Laurence Olivier, Robert Newton, Felix Aylmer

If Kenneth Branagh's 1989 version of Shakespeare's tale of conquering greed reflects the post-Vietnam era, Laurence Olivier's version very much mirrored his time. When Olivier gave us his colorful ad...( read more  read more... )aptation in 1945, it was vivid, full of pageantry, and most definitely geared toward war. Pretty flags and white steeds, shining armor and theatrical emphasis figure into Olivier's attractive but decorous version, liberally adapted for a pro-war stance. He used the French as comic relief; they appeared foppish and foolish. Their presence implied no threat. If you had not read the play, you would not have to wonder who was going to win. Of course, Olivier wanted England to believe in the justness of war--his country was in the midst of one. The propaganda gets in the way only because it has been filtered through so many decades. His Henry remains, however, a handsome cinematic spectacle. Olivier's performance is gentle and elegant, his imagery rich and colorful. It was considered such a superb film he was awarded an honorary Oscar. He followed this with adaptations of Hamlet and Richard III. --Rochelle O'Gorman

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74% liked it

3,149 ratings

Unrated, 2 hrs. 19 min.

Directed by: Laurence Olivier

Release Date: June 17, 1946

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DVD Release Date: June 22, 1999

Stats: 130 reviews

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Flixster Reviews (130)


  • October 25, 2007
    A majestic sweep of a film! As befitting Choruses' opening speech, the film begins on stage in the Globe theatre, but as it progresses it slowly morphs into the real world, until finally we have the huge expanse of the charge at Agincourt.

    A remarkable film in many ways. The con...( read more)cept of slowly adding to the realism was perfectly done, and the staging fantastic. However, what lets the film down a little is (in my opinion only) the acting. I'm well aware that there are some who regard Olivier as the greatest deliverer of Shakespearean lines ever (to quote one, he was fluent in Shakespeare). I'm not going to argue with that... but the problem is that the acting is a bit stagey, and worse, is so focused on delivering the rhythm of the poetry, it fails to elucidate the meaning of the text. For this we must turn to Brannagh's version, smaller in scale, but clearer in intrepretation.
  • October 9, 2007
    Not at all what I expected. The use to the theater stage and "Mr. Roger's Neighborhood"-esque production design in fascinating.

    Can defiantly see it's influence on Wes Anderson and Monty Python.
  • May 8, 2009
    Olivier,the brave little toaster.Megalomaniac beyond good and evil,a person who pushed Shakespeare to the limits,and in his personal Henry V vision tarnishes the philosophy of the play.He probably knows we're in the movies so in spite of the rejuvenating colors and the chirping a...( read more)tmosphere,we are aware of the Shakespearean pathos somewhere in that clamor of fight.
  • August 24, 2009
    It was just good, not great.
  • April 16, 2009
    For it's day I suppose it was considered good, today it seems silly
  • July 3, 2008
    want to see this because it was nominated for best picture at the oscars and won best picture with the NBR
  • May 1, 2008
    It's good. Oliver is not a favorite of mine. I find him stuffy and over rated.
  • March 18, 2008
    I didn't like this film.
  • December 28, 2007
    This sounded classic and interesting, but it took me so long to watch that it became a burden and I really didn't enjoy it. I know lots like it, but I've seen better Shakespeare films like Much Ado About Nothing which I would rather watch.
  • November 23, 2007
    Many scenes have a wonderful sense that the viewer is in a medieval 'book of hours' and I love how the film starts and ends with being in the Globe Theatre in Shakespeare's time.

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