Nikolai Burlyayev, Nikolai Grinko, Nikolay Burlyaev

12-year old Ivan works as a spy at the eastern front. The small Ivan can cross the German lines unnoticed to collect information. Three Soviet officers try to take care of this boy-child.

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93% liked it

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100% liked it

8 critics

Unrated, 1 hr. 35 min.

Directed by: Andrei Tarkovsky

Release Date: April 6, 1962

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DVD Release Date: July 24, 2007

Stats: 245 reviews

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Flixster Reviews (245)


  • August 22, 2009
    Tarkovsky's near masterpiece of lost innocence. The story of a young Russian boy who, having lost his family, serves as a spy behind the German front. Everything in this film works, from the minimalist landscapes to the fantastic dream sequences. Not a single frame of film is ...( read more)wasted.
  • April 4, 2008
    Tarkovsky's first film is easily his most accessible. Shot in stark black and white, this powerful tale of revenge and patriotism is an excellent starting place for any one interested in the great directors work.
  • July 30, 2007
    Tarkovsky's debut film already hints at the greatness of his later films. It is a war story mostly from the perspective of the young boy Ivan who works as a spy for the Russian army to avenge the death of his family. The Soviet officers who works with him wants to place him in ...( read more)military school, saying that war is no place for children. Yet Ivan is already an adult, having lost his innocence with his family. Technically it's very impressive. Tarkovsky creates so many striking symbolisms. The love scene is beautiful but feels out of place. The film contains many surreal dream sequences of Ivan's peaceful, untainted childhood in contrast to the hellish reality of war.
  • March 30, 2009
    In terms of the display of technical expertise, this should be compulsory viewing - the cinematography is breathtaking. The story is remarkably cliché-free, given the subsequent potential for parody/ homage. The occasionally unsettling scene structure befits the tone of the fil...( read more)m and the protagonist's mindset.

    This film isn't perfect. Given the troubled production, the rare narrative dead-end is forgivable. These scenes are often well captured and offer further potential for subtext development. Nikolay Burlyaev's performance is particularly powerful.
  • July 19, 2008
    I've been meaning to catch up with the work of Andrei Tarkovsky for the longest time. Up until now the only movie of his I had seen was Andrei Rublev, which was excellent. Ivan's Childhood was his first feature film, as good a place to start as any. This film would make an intere...( read more)sting companion piece with Grave of the Fireflies, both films deal with the effects of war on a very young child caught in the middle of a war. The catch is that this kid isn't a complete bystander, he deliberately joins the war bent on revenge and agianst the advice of more rational adults. The cinematography here is excellent and the story is very compelling. I was a bit annoyed by the film's score and I don't really think it pays off enough in the long run. It wasn't quite to the level of Andrei Rublev but I can definitely see the start of a great career here.
  • November 7, 2009
    Tarkovsky's first major film is a wonderful piece of work, each take beautifully crafted, leading to a most poignant, devastating ending.
  • September 20, 2009
    Some solid creative flares, beautiful photography, etc., but the core of the piece seems rather flimsy to me. If this film has any ultimate point to get across, its what the evil Germans did to poor Russia and what the brave Russians did to fight back. And yes, the Germans abso...( read more)lutely did horrible things and yes, countless Russians (including children) showed incredible bravery and fortitude in fighting back - all these things are undeniably true. However, all countries have plenty of blood on their own hands. Pointing the finger at the other guy, while giving your own kind the thumbs up, is the easiest, most convenient thing in the world to do. Even when not distastefully done, even when true, even when a pro-peace comment is thrown into the mix - i just don't see the value in it. I know people have suffered and i know that they want their stories told, but unless I'm willing to look at myself and my kind as a contributor to a problem as universal as war, I might as well stop pretending that I'm somehow trying to help solve it.
  • July 29, 2009
    I revised it after reading what Tarkovsky had written in his book Sculpture in Time about it. It was a great start hinting his vision clearly but not completely. I liked the output of the collabaration between Tarkovsky and Vadim Yusov as a cinematographer, it had begun beautiful...( read more)ly in black and white, especially because the simple way of lighting that Vadim Yusov had focused on while shooting the vision of Tarkovsky in his debut.
  • April 10, 2009
    This is one of those foreign films that for either the loss in translation or its own pursuit of art over story that keeps me from connecting to it. The film looks good, I just wasn't interested in it.
  • March 8, 2009
    Dies and goes to hell immediately after the promising opening sequence.

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