Kill Your Idols (2004)
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38% of critics liked it
(13 reviews) -
44% of users liked it
(2,314 ratings)
Take a trip to a musical terrain where art and punk collide as filmmaker Scott Crary presents an illuminating look at New York City's short-lived no wave scene of the late 1970s and early '80s. A scene that birthed bands more concerned with challenging listeners rather than getting them out… More Take a trip to a musical terrain where art and punk collide as filmmaker Scott Crary presents an illuminating look at New York City's short-lived no wave scene of the late 1970s and early '80s. A scene that birthed bands more concerned with challenging listeners rather than getting them out on the dance floor, no wave was an attempt by frustrated punk rockers to eschew such traditional concepts as influence and rhythm to birth something truly transgressive and original. Though the music of such no wavers as Suicide, Lydia Lunch, and Theoretical Girls would ultimately be deemed unlistenable by the majority of music fans, the post-punk elements of the style would later be adapted into a more commercial sound by such popular bands as Yeah Yeah Yeahs, Black Dice, and Liars. In addition to allowing the artists from each generation speak about what they believe to be the true value of their music, Crary attempts to contrast and compare the decidedly anti-commercial sentiments of the original no wavers with the radio-friendly output of their millennial counterparts. ~ Jason Buchanan, Rovi
- Directed By
- Scott Crary
- Genres
- Musical & Performing Arts, Documentary
- In Theaters
- Jul 7, 2006 Wide
- Studio
- Palm Pictures
Critic Reviews
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Owen Gleiberman, Entertainment Weekly
Kill Your Idols then takes a misguided swerve into the current downtown New York rock scene, so that it can spend more time preaching about the anarchy of the good old days than it does revealing them.
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Lou Lumenick, New York Post
The documentary enters more dubious territory when it tries to present today's more consumer-friendly post-punkers (like the Strokes and Yeah Yeah Yeahs) as some sort of successors.
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Elizabeth Weitzman, New York Daily News
...an atonal love letter to a single corner of the culture - one built, in the words of singer Lydia Lunch, on 'beauty and truth and filth.'
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Manohla Dargis, New York Times
S. A. Crary's music documentary examines New York's No Wave scene of the late 1970's an offshoot of punk, the anti-New Wave.
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Joshua Land, Village Voice
Kill Your Idols pulls a few punches, tempering its respect for No Wave values like extremity and contentiousness with a more 2006 concern for not actually offending anyone in particular.
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