Critic Reviews
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Glenn Kenny, MSN Movies
"The Man With the Iron Fists" being a fairly satisfying slab of cinematic mayhem, particularly if seen in under conditions like the ones I describe from my younger days.
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Kathleen Murphy, MSN Movies
Devoid of energy and direction, 'J&D' settles for faux-naif posturing and arty color design.
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Sara Stewart, New York Post
Tonally, the film swings between whispery romance and ominous horror as it explores the dark side of love and lust ...
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Mark Olsen, Los Angeles Times
Throughout, the filmmaking is tentative, as though Gray is unsure whether he wants to make a fantasy-tinged romance or a hyper-sexualized blood-fest. (He winds up with neither.)
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Jeannette Catsoulis, New York Times
"Jack & Diane" offers a glaring example of a writer and director, Bradley Rust Gray, unable to trust in the simple strength of his material.
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Alonso Duralde, The Wrap
Felt like someone misinterpreting the most extreme bits of Gregg Araki and Harmony Korine and turning it into an unwatchable film made marketable by putting its leading ladies into lesbian situations.
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Dan Lybarger, KC Active
Little movie, called Jack and Diane. Must have been sitting too long in the can. No, it doesn't have the Mellencamp song. And it gets everything thing else terribly wrong.
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Robert Roten, Laramie Movie Scope
Let's see, monsters, internal organs with hair snaking through them, blood, teeth falling out after a kiss, vomiting, suicide over a broken heart. Some people call this romantic and charming. Pardon me while I gag.
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Dennis Schwartz, Ozus' World Movie Reviews
It stinks worse than rotten fish.
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Roger Moore, McClatchy-Tribune News Service
Just plain icky - all toilets and blood and hair and bodily fluids.
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Richard Knight, Knight at the Movies
Never really moves beyond or does much to develop...its sorta cool premise.
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Steve Biodrowski, Cinefantastique
...teasing glimpses of horror merely pose as manifestations of an inner psychological turmoil that is nowhere else evident
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Mike McGranaghan, Aisle Seat
What could have been an appealing, offbeat romance is instead little more than Twilight for the arthouse crowd.
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Caitlin Colford, Paste Magazine
A girl-on-girl werewolf flick may sound similar to a plot line for the ultimate guilty pleasure horror flick, but in reality Jack and Diane may be just a little too John-Mellan-campy for most viewers' tastes.
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Alison Willmore, AV Club
A trudgingly self-serious affair that doesn't manage to be transporting on either its literal or conceptual levels.
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Zeba Blay, Slant Magazine
The stop-motion is meant to show us that these girls are so in love that they're turning into monsters, but because the werewolf elements of the story are never explicitly addressed, their effect is confounding.
Read all 16 critic reviews
Featured Audience Ratings
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Think my obsession with Juno Temple was the main reason I was interested in this movie, and watched until the end. While the lesbian/horror love story was entertaining, I can't help but still call it an average movie, saved by my love for Juno haha.
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There just aren't enough lesbian werewolf films, and Jack & Diane fills that niche. The story is paper-thin and involves a friendship between two teenagers that are werewolves? The werewolf aspect is so poorly integrated that it's hard to tell whether they are wolves,… More
There just aren't enough lesbian werewolf films, and Jack & Diane fills that niche. The story is paper-thin and involves a friendship between two teenagers that are werewolves? The werewolf aspect is so poorly integrated that it's hard to tell whether they are wolves, whether one turned the other into a wolf, or if it's just a visual manifestation. But beyond that, the acting is poor and there's no point to anything in the film. Jack & Diane is a monotonous piece of rubbish that has nothing to say.
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The titular characters, essayed by Keough and Temple, are two star-crossed lesbian teens who fall in love after a chance encounter in one of New York's hipper districts. "Hip" is the keyword for this film. Characters carry skateboards, hang out in tattoo parlors and… More
The titular characters, essayed by Keough and Temple, are two star-crossed lesbian teens who fall in love after a chance encounter in one of New York's hipper districts. "Hip" is the keyword for this film. Characters carry skateboards, hang out in tattoo parlors and generally look disillusioned, but in, like, a "hip" way.
Just for the hell of it we get a few dream sequences involving some sort of werewolf creature. I'm guessing this is meant to represent the girls' burgeoning sexuality ala 'Company of Wolves' but don't quote me on that. Despite this injection of weirdness, it's the straightest gay drama you'll see this year. Our heroes even have their own song, The Flying Pickets' 'Only You', used to far greater effect in Wong Kar Wai's 'Fallen Angels'.
If the characters weren't so damn irksome it wouldn't be a bad little romantic drama. Temple gives a great performance and is one to watch in the coming years. Unfortunately, director Gray seems intent on alienating as large an audience as possible.
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Unforgivably empty teen lesbian romance that keeps hinting at a percolating tension beneath the surface getting ready to erupt with ominous music cues, a monster, and very bizarre visual themes, but those turn out to be nothing more than a maddeningly unsatisfying tease. The bulk of… More
Unforgivably empty teen lesbian romance that keeps hinting at a percolating tension beneath the surface getting ready to erupt with ominous music cues, a monster, and very bizarre visual themes, but those turn out to be nothing more than a maddeningly unsatisfying tease. The bulk of the movie consists of nothing more than overlong takes, dull conversations, and pointless incidents at every turn. I want to wring the neck of a director who bilks talent like Juno Temple and a name like Kylie Minogue into appearing in their self-indulgent crap for absolutely zero cinematic return. What a shameful abuse of both their willingness and our time. Riley Keough got to kiss them both, so maybe for her alone the experience wasn't a total loss.
I could gaze at the strikingly unique face, untamed hair, and innocent expressions of Juno Temple for hours, so that's the sole reason this waste gets one star instead of rock bottom. Unless you're a completely incurable Juno junkie, please please PLEASE do yourself a favor and spend those spare 100 minutes by doing anything else. Seriously, this movie was such a letdown by failing to deliver ANY sort of entertainment or provoke ANY kind of emotional response that I had to watch another movie immediately after it was over to jump-start my inert central nervous system. THAT'S how big a failure it is.
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