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[font=Book Antiqua][b]The Proposition[/b][/font]
[font=Book Antiqua]Did you ever watch any of those dusty old 1940’s westerns starring Roy Rogers or Gene Autry? Handsome heroes with perfect bone structure, cast against a backdrop of random… More
Another newsletter submission. Yay!
[font=Book Antiqua][b]The Proposition[/b][/font]
[font=Book Antiqua]Did you ever watch any of those dusty old 1940’s westerns starring Roy Rogers or Gene Autry? Handsome heroes with perfect bone structure, cast against a backdrop of random beautiful rock formations and clouds pinking in the sunset….and somewhere somebody is playing a harmonica. They always had that far-away expression, like their heart beat to every movement of the west. They spoke kindly to ladies, cleaned their boots, and fed their shiny horses. They freely defended piles of dirt and wood they called a “town,” and never lost a fight. They were amazing creatures. (The cowboys, not the horses – those things were just shampooed well). You wondered if dastardly thoughts ever flickered in those hero brains of theirs. “I’m not only Sheriff, ma’am. I aim to be a peace officer.” Can’t you just picture these mythological beings, gazing upon invisible injustices a thousand miles away, gently being swayed into duty? (Harmonica Guy, that’s your cue.)[/font]
[font=Book Antiqua]Now picture somebody shooting Roy off his perch, pistol-whipping him in the face, and stealing his shiny horse. And if I were to guess, he spat something gross on Roy, too. (Poor Roy.) Picture, then, this thief as a “good guy.” That’s more of what ‘The Proposition’ is like, a rugged Australian western set in the harsh Outback wasteland of the 1880’s (the “bushranger era”), and made of palpable desert grit, sun-dried blood stains, and a lot of Australians. “Honor” is as foreign a concept in this film as “Hygiene,” and routines itself with the odd case of raw, shocking violence. And yet, and yet, all of this plays out like a brooding song of unusual beauty. There’s this undercurrent of subtle lament and prevailing humanity that seems to crystallize ‘The Proposition’ into a diamond in the Outback.[/font]
[font=Book Antiqua]The title proposition is a bit complicated. Captain Stanley, a cruel local lawman, apprehends outlaw brothers Charley & Mikey Burns. Instead of imprisoning both, Stanley (Ray Winstone) poses an ultimatum to the stronger brother, Charley (Guy Pearce): hunt down and kill the third brother, the madman cutthroat Arthur Burns (Danny Huston), or Mikey will be executed. Aside from the immediate tension this moral dilemma creates (despite being sluggish for a stretch), it also becomes the vehicle for a more wide-reaching exploration of loyalty, betrayal, and the family relation. The cultural and historical background is rife with interesting subtexts (ie.- Aboriginal racism), and pronounced by the characters and their relationships to this unforgiving landscape and to each other.[/font]
[font=Book Antiqua]D[/font][font=Book Antiqua]irector John Hillcoate emphasizes this devouring desolation of the Australian Outback to the point of making it a character by itself, with numerous focused frames of its deadly beauty, giving the movie a scorched quality and enhancing the sense of isolation (a nice contrast to the futile elegance of the British transplants, like a rose garden in the sand). Also deserving of high billing in the cast list is “Swarm of Flies,” which appears in more scenes than Guy Pearce (and emotes pretty fiercely). But it’s in following Charley’s quiet torment or Captain Stanley’s slow unraveling, or even Arthur’s intense dichotomy, does the viewer gradually understand the wonderful struggle and hopeless passions on display. We get the sense all involved are caught in the terrible machinations of historical progress, the classic case of man attempting to conquer the land and instead the land overcomes them, yet us viewers know that human progress eventually wins out. But through it all there shines a glint of beauty that finds its way to all souls staggering through this hard-knock life, as we see with every brilliant sunrise or sunset that surveys the world.[/font]
[font=Book Antiqua]Framed beautifully, scored hauntingly, and acted superbly (also want to mention Emily Watson & John Hurt – yay for them), ‘The Proposition’ is a compelling portrait of wayward virtues trying to escape from the sorrowful, barbaric side-effects of molding a civilization out of utter wildness. ‘The Proposition’ operates on a kind of blood poetry philosophy, one that’s slightly more evolved than Sergio Leone’s in-your-face grittiness and more on par with Eastwood’s ‘Unforgiven.’ A kind of verse that Gene or Roy have no clue how to speak. Which is okay, because they both work. Roy just doesn’t want to be involved on this side of things anymore.[/font]
[font=Book Antiqua][b]8.5/10[/b].[/font]
[font=Book Antiqua]QUICKIE:[/font]
[font=Book Antiqua][b]The Da Vinci Code[/b][/font]
[font=Book Antiqua]More like Da Vinci Blow’d. Does anybody even like this movie? Personally I found the book marginal at best, with its pacing being the primary redeeming quality. It’s amazing, then, how the movie is as exciting as rotting wood. In slow-motion. Was that [i]classical music[/i] playing during the car chase sequence? “How to prevent potentially entertaining sequences from occurring,” by Ron Howard. Each new uncovered secret provided the same sense of historical gravitas as discovering what’s inside a peanut shell. I’m not convinced this book was un-adaptable, either, so this movie’s failure in doing so renders it an exercise in 150-minute tedium, or a test in imagining dollar signs flit across the celluloid. If I gave the dollar signs fangs and a taste for flesh, and of course allowed them in the film, I think I could have made the movie a billion times more entertaining.[/font]
[font=Book Antiqua][b]2/10[/b].[/font]
[font=Book Antiqua][u]Others[/u]: [b]United 93[/b] – 10/10, [b]X-Men: The Last Stand[/b] – 7/10, [b]Over The Hedge[/b] – 5.5/10, [b]Mission: Impossible III[/b] – 6/10, [b]Poseidon[/b] – 4/10, [b]Akeelah & The Bee[/b] – 7/10, [b]A Prairie Home Companion [/b]– 7.5/10, [b]Cars[/b] – 7.5/10.[/font]