Gianni Schicchi, Jeannie McNeil, Liliana Gerace, Lou Castel, Marino Masé ...( see more  see more... ) , Paola Pitagora , Pier Luigi Troglio

Alessandro, a young epileptic with paranoid inclinations, decides to relieve Augusto, the only sound brother, from the burden of a numerous family plagued with hereditary diseases. After a first abort...( read more  read more... )ed attempt, the dreadful series of accidents/murders is started by pushing the blind mother into a ravine. Then comes the turn of Leone, the idiotic brother. Will Alessandro be able to bring to completion his obsessive project?

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87% liked it

493 ratings

Unrated, 1 hr. 45 min.

Directed by: Marco Bellocchio

Release Date: January 1, 1965

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DVD Release Date: April 25, 2006

Stats: 57 reviews

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Flixster Reviews (57)


  • February 1, 2009
    Here's a film to ease your mind if you're worried about your family being dysfunctional! I think a lot of reviews I've read of this are too eager to accept Alessandro's own, romanticised excuse for his crimes: that he is easing his elder brother Augusto's burden of responsibility...( read more) as head of the family. He is far too selfish for that! Their sister, Giulia, is nearer the mark when she tells Augusto that Ale hates being surrounded by incurables because they stifle his dreams.

    I found the relationship between Giulia (Paola Pitagora) and Ale (Lou Castel) the most fascinating aspect of the film. A pair of vain, childish thrill seekers, they spend most of the first hour at each other's throats, apart from one eerie embrace, prompted by mutual insecurity, as they eavesdrop on one of Augusto's telephone calls to his girlfriend. Amazingly, Ale's killing spree actually brings the brother and sister closer together. Obviously, there was only so much immorality you could slip past the censor in 1965, but the incestuous chemistry between them is surprisingly potent.

    The film is at its weakest when the common sense of the outside world threatens to unravel Ale's dreams. To minimize this problem, director Marco Bellocchio cuts from the murders straight to the victims' wakes, after the dust has settled. Even so, the fact that Ale escapes all suspicion takes a good deal of swallowing, as does Giulia's statement to Augusto that there is not enough evidence against Ale to hand him over to the police. What about that handwritten confession???
  • November 18, 2008
    this is brilliant. a milestone of sixties film and still amazingly fresh. lou castel's performance as a disturbed man hatching a matter-of-fact plan to get rid of his troublesome family is incredibly chilling, at times bordering on the blackest of comedies. with a lovely eeri...( read more)e score by morricone. i will never hear la traviata again without thinking of this film
  • May 29, 2009
    Bellocchio grabs the opportunity to literally punch the audience in the groins.While there aren't specific motives as to why the "anti-hero" is willing to vanquish himself and his family,the reason of wretched misery is more than enough to comprehend his torture.
  • July 16, 2009
    I really like the way this film touts the new lack of closeness in families by its very stern and indifferent nature with the killings. It is a plan formulated less of pity than of convenience and more for gain than anything. That portrayal was fantastic as it does display the ne...( read more)w capitalist in this society, an absolute cold person and one without a need for problems without point. Allegorical yes, but still rather clinical.
  • April 1, 2009
    An underated Italian classic is quite cynical and chilling. The DVD has some great commentary by the director's peer. Bernardo Bertolucci.
  • April 18, 2008
    Mmmmmh... If I have to direct my first film, please, remember me this one... I hope to be just more... Mmmmmh... Solare!
  • April 16, 2008
    I can't understand what pushes someone the make a first movie like this... However it's very intriguing and makes you face some questions.
  • January 5, 2008
    The story was a little too over the top for me, but there are some amazing scenes. Lou Castel keeps you watching.
  • November 7, 2007
    What a suggestive title! I'll watch it just to talk about the title.

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