Il y a Longtemps que Je T'aime (I've Loved You So Long)

Il y a Longtemps que Je T'aime (I've Loved You So Long)

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Il y a Longtemps que Je T'aime...

Catherine Hosmalin, Claire Johnston, Elsa Zylberstein, Frederic Pierrot, Jean-Claude Arnaud

Juliette was 15 years in prison. Confronted with the unexpected goodness of her younger sister Léa, who makes Juliette a part of her family, very slowly breaks up the Juliette's ice and bitterness and...( read more  read more... ) she carefully opens up.

Id: 10960205

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Recent Reviews


  • December 16, 2009
    A Smart and original movie with a powerful performance for Ms Thomas. She seems to be an even better actress now that she?s making movies in France. It?s a slow burning movie about a woman just released from prison after 15 years for killing her son but there is a mystery around ...( read more)the reason why, she moves in with her sister and brother in law and daughters. It?s the ongoing struggle and coping with here new life and the re-attachment with her sister which is such an interesting watch. Not a movie for everyone but if you life stories about real people set in a real world then maybe this is a movie for you.
  • December 16, 2009
    "The worst prison is the death of one's child. You never get out of it."

    A woman struggles to interact with her family and find her place in society after spending fifteen years in prison.

    REVIEW
    ...( read more)er>
    A well written and exceptionally well performed tale that explores the depths of acceptance. Kristin Scott Thomas plays Juliette, a woman returning to society after a fifteen year spell in jail. Mostly met with hostility, she is embraced by her sister Lea (Elsa Zylberstein) and treated with caution by her sister's husband and curious daughter (Lise Segur in an amazing performance). The film focuses on emotional details and provides us with a realistic cross-section of humanity. Reaction to Juliette is experienced via a variety of characters. Director Philipe Claudel makes intelligent choices in terms of what is revealed about Juliette; his style is an unobtrusive one that gives the performers plenty of room to move. Zylberstein and Thomas are great together, convincing us of their history and their private pain. The film doesn't wrap anything up for convenience; it reminds us that life is always gray. It is engaging cinema.
  • June 20, 2009
    Taught, believable study of a woman's struggle to reintegrate into society and her family after a tragedy which saw her jailed for 15 years. Thomas and Zylberstein work well together as estranged sisters. Slow but beautifully crafted.
  • June 5, 2009
    I saw this film after hearing the amazing reviews, and perhaps that led to higher expectations. I still enjoyed the film and Kristen Scott Thomas does an amazing job, however the big shocker ending seemed kind of predictable to me.
  • March 29, 2009
    Last week I watched this fantastic little film called Rachel Getting Married. Surely you've heard of it? Though its strengths are many and admirable, perhaps its greatest gift is the ability to be subtle without drawing attention to its quietude or deliberation. It is subtle, but...( read more) also forceful, and the movie benefits hugely from that.

    I've Loved You So Long does not. It would bill itself as subtle, but the aesthetic choices are sold out by the movie's constant need to draw attention to them. "There's piano on this soundtrack! And guitars sometimes too!" "Look at how sad Kristin Scott Thomas is! You can tell because she's not wearing any makeup." (As if the actress's face wasn't enough to communicate that? It's almost an insult.) "If we communicate our plot really slowly, then it'll achieve a slow-burn effect!" The latter here is perhaps the most maddening. Phillipe Claudel's unwillingness to play his cards may read like a painful story slowly unraveling, but what it really is is the need to spread out 45 minutes worth of plot through a two hour movie. I've Loved You So Long had the capacity to be subtle, but it is too untrusting of its audience's intelligence or its ability to read into subtext. It is just as obvious as any other melodrama, only with a thick scoop of false hush dolloped in. And that just makes the movie feel ponderous, languorous, even enervated.

    This is a shame, because I've Loved You So Long had two overwhelming advantages that become squandered in the laziness of its narrative. The first, obviously, is Kristin Scott Thomas's dynamic performance. She is facially expressive to a fault and in perfect control of what she's communicating to the audience; every move she makes, every subtle twitch, have a meaning behind them. She is a haunted beauty (needlessly highlighted by the overdone makeup) and even before the film begins you can tell she's got a few stories whirling around in her. It's a shame that Elsa Zylberstein's performance lags so far behind hers - which, to be fair, is no fault of her own since Lea is a terribly written character. Claudel seems unsure of what to do with her; especially hilarious is a scene where she has a complete breakdown at a Dostoyevsky debate and makes this odd assertion that none of us can really understand murder since we don't all have murderers in our family. Huh?

    The second advantage here is the fundamental value of the plot. A mother killing her son - that's all you have to say, and immediately it conjures intrigue. How? Why? Who could be so inhumane? I've Loved You So Long keeps you guessing for an excruciating 100 minutes before finally revealing itself, and the ending is nothing but a shitty copout. It deletes the challenges it poses to the audience, redeems Juliette and Elsa, and whitewashes the whole affair. Worst of all, it leaves you with this palpable "who cares?" sensation. The movie is trivialized, and that is a shame, since the gravity of its core theme should be anything but trivialized.

    This is a massive disappointment after all the positive buzz, and really amounts to nothing but a smoke-riddled, deceitful waste of time. You can lump it into the La Vie En Rose school of "fantastic performances trapped inside shitty movies" category, or you may well disagree; most seem to. Either way, I can't recommend this in good conscience. It seems ready-made to satisfy the art crowd's need for constant overbearing subtlety.
  • December 7, 2009
    Not sure if this one lived up to all the hype. It was alright and Kristin Scott Thomas was good but the film never really drew me in, i was always waiting for something to happen. It's a subtle story and the acting is very naturalistic but as a film it failed to entertain.
  • December 2, 2009
    Extraordinary performance by Kristin Scott Thomas in this deeply felt, very sad character study.
  • November 20, 2009
    a good french drama, with kristin scott thomas playing french, also with french language, as a women coming to stay with her sister,12 years unacounted for to the viewer, but gradually you find out why, a interesting story with interesting charactors, and scott thomas,being engli...( read more)sh putting in exellent work, the story is interesting throughout, and acting moments well played
  • November 17, 2009
    Amazing performances. The plot is not very special, but the actors did their great job. And the staffs managed the atmosphere and music of this film very well.
  • October 31, 2009
    Kristin Scott Thomas plays a quiet woman with a secret. Slowly but surely, Juliette, played by the magnificent Scott Thomas, brings down the walls that hide her true identity in this moving French movie about a woman trying to cope with being back in society after 15 years impris...( read more)onment for a crime she committed with the belief that she was doing the right thing. The repercussions of her behaviour many years before slowly unfold in this tragic tale as she begins to open up to her younger sister and the new friends she has made. Absorbing.

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