Akira Takarada, Anne Suzuki, Kayoko Kishimoto

Takeshi Kitano plays a version of himself in which he's a struggling director cycling through a number of different genres in an effort to complete his latest project.

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55% liked it

553 ratings

Unrated, 104 min.

Directed by: Takeshi Kitano

Release Date: June 2, 2007

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Flixster Reviews (89)


  • June 25, 2008
    The Sci-Fi part is absurdly hilarious. To me, the rest of the movie seemed just Kitano's excuse to make that ¿story? a film. Anyways, he manages to parody himself and the commercial cinema better than in Takeshis'. Not as in Zatoichi, of course.
  • April 27, 2009
    First half of the movie is entertaining and interesting. Some kind of comedy movie. But last 45 minutes are just like a meaningless nightmare. Go watch "zatoichi" from same director, dont waste time with this one.
  • February 23, 2009
    Avoid gangster!
    Making fun of Getting Any? for the majority even though lo amo. Makes me want to watch Takeshi's again and Achilles to Kame for the first time. Great movie. Broken.
    Gonna have to disagree on the slow pacing, awkward long shots are his thing and he's furthering th...( read more)e self making fun of by making them uncomfortable = Boiling Point.
    To turn into a doll whenever times are rough.
    Anne Suzuki muy bonita!
  • July 9, 2008
    it was the dumpest film ever.but absotly funny.i cant recommend it to everyone.
  • June 17, 2008
    It's a lot slower than Takeshis (I dozed off during the Karate scene, though I was also tired), but I liked how it was really for filmmakers, while Takeshis' was for the fans of Kitano's work. The way he completely nailed his Yakuza film style in a parody fashion made me laugh li...( read more)ke crazy and I was chuckling insanely right away when the Ozu homage came in. There's so many good gags about the idiocy of how the film "industry" works, where the art no longer is important and sort of working to find elements that are successful.

    The symbolism as the film goes towards the end just hit me also, where there's a remark early in the film made about the love stories being women devoted to a man who isn't interested in her, a genre that wants the director but he doesn't want to do. And at the end, with all the insanity, he finally has a reason to go for it, and so he devotes himself to that. That's the glory - destroying the cliches and making something that's truly your own. (this'll make more sense when you see the film - it's very, VERY difficult to spoil it)

    I liked it, though I hope he makes his next self-referential film a little more lean and faster in pace. Kitano's slow, but melodic, dramatically interesting, etc. This...was tiring. o_o

    But, for fans of Japanese cinema, for filmmakers themselves, and huge-time Kitano fiends like me this is still a must-see. :D
  • January 31, 2008
    It started pretty good with all those jokes about the different genres Kitano's career could go into to. At the last half bit of the movie Kitano lost track of the game.
  • September 16, 2007
    Kitano really steps off the deep end with this one, it feels like what would happen if David Lynch made a sitcom. Half halirious, half really annoying, it's the most brillant film you'll never want to watch again. Kitano made another masterpeice, just surprised at how he achieves...( read more) it.

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