I'm Carolyn Parker: The Good, The Mad and the Beautiful (2012)
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60% of critics liked it
(5 reviews) -
27% want to see it
(52 ratings)
Carolyn Parker was the last to leave her neighborhood when a mandatory evacuation order was decreed as Hurricane Katrina approached New Orleans in the summer of 2005. After the floodwaters subsided, Mrs. Parker was the first resident to return to her now flood-devastated community with what many… More Carolyn Parker was the last to leave her neighborhood when a mandatory evacuation order was decreed as Hurricane Katrina approached New Orleans in the summer of 2005. After the floodwaters subsided, Mrs. Parker was the first resident to return to her now flood-devastated community with what many thought was the "impossible dream" of bringing her ruined home back to life. I'm Carolyn Parker: The Good, the Mad, and the Beautiful unfolds as an inspiring portrait of an extraordinary woman. Mrs. Parker takes us deep inside her personal biography as a child born in the 40's, raised in segregated New Orleans' Lower 9th Ward, who became a teen-ager joining the front lines in the Civil Rights movement of the 60's, who worked for thirty years as a cook-turned-chef in the hotel industry, and became one of the most outspoken voices in the fight for every New Orleanian's right to return home after the devastation of the floods that followed Katrina. That Carolyn faced these odds with unbridled wit, spirituality and an abiding sense of social justice borne of her life in New Orleans makes for a unique cinematic tale of personal triumph. I'm Carolyn Parker: The Good, the Mad, and the Beautiful is the portrait of an "ordinary family" who banded together under extraordinary circumstances, and reclaimed their home.
- Genres
- Documentary, Special Interest
- Studio
- Independent Pictures
Critic Reviews
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Kyle Smith, New York Post
There may be a lot left to say about Hurricane Katrina, but if so, "I'm Carolyn Parker" doesn't say it.
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A.O. Scott, New York Times
She is undoubtedly someone you should know.
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Keith Uhlich, Time Out New York
A cut above most nonfiction explorations of Katrina, thanks to the ever-empathetic Demme's talent for showcasing the uniquely human qualities of every person he films.
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Simon Abrams, Village Voice
It's ... frustrating to watch Parker only talk about whatever she immediately thinks to say.
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Joseph Jon Lanthier, Slant Magazine
What keeps the doc from lapsing entirely into a generic human-interest story superficially peppered with local color is, oddly enough, the slowness with which Parker's goals are achieved.
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