Critic Reviews
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Jonathan Curiel, San Francisco Chronicle
The movie is an ideal blend of character study, deceptively simple plot twists, inspired acting, and travelogue.
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Colin Covert, Minneapolis Star Tribune
It's a gentle lesson in facing life's hardships with acceptance rather than grief.
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Moira MacDonald, Seattle Times
A quiet, moving tale of love and loss.
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Peter Rainer, Christian Science Monitor
If you have ever seen Yasujiro Ozu's masterpiece Tokyo Story -- one of the greatest films ever made -- you may respond to Doris Dörrie's Cherry Blossoms, which is a kind of homage.
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Kevin Thomas, Los Angeles Times
A most beautiful film.
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Carrie Rickey, Philadelphia Inquirer
Cherry Blossoms is both austere and garish, simultaneously dry and sentimental, tightly repressed and extravagantly expressive, bourgeois and bohemian. It's a seesaw, but [director] Dorrie finds the balance.
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Enrique Buchichio, Uruguay Total
Es, ante todo, un verdadero canto a la belleza de lo efímero, a la transitoriedad de las cosas y de las personas, y a los nuevos comienzos. Y tiene dos intérpretes absolutamente excepcionales.
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Ken Hanke, Mountain Xpress (Asheville, NC)
A bare reading of the plot doesn't actually do justice to the subtle beauty of this exquisite little film.
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Edward Porter, Times [UK]
The example set by Ozu's best works goes unheeded as the film becomes too cutesy and forced to be moving.
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Philip French, Observer [UK]
It's a quiet, very beautiful film about the duality of love and death.
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Sarah Boslaugh, Playback:stl
Cherry Blossoms is not a complete train wreck, although at 127 minutes it's way too long for the ground that it covers.
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Jon Fortgang, Film4
A lyrical attempt to make sense of grief that appeals shamelessly to the heart rather than the head.
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James Christopher, Times [UK]
Ozu's handling of the frosty schism between awkward parents and their ghastly offspring resulted in a heartbreaking piece of cinema.
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Peter Bradshaw, Guardian [UK]
This is a sweet-natured piece, and though the final section in Tokyo itself is sentimental and over-extended, there are poignant, mordant insights.
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Rob Daniel, Sky Movies
This bouquet of nicely observed private moments packs an unexpectedly profound emotional punch.
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Philip Kemp, Total Film
An affectionate, gentle film, if marred by sentimentality.
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David Parkinson, Empire Magazine
Unpredictable and compelling, this draws parallels between Japanese and German cultures in interesting and moving ways.
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Nigel Andrews, Financial Times
If she doesn't quite go the distance - resonance needs richer characterisation, origami finer scissors - Cherry Blossoms is still a touching, tangibly personal chamber movie.
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Allan Hunter, Daily Express
Sometimes a quiet whisper is more compelling than the loudest shout. Cherry Blossoms is a gentle, maudlin tale of love, loss, family ties and the fleeting nature of life.
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Alistair Harkness, Scotsman
The bluntness of the script doesn't attain the ethereal quality it's striving for (Japanese cinema favours inscrutability, a cultural lesson that seems to have been lost in translation here), but it's still oddly absorbing.
Read all 22 critic reviews
Featured Audience Ratings
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I thought I already reviewed this one!
The acting style was something that I had to get into, but when the true drama sets in halfway, I couldn't stop crying (yeah I know, I'm a big woos). Which for me, is always a good indicator for a high rating (Really? Really!).… More
I thought I already reviewed this one!
The acting style was something that I had to get into, but when the true drama sets in halfway, I couldn't stop crying (yeah I know, I'm a big woos). Which for me, is always a good indicator for a high rating (Really? Really!).
Somehow the movie The Lovely Bones touched me in a way this movie did as well.
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The first half of Cherry Blossom is a wonderfully realised German tribute to Tokyo Story. An elderly couple go to visit their children only to find that they do not have time for them. The twist here is that the wife knows that the husband is dying but he does not. This adds a forever… More
The first half of Cherry Blossom is a wonderfully realised German tribute to Tokyo Story. An elderly couple go to visit their children only to find that they do not have time for them. The twist here is that the wife knows that the husband is dying but he does not. This adds a forever lingering atmosphere of tragedy, but is far from predictable. The second half of the film moves to Japan and explores it's own territory. Here we are treated to tender and saddening moments that many people will be able to relate to. The Japanese landscapes are captured in a way that fully expresses the wonder felt by the protagonists. Some of the child/parent conflict is a bit blatant and some of the culture cross is uninspired. Another film where a westerner thinks somebody introducing them self as Yu, is saying "you"? Really? Luckily the wonderful and meditative feel that radiates off the film, cover those small blemishes.
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In "Cherry Blossoms," Trudi(Hannelore Elsner), knowing her husband Rudi(Elmar Wepper), a mid-level bureaucrat, is dying, wants to finally travel with him to Japan to visit their son Karl(Maximilian Bruckner), see Mount Fuji and watch a performance of Butoh which she loves.… More
In "Cherry Blossoms," Trudi(Hannelore Elsner), knowing her husband Rudi(Elmar Wepper), a mid-level bureaucrat, is dying, wants to finally travel with him to Japan to visit their son Karl(Maximilian Bruckner), see Mount Fuji and watch a performance of Butoh which she loves. But he decides against it, feeling they have some perfectly fine mountains in Germany, thank you very much. Instead, they travel to Berlin to visit family who feel they are being inconvenienced by their visit. So, the couple moves on to the Baltic Sea.
While owing a huge debt to Ozu's magnificent "Tokyo Story" in its depiction of the marginalization of senior citizens, "Cherry Blossoms" is still an amiable and bittersweet meditation on mortality. The movie contains a twist that turns everything on its head and reinforces the notion that we can never take anything for granted.(Strange as it may seem, this reminds me of a line from the voiceover from "Kick-Ass.") Rudi goes through the motions of his clockwork life, thinking that it will always be the same at least until he retires the following year, displaying his lack of imagination. It is Trudi who hears the clock ticking with time running out with the man she has lived with for decades and always thought she would spend the rest of her life with.
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I saw this one as well at the Cleveland International Film Fest. I didn't like this one quite as much as my wife did, but it was a good solid drama. The elderly man's wife has always wanted to see Japan, Mount Fuji, and a particular kind of traditional dance that inspires… More
I saw this one as well at the Cleveland International Film Fest. I didn't like this one quite as much as my wife did, but it was a good solid drama. The elderly man's wife has always wanted to see Japan, Mount Fuji, and a particular kind of traditional dance that inspires her. The man has his routine and doesn't like to travel much. The man and woman have three children who have all moved far away and find their parents difficult. The wife convinces her husband to visit their two children who live closest because she knows he is near death, then while visiting the beach where they honeymooned she tragically dies first. The man eventually decides to go to Japan, where their other son happens to work, to reconnect with his wife. It's humorous when he takes to cross-dressing in his wife's clothes to be closer to her. He has a unique way of looking at death and the afterlife that I was not familiar with. He befriends a young homeless woman who practices the kind of dance his wife enjoyed in the park for change. Together they go to see Mount Fuji, which turns out to be more difficult than expected. It is an amazing scene when the man is finally able to view Mount Fuji and he reconnects with his wife through dance in the most beautiful and passionate and heart-rending moment.
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A remake of, or possibly a homage to, TOKYO STORYas an elderly married German couple, Rudy and Trudy, go visit their offspring when Trudy secretly learns her husband has a fatal illness. A story this relevant to many families can easily take a second version, and this one has some… More
A remake of, or possibly a homage to, TOKYO STORYas an elderly married German couple, Rudy and Trudy, go visit their offspring when Trudy secretly learns her husband has a fatal illness. A story this relevant to many families can easily take a second version, and this one has some ncely filmed scenes of Germany, Amsterdam and Tokyo for the armchair tourist, good observations about parent-child relationships plus a cute-as-a-button performance by Aya Irizuki as Yu, the Japanese free-spirit who takes the adrift Rudy under her wing..
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Cherry Blossoms was a deep movie about the contacts and the feelings between an elderly couple and their children and the lost chances to deal with each others lives.The movie;s heart was about grief and how we can never really prepare for it. And also an examination of marriage and… More
Cherry Blossoms was a deep movie about the contacts and the feelings between an elderly couple and their children and the lost chances to deal with each others lives.The movie;s heart was about grief and how we can never really prepare for it. And also an examination of marriage and of how partners could become so acquaintance with one another as a couple that they lose their identities as individuals, missing out on the dreams and goals they had for their lives when they were young.The pace of the story was slow as too much speed would have destroyed the wonderful artwork inside the movie. The movie was soft, slow, sad, but at the same time a life lesson, to treasure every single person in our surroundings and to care for, as life could never be predicted.
Read all 6 featured audience ratings
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