Featured Audience Ratings

• Bruce B

  
  This Film Comes from the Mill Creek 100 Mystery Classics Movie Collection. This is truly a hidden gem in Black & White from 1949. One of the best Mystery Movies I've seen new or classic. This is about a love triangle, A women plots to have her husband killed while is on a… More
  This Film Comes from the Mill Creek 100 Mystery Classics Movie Collection. This is truly a hidden gem in Black & White from 1949. One of the best Mystery Movies I've seen new or classic. This is about a love triangle, A women plots to have her husband killed while is on a business trip, the killer is her lover, but things go wrong the killer is killed instead and the husband survives the killers attack and stumbles into a town where at first he doesn't know who he is, then remembering and reading the papers everyone thinks he's dead. Meanwhile the wife is collecting until he appears back in town to have her charged with conspiracy to commit murder, but then tables are turned and he is charged with killing her lover, will he be sent to prison, only by watching will you know. 5 stars 10-3-12

• jay n

  
  Enjoyable crime drama with Donlevy fine in the lead but it's actually Helen Walker who makes the strongest impression as the treacherous wife.

• Stephen M

  
  There have been an inordinately high number of great movies set in San Francisco; alas, this is not one of them. <I>Impact</I> is a so-so b-movie which starts off as a <I>film noir</I> and finishes as a courtroom drama. Brian Donlevy plays a wealthy… More
  There have been an inordinately high number of great movies set in San Francisco; alas, this is not one of them. <I>Impact</I> is a so-so b-movie which starts off as a <I>film noir</I> and finishes as a courtroom drama. Brian Donlevy plays a wealthy businessman, missing presumed dead after his wife and her lover's murder plot backfires, who hides out in small-town Idaho while the police investigation closes in on his spouse. The film works fine up until the attempt on Donlevy's life but falls rather flat thereafter, as Donlevy concentrates on becoming a pillar of an apple-pie community - cherry-pie, in this case - instead of exacting revenge on his faithless missus, which is what we'd expect him to do. Donlevy sleepwalks through the movie, but Helen Walker, as his wife, and Ella Raines, as the chirpy, tomboyish garage owner who takes pity on him, give it everything they've got.

• Veronique K

  
  "impact" is a roughly produced film noir with a fading anna may wong who plays the servent of helen walker. the ambiguity of "impact" would be its mixture of two genres, film noir crossed with a moralistic do-gooder aura. the story is about a gullible lawyer who… More
  "impact" is a roughly produced film noir with a fading anna may wong who plays the servent of helen walker. the ambiguity of "impact" would be its mixture of two genres, film noir crossed with a moralistic do-gooder aura. the story is about a gullible lawyer who gets doublecrossed by his insidious spouse played by helen walker (also the evil psychiatrist who backstabs tyrone power in "nightmare alley"). the wife and her cuckold scheme to murder the lawyer in disguise of car crash upon the desolate highway...but things go astray, the cuckold dies of accident while the sap survives but suffers from temporal anmesia. then he tumbles over a small town to work as a fixer in a gas station run by a businesswoman played by ella rains. so they fall in love and he decides to report the crime instead of revenging his wife by the prosecuted murder charge from district attorney. but he gets accused by the wife for killing the cuckold so she could solicit her heritage from him....eventually the chinese servent played by anna may helps to enforce the justice. except helen walker's mean dame, the rest of cast is lackluster. the subplot of the heart-shape embroidered shirt is sorta quirkily amusing. inadequately it tries to redeem its protagonist under a positive light of second chance, and ella rains would be the fair woman who provides the saving grace to a shattered man. who wanna see self-reform in film noir anyway? just like noir enthusiasts embrace the rot of human nature well that people enjoy witnessing robert mitchum fall into abyss twice in "out of the past"... besides, anna may wong is obviously losing the edges she used to have in the prime 30s, underused and withered, settling for secondary roles of inferior stereotype in the background of chinatown.