Kanaria (Canary) poster & wallpaper

Akihiko Shiota, Hidetoshi Nishijima, Hoshi Ishida

Based on the true events of the deadly gas attacks perpetrated by members of the Aum Shinrikyo cult on the Tokyo subway system, "Canary" tells the moving story of two children, each abandoned by their...( read more  read more... ) families, who come together in the wake of the scarring event. Twelve-year-old Koichi has grown up within the confines of a religious cult whose violently instilled dogma has all but destroyed his sense of identity. After a murderous attack, the cult disbands and Koichi finds himself abandoned by his mother and forcibly separated from his sister. To reunite his broken family, Koichi breaks out of the child welfare system and sets off to Tokyo. While on the run, he meets Yuki, a girl desperate to flee from her abusive father. Koichi and Yuki travel together in search of his sister, facing the inevitable troubles of children making their way in the world without the guidance or protection of adults. The separate scars of their pasts cause friction between the two, but their struggles develop a familial bond that allows them to confront both their pasts and the future ahead.

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61% liked it

186 ratings

Unrated, 2 hrs. 12 min.

Directed by: Akihiko Shiota, Mitsuki Tanimura

Release Date: July 25, 2008

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Flixster Reviews (9)

  • sitenoise
    September 21, 2009
    sitenoise
    Another film by Akihiko Shiota, director of Harmful Insect. It had some moments but nothing special for me. I'm not sure what to think of Shiota at this point. I appreciate what he is trying to explore: disaffected, abused and neglected youth and all that, but I'm not convinced h...( read more)e's good at it yet. Harmful Insect would have been a lot less interesting without Aoi Miyazaki. I think Mitsuki Tanimura did a good job in Canary, Hoshi Ishida not so much, but his character was the brooding, doesn't-say-much type, which is difficult for a teenager to pull off (unless you're Aoi Miyazaki).

    I will confess that the cultural pointers were lost on me ... so there's that, I mean, if they were supposed to be specific. Cultural historians and professional film critics (and Japanese folks) might enjoy this film more than I did. I'm not giving upon Shiota but I'm also not ready to call him a director to look out for.

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