Kumo no mukô, yakusoku no basho (The Place Promised in Our Early Days)

Kumo no mukô, yakusoku no basho (The Place Promised in Our Early Days) (2004)

  • 80% of critics liked it
    (5 reviews)

  • 79% of users liked it
    (5,461 ratings)

The anime feature The Place Promised in Our Early Days (AKA Kumo No Muko, Yakusoku No Bashu) opens with an alternate ending to World War II, when the islands of Japan are divided into northern and southern territories, and the island of Hokkaido - Japan's second largest prefecture, at the nexus… More

Unrated,
Directed By
Written By
Makoto Shinkai
Genres
Drama, Animation, Art House & International, Science Fiction & Fantasy
In Theaters
Jan 1, 2004 Wide

Critic Reviews

  • Jeff Shannon, Seattle Times

    By any standard it's impressive anime; as a feature debut it's a remarkable achievement.

  • Gabe Leibowitz, Film and Felt

    I suspect that in 20 years, film buffs worldwide will be pointing to The Place Promised in Our Early Days as the introductory work from one of cinema's first-rate directors.

  • Phil Hall, Film Threat

    Superior anime offering.

  • Bill White, Seattle Post-Intelligencer

    Shinkai Makoto, who made the 30-minute 'Voices of a Distant Star' by himself on a laptop computer, has written and directed an anime that favors human emotions over robot battles.

  • Andrew Wright, The Stranger (Seattle, WA)

    Eschews the standard deathdroids and fuzzy critters for a more grounded, hard SF approach. Shinkai's debut ... falls prey to a frustrating feedback loop of a plot.

See more critic ratings and reviews on Rotten Tomatoes

Fresh (60% or more critics rated the movie positively)

Rotten (59% or fewer critics rated the movie positively)

Featured Audience Ratings

  • Dead A


    The only part I enjoyed is the ending. And the whole movie was so boring man!

  • Drew S


    An achingly beautiful, poetic, simple movie about love and limitlessness. Makoto Shinkai > Hayao Miyazaki. Everything Shinkai has ever done has touched me profoundly.

  • Steven V


    From Makoto Shinkai's three best-known pieces, The Place Promised in Our Early Days possesses the most pronouncedly plot-oriented narrative: An ambiguous love triangle, a symbolic separation of worlds, and characteristic to Makoto, an open-ended and beautifully depressing… More

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