It's All Gone Pete Tong
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It's All Gone Pete Tong
He's been written off by his record company, his manager, his wife and his friends. His phone only rings when it's his coke dealer dropping round to party. Without a doubt, legendary DJ Frankie Wilde's life is out of control. Eventually he finds the self esteem to confront his personal demons and emerge from his wilderness much a different person.
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Rotten Tomatoes Score: 77%

Critic Reviews from Rotten Tomatoes

"There's nothing like watching a guy hit rock bottom and then try to crawl back up again. Or as that heartless record industry weasel puts it, 'People love a good tragedy.' Especially one set to a good beat."
‑ Peter Howell, Toronto Star
"This is biopic as raving rumination. But it is also a surprisingly compassionate redemption story."
‑ Lisa Kennedy, Denver Post
"This has writing that could charitably be called inane, and a wholly repulsive star."
‑ David Noh, Film Journal International
"The film soars on the talent of Paul Kaye's magnificent portrayal of a pop music icon's self abuse, descent into total deafness and rebirth ..."
‑ S. James Wegg, JWR
"At the center of all this is Kaye's flat-out brilliant performance."
‑ David Cornelius, eFilmCritic.com
"You may ... find the picture as undisciplined as Frankie's wild coif. I see the chaos, like the coif, to be tangled but pointed, an endearingly calculated mess."
‑ Rick Groen, Globe and Mail
"The movie works because of its heedless comic intensity; Kaye and his writer-director, Michael Dowse, chronicle the rise and fall of Frankie Wilde as other directors have dealt with emperors and kings."
‑ Roger Ebert, Chicago Sun-Times
"full review in Greek"
‑ Joseph Proimakis, Movies for the Masses
"O diretor Michael Dowse confere energia admirável a este filme espetacular que conta, ainda, com uma atuação arrebatadora de Paul Kaye."
‑ Pablo Villaca, Cinema em Cena
"Paul Kaye's performance is revelatory. A surprisingly warm-hearted mockumentary."
‑ Dan Jardine, Cinemania
"The formula doesn't entirely stick, but Dowse's visual veracity towers over any narrative shortcomings Tong presents."
‑ Robert K. Elder, Chicago Tribune
"A raucous, uproarious satire of the dance-club scene."
‑ Colin Covert, Minneapolis Star Tribune
"One of the most graphic, scary, funny and imaginative depictions of drug addiction ever filmed."
‑ Robert Roten, Laramie Movie Scope
"Bright, noisy, and surprisingly fulfilling, it keeps its adrenaline rush under deceptively easy control."
‑ Rob Vaux, Flipside Movie Emporium
"When Kaye tries to be funny, he's odd; when he tries to be sad, he's boring; and when he tries to be happy, he's . . . just weird."
‑ Phil Villarreal, Arizona Daily Star
More reviews for It's All Gone Pete Tong on Rotten Tomatoes