The second film in the Yakuza Papers series is not as good as the first because the violence and general shoot-em-up plot got a little tiresome at times. However, the style of the film , the soundtrack, the excellent editing, and Bunta Sugawara's presence as Shozo Hirono kept me… More
The second film in the Yakuza Papers series is not as good as the first because the violence and general shoot-em-up plot got a little tiresome at times. However, the style of the film , the soundtrack, the excellent editing, and Bunta Sugawara's presence as Shozo Hirono kept me engaged. I simply love Fukasaku's exciting pacing and continued experimentation with the camera. What keeps me wanting to watch more is the connections that freeze frames containing dates and names make between fiction and reality. A memorable scene is the killing of Tokimori with the envelope slipped halfway between the door, when he reaches for it, Shozo's man is signalled by the envelopes movement and he shoots Tokimori. I was not drawn into or interested in following Kinya Kitaoji as Shoji Yamanaka or Sonny Chiba as Katsutoshi Otomo compared to the first film where I was really glued to the screen watching Hirono, Sakai, and the pathetic Yomomouri. The love story between Yamanaka and Yasuko added a different feel to the film rather than it just being about sheer violence and murder, but after a while it turned contrived and formulaic. The highlights of this film were: Matsunaga and the increased involvement of the police.