Secrets of Women (Kvinnors Väntan) (Waiting Women) (1961)
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100% of critics liked it
(6 reviews) -
72% of users liked it
(586 ratings)
In this multi-faceted Ingmar Bergman film, rich in dramatic and comic elements, three wives pass time in a summer house, awaiting the returns of their husbands, by entertaining each other with recollections of past marital traumas. In the first recollection, the sexually unfulfilled Rakel (Anita… More In this multi-faceted Ingmar Bergman film, rich in dramatic and comic elements, three wives pass time in a summer house, awaiting the returns of their husbands, by entertaining each other with recollections of past marital traumas. In the first recollection, the sexually unfulfilled Rakel (Anita Bjork) shares a bathhouse, and more, with a former lover, Kaj (Jarl Kulle). When her emotionally withdrawn husband (Karl-Arne Holmsten), an antiques collector, returns and discovers the incident, he retreats to a garden hut and vows to kill himself. But he is dissuaded from self-destruction by his older brother, who blithely reassures him that an unfaithful wife is better than no wife! The narrator of this episode wearily allows that her husband is little more than a child. Marta (Maj-Brit Nilsson), the storytelling wife of the second episode, recalls her love affair and marriage to a Parisian artist (Birger Malmsten) whose family disapproved of the relationship. Included in her tale is a vivid child birthing. The third episode is a comic classic in which Bergman regulars Eva Dahlbeck and Gunnar Bjornstrand play emotionally estranged spouses who rekindle their marriage while trapped in an elevator. Kvinnors Väntan, which closes with the resolution of a framing tale involving the elopement of two younger lovers, shows Bergman in complete mastery of the film medium. Whether manipulating close-ups during an emotional give-and-take seduction or employing symbolic imagery to emphasize the joy of becoming a parent or merely allowing consummate pros to indulge in slapstick, he proves himself unfailingly adept at all facets of filmmaking. This is one of several lesser-known but nonetheless impressive Bergman films from the mid-1950s. ~ Les Stone, Rovi
- Directed By
- Ingmar Bergman
- Genres
- Documentary, Comedy
- In Theaters
- Jul 11, 1961 Wide
- On DVD
- Jul 5, 2005
- Studio
- Criterion Collection
Critic Reviews
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Trevor Johnston, Time Out
The bounty of Bergman's many superb female performances notwithstanding, it's a shame he never worked with Nilsson again.
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Bosley Crowther, New York Times
The whole thing concludes with an ingenuous and typical Bergman paradox.
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Pat Graham, Chicago Reader
More wistful than brooding.
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, TV Guide's Movie Guide
This mostly light-hearted comedy was written by Bergman during what he considered a dark time in his life -- which seems strange, considering how much fun the film is.
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Jon Fortgang, Film4
The drama takes precedence over comedy but the wry tone makes this one of the smoothest and most accessible films from the early stages of Bergman's career.
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Cast
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Eva Dahlbeck
as Karin
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Maj-Britt Nilsson
as Marta
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Anita Björk
as Rakel
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Gunnar Bjornstrand
as Fredrik Lobelius
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Birger Malmsten
as Martin Lobelius
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Marta Arbin
as Nurse Rut
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Björn Bjelvenstam
as Henrik
- May Britt
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Lena Brogren
as Nurse
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Karl-Arne Holmsten
as Eugen Lobelius
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Douglas Håge
as The Janitor
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Jarl Kulle
as Kaj
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Torsten Lilliecrona
as Host at nightclub
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Aino Taube
as Annette
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Naima Wifstrand
as Mrs. Lobelius
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Ingmar Bergman
as Street Character
- Viktor Andersson
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Håkan Westergren
as Paul Lobelius
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Carl Stroem
as The Anaesthetia doctor