Audrey Klebaner, Bruno Putzulu, Cecile Camp

The closing film of the 39th Annual New York Film Festival won Jean-Luc Godard praise for a sporadic work that uses both 35mm black-and-white film and color digital equipment. Filmmaker Edgar (Bruno P...( read more  read more... )utzulu) is casting for the part of the leading lady for his next film and is enchanted by Elle (Cecile Camp), whom he's certain he's met before. Eventually, he recalls where he met her, via a vivid flashback sequence.

Flixster Users

62% liked it

1,428 ratings

Critics

51% liked it

72 critics

PG, 98 min.

Directed by: Jean-Luc Godard

Release Date: May 16, 2001

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DVD Release Date: July 22, 2003

Stats: 69 reviews

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Flixster Reviews (69)


  • September 8, 2008
    The usage of challenging montage and hews aren't an important advantage of this Godard flick.Le dialogue probablement to semi-quote another movie.Naturally,incorporating novels/poetry in the midst of affection and ashes of past loves brings new reactions from both critics and inv...( read more)estigating audiences.Condemning the U.S. on past events isn't our problem as well.It's repetition.Godard's films are so clever,it's impossible to rate them fewer than this (unless they're heavily experimental?),I just felt he was cockier than before.
  • April 26, 2008
    Godard is still breaking new ground with contemporary cinema. I admire his efforts but found this film a little bit uninteresting. I'm dying to see some of his other later works though.
  • March 8, 2008
    A stunning fil no doubt and one where it was very difficult for me to watch, even more so than Nouvelle Vague. The structure and dialogue work by being reminisces, memory, lost thought, recovered thoughts. A strange film no doubt and one utterly unique.

    'Every thought should rec...( read more)all the debris of a smile'
  • May 24, 2007
    Godard strikes back! 43yrs since Breathless & still kicking
  • October 4, 2006
    I say that love can't be film it.
  • September 3, 2006
    It was pretty as hell but I had to turn the sound down because all the wanky talking was pissing me off.
  • July 16, 2006
    This is one godard film that i can say that i was very dissapointed in.
  • May 4, 2006
    Apparently, the underwear chick is on all the promotional material for a reason.

Critic Reviews


June 14, 2003
Liam Lacey, Globe and Mail

A haunting, intense work, intellectually exploratory yet too emotionally acute in its melancholy to be considered merely academic. full review

November 1, 2002
Ty Burr, Boston Globe

In Praise of Love sifts the rubble of emotions whose fires have long been banked. full review

October 18, 2002
Roger Ebert, Chicago Sun-Times

What strange confusion besets Jean-Luc Godard? He stumbles through the wreckage of this film like a baffled Lear, seeking to exercise power that is no longer his. full review

October 2, 2002
Peter Travers, Rolling Stone

For all its bile and incoherence, In Praise of Love is filled with haunting images and insights. Godard may be a lion in winter, but the lion still roars. full review

September 15, 2002
Nick Schager, Matinee Magazine

For all its technical virtuosity, the film is so mired in juvenile and near-xenophobic pedagogy that it's enough to make one pine for the day when Godard can no longer handle the rigors of filmmaking. full review

September 5, 2002
A.O. Scott, The New York Times

The beautiful images and solemn words cannot disguise the slack complacency of [Godard's] vision, any more than the gorgeous piano and strings on the soundtrack can drown out the tinny self-righteousn... full review

View more In Praise Of Love (Éloge de l'amour) reviews at RottenTomatoes.com

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