Non-Asian viewers tend to be hyper critical of Asian horror cinema; almost as if they have some kind of authority on the subject. It seems an odd contrast really, as Asian viewers very rarely feel the need to point out how derivative, or indeed, uninspired the vast majority American… More
Non-Asian viewers tend to be hyper critical of Asian horror cinema; almost as if they have some kind of authority on the subject. It seems an odd contrast really, as Asian viewers very rarely feel the need to point out how derivative, or indeed, uninspired the vast majority American horror cinema is; with the continual reliance on lumberjack "serial killers" in masks, carrying knives - harking back to the more exciting horror/thrillers being produced in Italy throughout the 1960's and early 1970's (Correction some of my favourites as well) - or the popular motif of the innocent child placed in the threat of supernatural forces - which again, can be traced back to the Gothic, heavily-stylised horror films produced in Japan from the 60's to the present day. I also happy to be a "Korean" after viewing this film, we have "indeed" made nothing finer.
The plot is slightly more complicated than many similar horror films of the last ten years here; with the film here stressing a more psychological and emotional aspect over the traditional "morality-tale" rendering of the supernatural forces of good vs. evil. Admittedly, there is still that element to it; however, the film uses such themes to go beyond the obvious and probe deeper into the background of these characters, so as to be more open to interpretation. It may not be completely original, drawing on the influence of a number of films that I won't go into for risk of spoilers, but at least it works well within the context of the film. It is also worth pointing out that "A Tale of Two Sisters" is a masterpiece of pure film-making. The cinematography, editing and production design all evoke the idea of hazy, idyllic nostalgia that is cruelly contrasted by the later events of the script; while the performances from the two young actresses at the centre of the film are light years ahead of the kind of hammy over-reaction found in recent films like "The Messengers "or the remake of "The Eye".
Without wishing to oversell the experience, "Ji-woon's" film is simply beautiful to look at; something that perhaps comes as a shock to a large number of western audiences expecting horror cinema to be somewhat darker - grittier even - with the presentation of violence and gore. If we look at recent horror films coming out of the US, Great Britain, Australia and France, they're mostly extraordinarily ugly; filled with violence, rape, home invasion, torture and abuse (Even though some are good). You could also see it as being emblematic of the culture that i lived in. However, A Tale of Two Sisters is mostly devoid of such violence. Its horror is psychological; relying on a level of empathy and compassion between the viewer and the characters in order to place ourselves within the context of this situation and its tragic ramifications. It should be seen as the most heartbreaking of horrors; the personal and domestic, directed at children and dismissed by parents as pure fantasia. You could perhaps read more relevant social concerns into it, again, going back to the notion of domestic abuse and its disconnecting effect on children who escape into their own carefully constructed fantasy world, or developing odd relationships with siblings as illustrated here.
So, there's a hint of the silent twins going on, as the film creates this strange and beguiling world of summer heat and floral-print interiors, where ambient noises and a wardrobe motif combine to create some occasionally very frightening moments that linger long after that first, initial viewing. The ending of the film is a confusing one, but also beautifully handled by the director and of course the prolonged abstractions of "Takeshi Miike's" horror works, "Audition" and "One Missed Call" in the scene of the story folding in on itself; presenting us with images that could be fact or fiction (it could be "Gozu"), and all building to a frenzy as we approach that ultimate revelation at the end. The characteristics are all here - long silent passages of slow-building tension, a wandering pace, and faces in the dark and pallid spectres half-hidden by tresses of black - however, there's much more to the film than those more immediate elements might suggest.
The psychological depth of the film is ultimately as rewarding as the more recognisable horror aspects; with the fantastic performances from the two lead actresses, "Su-jeong" Lim and "Geun-yeong Mun", as well as the fine support from "Kap-su Kim" and "Jung-ah Yum" as the parents (father and step-mother respectively) lending an air of prestige and commitment that goes way beyond the level of performance that we might normally associate with the usually quite lurid horror genre. Nevertheless, it is the direction of" Kim Ji-woon" that really makes this a must-see for fans of pure film-making bravado; as the filmmaker creates a tone similar to the work of director Guillermo del Toro, and in particular his films "The Devil's Backbone" and The Labyrinth of the Faun, AKA "Pan's Labyrinth", with the creation of a stark and otherworldly atmosphere that is beautiful and oddly compelling, whilst simultaneously existing within this incredibly dark and bleak horror story. Without question, A Tale of Two Sisters is a fascinating film; perhaps not the kind that would be be easily understood after a single viewing, though certainly one that is worth coming back to again and again.
Ariuza Ki-hyeong