Sandy Collora deservedly graduates from his brilliant Batman short film Batman:Dead End to produce a wonderful piece of thoughtful sci-fi. With a low budget it's amazing what Collora has done. He prefers the practical effects, which leads to some wonderful make-up and costume… More
Sandy Collora deservedly graduates from his brilliant Batman short film Batman:Dead End to produce a wonderful piece of thoughtful sci-fi. With a low budget it's amazing what Collora has done. He prefers the practical effects, which leads to some wonderful make-up and costume designs.Without these the film wouldn't work as well as it does. As it progresses the influence of Twilight Zone/70's sci-fi is everywhere, and as the twists and turns are revealed, they add to the story. Collora doesn't assault us with chaotic editing to "add" action on a low budget. He uses the restraints of the make-up and costumes to add to a realistic environment. At the heart of the story are talks on morals and ethics. Obviously the title refers to a switch in the dynamic of what hunts what and why. It isn't overly complicated, but it's wonderfully thought out. Some of the best moments have the enemies engage in conversation. We are always hit with a sense of appreciation between the two, and it becomes obvious that they could become friends under different circumstances. It's great in an age of overproduction, to see something that embraces its limits and finds the heart, soul, and story from within.