L' Amico di Famiglia (The Family Friend) (Friend of the Family)

L' Amico di Famiglia (The Family Friend) (Friend of the Family) (2006)

  • 82% of critics liked it
    (11 reviews)

  • 73% of users liked it
    (1,034 ratings)

In writer/director Paolo Sorrentino's second feature, The Family Friend (L'Amico di Famiglia), Giacomo Rizzo stars as Geremia de Geremei, a sixtysomething tailor who lives with his mother in a disgusting and decrepit flat. Though wealthy from the money that he has culled via loan-sharking,… More

Unrated,
Directed By
Written By
Paolo Sorrentino
Genres
Art House & International, Drama
In Theaters
May 25, 2006 Wide
Artificial Eye

Critic Reviews

  • Geoff Andrew, Time Out

    All the surface style is properly wrapped around ideas of substance.

  • Ray Bennett, Hollywood Reporter

    The film fails singularly to provide any character worth caring about.

  • Jay Weissberg, Variety

    Paolo Sorrentino's third feature The Family Friend expands the maverick helmer's singular vision, though this time he's crafted a more complex world to illustrate his philosophy: everyone steals, and everyone is unhappy.

  • Anton Bitel, Eye for Film

    Sorrentino is often accused of being all style and no substance, but on the contrary his films are carefully built around the contrast between surface appearances and hidden depths.

  • Sam Jordison, Film4

    For many directors this would be counted as a considerable success, but from the director of The Consequences Of Love, it seems like a disappointment. It's smart, it looks great and there are fantastic characters, but the motive power just isn't there.

Read all 11 critic reviews

See more critic ratings and reviews on Rotten Tomatoes

Fresh (60% or more critics rated the movie positively)

Rotten (59% or fewer critics rated the movie positively)

Featured Audience Ratings

  • Gordon A


    Unusual and uneven tale of an unattractive small time loan shark and his trouble with women. Admittedly stunning visual style and left field music can't quite compensate for the willful eccentricity which often seems forced and unnecessary.

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