Bertil Anderberg, Erland Josephson, Georg Rydeberg

Troubled artist Johan (Max von Sydow) is haunted by past memories … and those demons are contagious, as Johan's wife, Alma (Liv Ullmann), learns when she begins to experience the same delusions. A loc...( read more  read more... )al aristocrat (Erland Josephson) and his supernatural clan could be behind the nightmares in this brooding, surreal Gothic tale from Swedish master Ingmar Bergman.

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5,042 ratings

Unrated, 87 min.

Directed by: Ingmar Bergman

Release Date: April 9, 1968

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DVD Release Date: April 27, 2004

Stats: 283 reviews

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Flixster Reviews (283)


  • June 12, 2009
    Although Ingmar Bergman's "Hour of the Wolf" is not often spoken of in the same breath as the beloved "Seventh Seal" or "Wild Strawberries", it's far from "lesser Bergman". Using Max Von Sydow as an alter-ego, Bergman dissects the anxiety of an artist - the inner demons, the self...( read more)-absorption, the judgmental public eye, and the barrier between director and audience. On top of that, however, Bergman creates one of the most obscure and terrifying horror films you'll ever see. You don't even realize it until you're twisting and turning in bed and trying to free your mind of it's images. It's a terribly bleak film, but one so endlessly fascinating that you can only wonder how it doesn't get more talk amongst Bergman enthusiasts.

    The hour of the wolf is the hour right before dawn. It's the hour in which most people die, when most people are born, and when nightmares are at their most real and frightening. In an early scene in the film, Bergman lingers on a shot only to prove how excruciatingly long a minute can be. After that sequence, we realize that an hour is an eternity.

    Johan Borg (Max Von Sydow) is an artist living in a summer cottage on the island of Faro - a beautiful, but deserted place (this can very much be seen as a companion piece to "Persona"). He's living with his pregnant wife Alma (Liv Ullmann), who we meet at the beginning of the film. She tells us that her husband is missing and we won't believe what happened to him. By reading his diary, Alma takes us back to the days leading up to Johan's disappearance.

    Johan is a nervous wreck who speaks of seeing his nightmares as clear as day. There's an old woman who removes her hat and then her face, a "spider man", a man with the face of a bird, and so on. Because the best couples become a unit after being together for a significant length of time, she begins to share his horrors. One day, Johan tells Alma that they've been invited to the castle of Baron von Merkens, who owns the island. The guests at the castle welcome them with open arms at first, but the night becomes increasingly more strange (including a puppet show with a miniature human performer). We're introduced to all of Johan's visions, including, in the film's most shocking scene, the woman who removes her hat and then her face.

    "Hour of the Wolf" may frustrate some viewers - we never really know what is real and what is fake, and we're toyed with in challenging moments such as Johan's battle with a young boy. If you allow yourself to follow where "Hour of the Wolf" wants to take you, however, it's a completely engrossing surrealist fantasy. This is a masterpiece of Gothic horror, a film that sheds countless insights on Bergman the artist whilst weaving you through a truly terrifying vision.
  • October 17, 2008
    Max Von Sydow is a painter, attacked by demons he created out of existential guilt. Liv Ullman plays his faithful spouse.
    An unreal, nightmarish parade of phantasmagorical visions conceived by Sven Nykvist and his expressionistic, tantalizing photography; and Bergman's introspe...( read more)ctive and deliberately misleading narration.
    Possibly his most enigmatic and obscure film.
  • December 24, 2007
    Bergman's Horror Film
  • December 2, 2007
    An unfathomable but fascinating psychological horror movie about an artist's mental disintegration. The line between fantasy and reality is so blurred that it becomes impossible to tell where one ends and the other begins. Though difficult, frustrating even, there are remarkable ...( read more)scenes and individual shots which reverberate long afterwards in the memory; the murdered child/demon bobbing up and down in the sea is particularly haunting.
  • March 3, 2007
    This totally strange, and very disturbing, "horror" film by Ingmar Bergman plays out much like an Edgar Allan Poe tale (that's a good thing, by the way). There's just something about a story set on an isolated island that is inherently scary, so that helps - but besides that this...( read more) movie really is very scary (beautiful at the same time), just not in any obvious way. The utterly dark world Bergman creates places us right in there with the characters played Max von Sydow and Liv Ullmann as they face a series of strange encounters with a group of people (ostensibly human) who live in a sprawling, shadowy mansion on the other side of the island. The work of both actors is phenomenal, and the actors playing the antagonists are all very good at being subtly very frightening. Definitely worth checking out.
  • September 29, 2009
    Somewhat suspenseful film. Rather unusual for Bergman.
  • June 26, 2009
    Swedish horror isn't that different from American. Boobs, men in drag, the half-naked child was a little odd, but at least they were near water. I am not sure what I just watched.
  • March 25, 2009
    Hour Of The Wolf is both one of Ingmar Bergman's most underrated films and best films. As usual, the acting is incredible with Max Von Sydow and Liv Ullmann delivering terrific performances. Bergman really captures the fear emotion by throwing you into the film and completely cre...( read more)eping you out. Some very memorable horror scenes. Terrific film. Unfortunately, I still get a little confused on the symbolism on this movie. But besides the confusion I love it.
  • November 30, 2008
    Ghosts? Vampires? Cannibals? Mind demons? Madness? Combo? Artist and wife on an island. He's going mad...or is he? She's going mad, too...or is she? Thought provoking and disturbing Bergman film.
  • November 22, 2008
    B+ = Close to perfect

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