Tilda Swinton, Aidan Gould, Bruno Bichir

A swaggering floozy with a monumental drinking problem, 40-ish Julia Harris (Swinton) staggers from one booze-fueled hookup to the next. When she's fired from her job, her ex-boyfriend Mitch (Saul Rub...( read more  read more... )inek) pleads with her to slow down and attend AA meetings. When a ditzy fellow attendee, Elena (Kate del Castillo), begs Julia to help kidnap her son Tom (Aidan Gould), whom Elena is not allowed to see, it's a measure of Julia's sheer desperation that she goes along with the plan -- or what passes for a plan. Julia ends up with Elena's boy stuffed in her trunk, engineering inept ransom negotiations with the boy’s never-seen industrialist grandfather and eluding some Mexican lowlifes when she literally crashes her car across the border to Tijuana.

Flixster Users

56% liked it

1,197 ratings

Critics

72% liked it

47 critics

R, 2 hrs. 18 min.

Directed by: Erick Zonca

Release Date: May 8, 2009

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DVD Release Date: August 18, 2009

Stats: 329 reviews

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Flixster Reviews (329)


  • October 29, 2009
    Tilda Swinton is a beast. Performance of the year thus far, and almost certainly unlikely to be topped. Put this alongside anything else she's ever done and you will be stunned by the radical differences; normally asked to be (or at the very least appear to be) stately and compos...( read more)ed, she is a degenerate, crumbling sexpot here, a mess of half-broken physicality and shallow swaggering. A viewer is given very little backstory, but Swinton offers us a wealth of imaginative detail that allow us to paint a vivid portrait of this woman. Assuredly, Julia has led a life that was once entitled and thrilling, but that has slowly hit the deep end as she ages. She barely seems capable of picking up the pieces, let alone orchestrating a complex kidnapping plot. But she has her strengths - she's a devious and masterful improviser, has no qualms about lying, and is infinitely more lucky than she claims to be - and through virtue of all this she manages to take us through two hours of her criminal antics. Her audacity is so bottomless that the movie, even as it gets more and more convoluted in its twilight hours, remains compelling. Eventually your head is completely under the surface right there with Julia, but the fun of it all is seeing whether or not she can pull you out.

    I'm not necessarily sure I'd call this character complex, but she is bizarre, and most importantly she is completely believable. Well, "believable"; it's horrifying to think that any human would sink to the depths that Julia does, and yet that's exactly what we watch her do, for two and a half hours. Swinton perfectly embodies this alcoholic floozy, and though I'd never really call her sympathetic, she's always interesting, which is never a bad thing in a movie. Julia is a film that's constantly changing its face, and Swinton is its anchor. You could call it a thriller, crime drama, or character portrait, and in its slight longwindedness it's all of these things, but as a whole it floats above conventional genre labels. It's really a highwire act, a personification of a woman living on the edge of her seat, and a challenging project for any viewer who's willing to learn about a generally unlikable but enthralling character.
  • September 4, 2009
    Tilda Swinton is excellent in this...kind of like a new-age Bad Lieutenant with Tilda going from one smoking and drinking binge to another until she agrees to kidnap a lady's son and deliver him to his multi-millionnaire grandfather from $2 million. The movie starts off interesti...( read more)ng enough, but loses steam - and believability - consistently throughout. They both get kidnapped, she loses and finds him several times and the film just seems to drag on even beyond it's almost 2 1/2 hours.
  • August 29, 2009
    Extremely long and exhausting, highly unlikely, complicated and over the top. Tilda Swinton is fantastic every minute of it. The movie had some strength into it -proving that human nature is alterable and the human heart open to accepting love, but after a point it became ridicul...( read more)ous. It went from making us pity an alcoholic problematic woman to a brutal abduction, to developing a mother-son twisted relationship, to cold-blooded murder, to blackmailing, to human trafficing to...every place possible. Not good and very tiring. I'm regretful to have watched it.
  • August 2, 2009
    Swinton bids for Oscar glory playing a walking car crash alcoholic pathological liar. Character building first half leads in to a less satisfactory kidnap thriller which is rather drawn out and overly contrived. The developing relationship between Swinton and her young kidnapee i...( read more)s interesting.
  • July 3, 2009
    This would be five stars off the charts awesome if all it was about was Tilda Swinton's acting, but it's not. The story starts off pretty well and sets the agenda for making you accept that things won't always make sense or go according to plan but then the second half veers off ...( read more)into a new film of its own. It tries to stay connected to the first half but just unravels to the point that it's hard to stay on board. The film could have been edited by a third to make a tight thriller but then we'd miss out on much of Swinton's great performance. I loved every minute of her but the plot comes up short (by being too long!) and the ending fails miserably.
  • November 1, 2009
    One of the most smart and well written screenplays I've seen in a long time. Swinton deserves an oscar for her performance.
  • October 24, 2009
    Swinton's acting is amazing reaching the highs and lows of a car crash lifestlye. The plot lacks some credibility, as even a perpetual drunk with little or no moral fibre, wouldnt buy into some of the scenarios that were offered to her. A touch too long and dips into terminal dep...( read more)ression at times, but worth a punt for the glue that is Swinton.
  • October 15, 2009
    Good become a sentimental movie , but it did not come so far, disepointent.
  • October 5, 2009
    Swinton busts loose (bout time!) and you do NOT know what is going to happen from moment to moment in this flick - can't say that so often any more.
  • September 30, 2009
    while the movie have good resenties , it good not involve me into the storie .

Critic Reviews


July 10, 2009
Mick LaSalle, San Francisco Chronicle

In a sense, it goes to all the places a sensitive character study might have gone, but more dramatically, convincingly and vividly. full review

July 3, 2009
Roger Ebert, Chicago Sun-Times

A nerve-wracking thriller with a twisty plot and startling realism. full review

May 11, 2009
Marcy Dermansky, About.com

Zonca's Julia is a difficult movie to stomach, but entirely worth the emotional unrest it puts through you. full review

May 8, 2009
Kyle Smith, New York Post

Picture Fargo played with no sense of comedy, and you'll get some idea of the absurdity of this drunken floozy, clicking and wobbling on high heels, often with bits of her anatomy hanging out, trying ... full review

May 3, 2009
Nick Schager, Slant Magazine

Zonca's story is an unruly beast, lurching this way and that like a biker hopped up on mescaline and paint thinner, its unpredictable rowdiness in sync with its out-of-control protagonist. full review

December 5, 2008
Nigel Andrews, The Financial Times

Unfortunately the Cassevetes-style film needed Cassavetes to make it. Zonca, essaying a pell-mell verismo, produces something resembling Gloria mugged by A Woman Under the Influence. full review

View more Julia reviews at RottenTomatoes.com

Comments


  • berenpurple
    June 27, 2008
    well my brother was working with a friend of his in the filmation of this film and i think that this movie is going to be very good beside tilda is a great actress :]

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