One thing we as film buffs always like to do is wonder what would happen if a director were to go and take on a certain film genre. What would it be like and how would they handle it? Now, we have watched writer, director, producer, and actor Quentin Tarantino go from a poor video… More
One thing we as film buffs always like to do is wonder what would happen if a director were to go and take on a certain film genre. What would it be like and how would they handle it? Now, we have watched writer, director, producer, and actor Quentin Tarantino go from a poor video store clerk selling his script of RESERVOIR DOGS to him being the toast of the film world with his film PULP FICTION and KILL BILL. Now, working with Universal studios due to The Weinstien Company dropping him due to the failure of GRINDHOUSE during it's theatrical run, Tarantino released the one film that can seriously be a worthy match against his acclaimed PUPL FICTION in terms of what might be his masterpiece. He has had a hell of a lot of films in a short time to get his craft down, and the question is: Is this his masterpiece? Well, I think that FICTION is still his better film, but this is one hell of a close second that could over top FICTION. Taking ten years to write, this is basically the film that we have been waiting for. Whenever someone decides to make a film about World War II and the Nazis, they always try to look for the sorrow, the brutal truth of that tragic war. But the one thing never attempted was: What would happen if someone was to make an alternate version? Well, Tarantino did and what we get is what people dreamed the war would have been like. When I first saw this film, I will admit that I went in expecting typical Tarantino. I got that, but I also found this to be the second film that I have seen that I found my jaw dropping during the last twenty minutes plus applauding once the credits rolled. This is a near great film. Now for the aspects. In terms of direction, Tarantino directs this film as if it would be his last (Thank God that it is not). The most interesting thing about how he directed this film would have to be the fact that he has seventy five percent of the film be spoken in either German, French, or Italian and has everything subtitled. Now, a regular director would have had the entire film speak English so the no one had to read anything. But, Tarantino decided that if he was going to make a film that was going to take place in a different country, then he was going to have the entire cast speak that language. But what really got me was all of the tributes to so many films ranging from the original Inglorious Bastards to the ending that has, in my opinion, one of the most fantastic tributes to German director Fritz Lang's Metropolis (NOTE: Metropolis was Adolf Hitler's favorite film). Now, the acting. The first thing I want to touch on is Brad Pitt being in this film. When I first heard this, I was skeptical. I thought that now Tarantino might have been begging for big names for his films. But, to my shock, I actually liked Pitt in this film. The reason would have to be him putting on this THICK Southern accent that is hilarious just by itself. But what tops it all off is Pitt trying to speak Italian. He would have made the famous Marx Brothers proud. And I was too. Now for the main reason you should even see this film: Christoph Waltz portraying Col. Hans Landa of the S.S. All I can say is wow. This is a guy that can take a Nazi and make him not only interesting and original, but awesome and just plain mesmerizing. Never have I seen a character that can go from civilize and well mannered to being a complete psychopath trying to get information out of you. But what shocked me even more was how well Christoph was able to keep secret the true motives of his character. Most actors would have been able to give it away just by the tone of their voice or how they react to certain things. But not Waltz. Plus, hearing him speak German, French, Italian, and English so fluently and switching between languages in a matter of seconds is truly inspiring. He was worthy of his Academy Award for Best Actor in a Supporting Role. That's a bingo! Next is the script. As I said, Tarantino spent a decade making this film and the writing shows it. At some moments here and there, you can pin point when Tarantino made any of his other films. But, the one thing I like the most about this script is how it is serious all the way through, has a sense of maturity and creativity, plus making it so that there are all of these comedic moments stashed away here and there. It is just brilliant. Finally the score. Originally, the score was suppose to be entirely original with Ennio Morricone doing the music. But due to other jobs, Tarantino used a wide collection of music from him and others that make this film's score worth the price of the film ticket. I will not say when these film pieces appear, but the best ones are Bath Attack by Charles Bernstein, Cat People (Putting Out The Fire) by David Bowie, and Rabbia e Tarantella by Ennio Morricone. Overall, this film shows the world that Tarantino is still the greatest film maker that is alive. No questions asked.