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A 50-year-old widow is so desperately in need of money that she unwittingly accepts a job in a sex club.
A strong performance from Faithfull anchors this perverse and lethargic -- but ultimately thought-provoking -- Garbarski drama.
A pleasingly sentimental British domestic drama.
This would never have worked with anyone else but Faithfull, who gives a touching performance even as she flaunts her 40-year metamorphosis from porcelain pop diva to elderly bad girl.
Un drama sensible y austero, no exento de cierto sentido del humor, que deja de lado cualquier aspecto sórdido del asunto para concentrarse en una historia de amor y sacrificio.
takes the notion of risqué empowerment a few preposterous steps further.
Irina Palm is saddled with an odd title, an outlandish plot and an unlikely star--notorious rock maven Marianne Faithfull cast as a suburban frump. But it turns out a success
A gobsmackingly awful British film -- awful in the way that somehow only British films can be: our TV drama, of whatever quality, is never as creaky, naive, badly written and flatulent as this.
Although director and co-writer Sam Garbarski takes great care in tracing this difficult dramatic path (he has to balance the twin tracks of other people's morality and Maggie's personal course), he can't avoid the predictability.
Even if there aren't many other reasons to give this contrived and too often silly film a chance, Faithfull makes a captivating leading lady.
Engaging, enjoyable and quietly thought-provoking British drama with a refreshingly offbeat script and a great central performance from Marianne Faithfull.
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