warned going into this if you're looking for some Pinhead action. The thing about Hellraiser is not that's it's gory or even really that scary. It's just creepy as hell. The atmosphere reminds me of the original Texas Chainsaw Massacre, which I feel the same way about. It's the atmospherics that get to you, not the actually action on the screen. Clive Barker creates this haunted house feeling, even though it's only haunted by the guy without skin in the spare bedroom. Well acted, though there are some cringeworthy moments, Hellraiser is yet another first chapter in a horror series that has gone straight into the toilet during the last twenty years. Don't even bother with the others. This film isn't a masterpiece, but it is a very good horror film that leaves you with a ominous feeling throughout the picture. No, it won't tear your soul apart, but it will entertain you with it's extremely dark subject matter and good story.

• Daniel J D

  
  If it had been any longer, I'd have probably started sticking pins in my face, but it was fun to make fun of.

• Wahida K

  
  Timeless Horror. <i>Fav bit</i> After cutting his hand on a nail (while moving a mattress), Larry goes upstairs to the room where Frank was killed and his blood falls on the floor. It mysteriously disappears through the floorboards, and Frank's soul uses this blood as… More
  Timeless Horror. <i>Fav bit</i> After cutting his hand on a nail (while moving a mattress), Larry goes upstairs to the room where Frank was killed and his blood falls on the floor. It mysteriously disappears through the floorboards, and Frank's soul uses this blood as nourishment to partially regenerate his body. Later, Frank convinces Julia to help restore him to his full physical form. Julia succumbs to Frank's entreaties and agrees to help him by seducing men and luring them up to the empty attic where Frank hides. After having Julia incapacitate them, Frank drains them of their blood, which allows him to further regenerate his body.

• Conner R

  
  Great classic horror story that concerns nothing but torture. I love how over the top Uncle Frank was and just how completely nuts the story was. I think the idea of a torture box was great and the fact that it unleashed a pack of Cenobites. The visual effects were great, some of the… More
  Great classic horror story that concerns nothing but torture. I love how over the top Uncle Frank was and just how completely nuts the story was. I think the idea of a torture box was great and the fact that it unleashed a pack of Cenobites. The visual effects were great, some of the best i've seen. Especially when it came to the rebirth of Uncle Frank. Clive Barker is the king of torture and he defitiely proved it here, even now it's still pretty abitious in terms of content. Its an amazing horror tale too, there's method to the madness. It shows the descent into evil and what certain people will do for ultimate power.

• Nicki M

  
  Pretty lame, even for an 80's horror. Not that I expected otherwise!

• Aaron N

  
  Kirsty Cotton: Who are you? Lead Cenobite: Explorers in the further regions of experience. Demons to some. Angels to others. From Clive Barker, this is a very sick and twisted horror film that brings nightmares to life. That is a fairly generous opening sentence, which makes the… More
  Kirsty Cotton: Who are you? Lead Cenobite: Explorers in the further regions of experience. Demons to some. Angels to others. From Clive Barker, this is a very sick and twisted horror film that brings nightmares to life. That is a fairly generous opening sentence, which makes the film sound better than it is. While certainly gorey, the film is not too scary. The story is ludicrous, however the redeeming factor comes from some of the ingenious work made possible by cool looking practical effects. Lead Cenobite: No tears, please. It's a waste of good suffering. A couple has moved into a house in New York. The couple consists of Larry and Julia. Julia is Larry's second wife. Julia once had an affair with Larry's dead brother Frank. Larry also has a daughter, Kirsty, from his first marriage, who lives in the city. How do all these things connect you ask? Well, a mysterious cube, said to be the source of unbearable pain as well as unbearable pleasure was responsible for Frank's death. Of course, Frank died none other than in the very house Larry and Julia (who remember slept with Frank) have moved into. Soon, after an accident, blood is spilled in the attic, where Frank died I guess, which somehow brings him back to life. However, not completely, he sort of forms just enough bone and tissue to be around, but not whole. Soon, Frank comes into contact with Julia and because of her undying attraction to Frank, she agrees to help Frank collect victims to help him reform his body, as long as the evil spirits behind "the box" don't find out about this. Lead Cenobite: We'll tear your soul apart! I hope this plot synopsis was helpful, because beyond the iconic Pinhead character, I had no idea what this movie was about and certainly did not expect what came out of it. The story is ludicrous. The actors get by, some better than others. Its really the production value that lets this movie get by. While I don't follow Clive Barker's work very closely, what I know about him is his obsession with the dream/nightmare world. He does a lot here, on a fairly low budget, to try and bring theses aspects to life. Bringing forth a lot of abstract character and gore designs to make some memorably gruesome images. So with all the ups and downs, I still found entertainment value in this film. The use of practical effects was a big plus. There are some fairly ingenious gore sequences in this film, particularly the resurrection of Frank towards the beginning. The very cheesy 80s feel of the film was certainly a plus as well. Christopher Young's orchestral horror soundtrack was also welcome. By no means a classic to revisit, this is still a film made to be viewed nowadays with friends to celebrate its combination of gore effects and cheesiness. Kirsty Cotton: You can go to Hell! Female Cenobite: We can't. Not alone.

• Anthony L

  
  An indulgent film by Clive Barker who didn't have much experience in directing and sadly at times it shows. Still, the story is strong and the gore and sadistic horror plentiful, even the worst acting ever has not prevented it from becoming one of the best horror films of all… More
  An indulgent film by Clive Barker who didn't have much experience in directing and sadly at times it shows. Still, the story is strong and the gore and sadistic horror plentiful, even the worst acting ever has not prevented it from becoming one of the best horror films of all time.

• Martin S

  
  I have a lot of bad things to say about this....but this not the time or place......Johan got the best of it

• E.J. B

  
  Ah, yes, Hellraiser. I've finally watched it, and having been pleasantly surprised last month by The Midnight Meat Train, I wanted to see what else Clive Barker has been putting out over all these years. Well Hellraiser certainly didn't do anything for me. It's… More
  Ah, yes, Hellraiser. I've finally watched it, and having been pleasantly surprised last month by The Midnight Meat Train, I wanted to see what else Clive Barker has been putting out over all these years. Well Hellraiser certainly didn't do anything for me. It's exactly the kind of picture I hate. Relentless violence for the sake of relentless violence. I hated every character in this movie. Upon meeting one character, Frank, I didn't know enough about him to identify with him before he is turned into goo, but I hated him even more as the film went on. Julia is, for lack of a better term, a nutjob. Actually, no, she's a plot device. She's supposed to be unhappy with her husband, Larry, but is more than ecstatic to be with Frank. She'll do anything Frank asks so the film can get on with the killing. Larry is the definition of a douche bag. The only likeable character is their daughter Kristy. In any predicament she gets in, she will survive, no matter how implausible it may seem. It's not that I only watch movies with likeable characters. But there's a difference between watching flawed people, and being completely indifferent as to what happens to them. Furthermore, Hellraiser just throws images at you without explanation. It doesn't take much imagination to throw a monster down a hallway, or have weird people come out of a box. Horror is supposed to assault your senses, and maybe leave you comepletely shocked, but it is not supposed to leave you confused at what you just saw. I had no idea what was going on in Hellraiser. How does the box work? How can torture be pleasurable? How can the creatures just disappear at the closing of the box? How did Frank escape in the first place? Hellraiser has spawned dozens of imitators and numerous sequels, all ridiculously flawed. But can you really blame them, when they have this crap as their inspiration?

• Cassandra M

  
  A lot of people on this site are moaning that HELLRAISER isn't all that scary . Well define " Scary " ? opening an electricity bill and finding that it exceeds your life savings causes my heart to miss a few beats but will anyone be making a horror film about someone… More
  A lot of people on this site are moaning that HELLRAISER isn't all that scary . Well define " Scary " ? opening an electricity bill and finding that it exceeds your life savings causes my heart to miss a few beats but will anyone be making a horror film about someone getting a massive electricity bill ? I don't think so either and very few films have terrified me and the notable few that have scared me witless like THREADS , QUATERMASS AND THE PIT aren't strictly speaking horror movies . In fact the one thing that used to terrify was DOCTOR WHO and what's that ? A childrens TV show shown at tea time so let's not kid ourselves horror movies are scary !!!! SPOILERS !!!! What I absolutely love about HELLRAISER is that it's not really a horror film as such - It's a macabre love story with loads of subtext about how love and sex can destroy us and in many ways it can be viewed as an AIDS allegory ( 1 ) . Larry doesn't satisfy his wife in a sexual matter and it's this sexual inadequacy that leads to his death , Julia lusts after Frank which leads to her death , men who've just met Julia go back to her flat for some casual sex only to be murdered , while Frank lusts after Kirsty ( Who can blame him ? ) and it's this obsession that leads to his death at the hands of the Cenobites ah yes the Cenobites . A lot of people seem upset that the Cenobites aren't to the fore in this movie but it should be pointed out that they're the catalyst of the story not the focus . The story revolves around Frank and Julia's relationship and Julia's dissatisfaction with her marriage . In fact you could easily rewrite the story with Frank being on the run from a criminal gang instead of demons from another dimension and you'd still have the same story I shall admit there are some flaws to the movie such as the bizarre dubbing but I should point out that this was done post production in order to make the characters more identifiable ( 2 ) to an American audience hence English characters speaking with Bronx accents which does make some of the performances laughable . Ironically the only performance which can be described as bad is genuine American Ashley Laurence as Kirsty , but hey she's gorgeous so let's not complain too much lads . Writer/director Clive Barker's strengths do outweigh any weakness , take for example the scene in the hospital where a nurse watches TV and it's not a TV show she's watching but a rose in bloom , and for me the greatest image isn't the murder and gore but the scene at the end where a photograph of Frank burns to a haunting soundtrack . Barker does get good performances out of most of the cast namely Andrew Robinson who isn't as good as he was in DIRTY HARRY but he'll never be able to top that and he is good as uber wimp Larry , Claire Higgins as femme fatale Julia and Sean Chapman as the human version of Frank. I thought Chapman might have gone on to become a big name after this movie but strangely not . Even stranger I thought Barker would have gone onto bigger and better things but for some reason I found myself disliking his other stuff and seems to have disappeared from film making all together and I can't say I'm all that upset HELLRAISER is a classic story on the themes of love and death . Such a pity someone wanted to turn the movie into a franchise ( 1 ) The same week HELLRAISER was released FATAL ATTRACTION topped the US box office charts . One can't help thinking HELLRAISER would have been better regarded if it came out a few weeks earlier since the subtext is very similar to the Michael Douglas blockbuster ( 2 ) HELLRAISER spent several weeks in the US box office reaching a peak of number three on the charts and taking millions of dollars ( Not bad for a movie costing one million bucks ) so the dubbing is probably justified

• Chris W

  
  Creepy, unsettling, original, and highly imaginative, Hellraiser is one of those excellent and highly influential horror films that should have gotten more critical praise than it did, instead ending up as more of a cult classic. I can't believe that I waited so long to finally… More
  Creepy, unsettling, original, and highly imaginative, Hellraiser is one of those excellent and highly influential horror films that should have gotten more critical praise than it did, instead ending up as more of a cult classic. I can't believe that I waited so long to finally see this, and, even though the film is almost as old as I am, I really can't say that I've seen a film quite like it before. Besides being really creative and unique, I really liked the atmosphere of the film, as well as its excellen tscore by Christopher Young. And of course, Doug Bradley became an icon because of this movie, and that's not a bad thing either.

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