Barbara Brand, Felice Orlandi, Frank Silvera

A second-rate boxer decides to flee New York with his dancer girlfriend, but the girl's nightclub manager, also a ruthless gangster will have none of that. So, he puts a price on the fighter's head.

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56% liked it

5,399 ratings

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82% liked it

17 critics

Unrated, 1 hr. 7 min.

Directed by: Stanley Kubrick

Release Date: January 1, 1955

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DVD Release Date: May 15, 2001

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Flixster Reviews (238)


  • April 9, 2008
    Stanley Kubrick is a overrated filmmaker. Of course, he is a creator of a few terrific pictures but, when it comes to summarize his work, we ending up mostly with groundbreaking technical achievements such as use of lighting, classical music or camera-work, among others. When you...( read more) hear someone calling him the greatest visionary cinema ever produced you immediately know that there're the words of someone who haven't seen the works of Antonioni. And it's not even a matter of aesthetics - Kubrick's movies are very well, often brilliantly made on the technical level but, on the emotional one, they're mostly dead. They excite, but they don't move. They capture you while they go, but they don't stay within you after. Because, no matter how you perceive art, almost every form is connected with music, therefore has a rythm and it's not only about going from one brilliantly staged scene to another. It's basically about feeling that it creates, if only it does.

    "Killer's Kiss" is a first (64 minute running semi-feature) Kubrick's film. Well, at least, it is the first he would like us to acknowlegde as his debut (earlier he made another semi-feature alledgly awful war film called "Fear and Desire"), and right here we can see his predispositions to create a world that is cinematically compelling. Being mainly a formal exercise with tone, direction, lighting, locations and angles since the story itself isn't very much interesting and the plot is thin - one of those thousands pulp stories that's been coming out back then - Kubrick greatest achievement here lays in turning the flaws into advantages by creating the proper for noir mood over uneven pace or giving us one the best scenes showing men spilling their guts out over a broad in a room full of female mannequines. For that scene only it is worth the look. Everything else is just a curiosity.
  • November 5, 2007
    Holy photography this movie is gorgeous. Kubrick is defiantly finding his signature style...but the script with all of the flashbacks is not quite as sharp as it could have been. Well worth seeing in spite of that...oh and the mannequin sequence is amazing.
  • July 24, 2007
    Kubrick's noirish second film. great story and performers. a short, fun and bold little gem.
  • April 23, 2007
    Proto-Kubrick
  • November 9, 2006
    Great early Kubrick. He wasn't there yet but he was well on his way...
  • September 20, 2009
    the city is a character, genius.
  • June 12, 2009
    Give the kid a chance! Yes, it is the weakest of his whole career, but, hey, he was a wee lad that was barely starting. For a starter movie, it is pretty good. Nice developed script, good performances, great style.
  • May 16, 2009
    This is an interesting short from Stanley. Ill be honest the first half of this film didnt quite grab me. Theres not much dialogue for 20 minutes or so. Sure its Kubrick but that doesnt mean this is a masterpiece. Its his second film..he definatly nails it the next go round with...( read more) The Killers. But this just wasnt quite the masterpeice ive heard it to be. But that doesnt mean i hated it. I actually liked it for the most part, half way into the film i was loving it. The finale in the mannequin shop was fucking incredible.
  • January 25, 2009
    This film, one of Kubrick's earliest, is a rather interesting take on 1950s film noir. The cinematography, as you might expect from anything Kubrick has done, is likely the film's greatest feature, particularly in the climactic fight scene, which takes place in a mannequin wareho...( read more)use. Many things here foreshadow the director's future style and his common themes, making this a must-see for Kubrick fans, but apart from this, there is not a lot in this movie to recommend to the general public. The film is good, but not great.
  • December 28, 2008
    A very solid debut feature-length motion picture from Stanley Kubrick.

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