Davos Hanich, Etienne Becker, Hélène Chatelain, Jacques Branchu, Jacques Ledoux ...( see more  see more... ) , Jean Négroni , Ligia Borrouczyk

Earth lies in ruin after a nuclear war. The few surviving humans begin researching time travel, hoping to send someone back to the pre-war world for food, supplies and maybe a solution to their dire p...( read more  read more... )osition. One man is haunted by a vague childhood memory that will prove fateful.

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94% liked it

6,156 ratings

Critics

90% liked it

21 critics

Unrated, 28 min.

Directed by: Chris Marker

Release Date: February 16, 1962

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Flixster Reviews (616)


  • December 31, 2009
    "The victors stood guard over a kingdom of rats."

    Experimental, avant-garde depiction of post-apocalyptic time travel told through a series of stills in slide-show progression. As odd as that sounds, the whole thing works very, very well.
  • October 1, 2009
    I think being a big fan of photography helped me in enjoying this film as much as i did but to be honest, i did loose a little of my concentration before the film was over. That said, this film is a visual treat with a surreal dreamlike story that is both original and thought pro...( read more)voking. Gilliam's version/remake is far more assessable but is a wasted opportunity when compared. Out of the two though, I'd watch 12 monkeys more often i think, but still, beautiful cinema!
  • May 31, 2009
    I think most people know this short has been credited as a strong influence in movies such as "12 Monkeys" (a remake) and "Terminator". Ostensibly this is a fascinating slide show, with a couple of seconds of motion in the middle. The film has left me with indelible images, but I...( read more) remain undecided about its emotional impact. The still images barely serve to move the narrative forward, and gives it a memorable remoteness from its subject.
  • May 29, 2008
    "He ran towards her. And when he recognized the man who'd trailed him from the camp, he realized there was no escape out of time, and that that moment he'd been granted to see as a child, and that had obsessed him forever after... was the moment of his own death."

    ...( read more)f="http://s172.photobucket.com/albums/w25/EarthlyAlien/?action=view¤t=jetee.jpg" target="_blank">Photobucket

    Memory is the thematic and aesthetic core of Chris Marker's masterpiece, La Jetée. Set in the far future, during the aftermath of a third World War, the film tells the story of a man haunted by a distinct memory from the past, a beautiful woman he has seen as a boy in the airport just before the eruption of the war. That memory makes him a unique and indispensable individual to the victors who, in trying to connect with the past and the future to salvage the present from a scarcity of important resources, are experimenting on its prisoners who have concrete mnemonic images. This man's most persisting memory is represented by a still picture of a woman in a pleasantly feminine posture, her face beaming with comforting contentment, and her hair flowing peacefully with the wind. It is his last memory of peace.

    La Jetée isn't pompous science fiction. Actually, it's simplistic in its science and entirely evasive of the details of time travel, but accurate in the atmosphere and the emotions of being confronted by a recurring image of the past. It is oddly romantic and fluently scary, especially in the way it portrays memory as an obsession and a manipulated resource. The plot's elliptical form only reinforces Marker's thematic quirk, the way the mysteries of time, of the human mind, and the human heart converge in a highly intimate tale of emotional longing.

    La Jetée's aesthetic stance approximates a cinematically unconventional act of mnemonic recollection. While cinema has represented memories as elegant trips to the past through fluid flashbacks which are often granted the same clarity as the present, La Jetée takes a different course, visually experimental but still conventional in its storytelling methods. The film can accurately be described as a photo-montage, where black and white images are flawlessly stitched together. Guided by a narrator, the film takes the shape and feel of a storybook being told from start to finish.

    Let not its unique form and style intimidate you. La Jetée showcases Marker as a filmmaker adept in the basics of filmmaking. The 28-minute film is perhaps the most impressively edited film I've ever seen. The black and white stills magically move through the fades to black, the perfectly-timed cuts, and the transitions that are all the more made effective by pertinent yet bare sound effects and the memorably apt musical score. In one sequence, the man is first experimented upon by the victors. The rhythm of his heartbeat provides an undiminished tension that fuels the ravishing photographs of the man suffering; his teeth sinking on the reed hammock which serves as his bed and his hands contorting in manifestly pained shapes.

    There's a single moment in La Jetée wherein Marker decides to suddenly erupt from the confines of still memory, and allows one of his subjects to move, although very momentarily. It's intriguing because it is both startling yet magical, the way the girl awakes from slumber and truly awakes, blinking and smiling. It is as if the image has escaped from being merely encapsulated as a fragment of memory but has become a part of the present, unlimited by the inadequacies of the human mind. But why did Marker choose that moment to break his unique style? Perhaps for it is only in that moment that the man has sufficiently let go of the memory, and believed it as a present emotion: of comfort and relief. In contrast, it is only in the museum where the animals of the past have been frozen for perpetuity did the man truly perfect the art of time travel (probably in acceptance that the past, like these frozen animals, need to be immobile for that is memory's most innate nature). That was exactly what the man's captors needed: a perpetuated memory, not a fleeting emotion.

    La Jetée is a film that is continually changing and evolving. It inhabits the very quality that makes photography a veritable art form, the way it captures a real moment in time for perpetuation and incessant interpretation. Similarly, La Jetée has the story of a man and his obsession with his memory of a girl waiting in the jetty made eternal. Yet beyond that story is Marker's art, which plays differently every single time it is seen. The first time I saw it, it impressed me with how the narrative was perfectly told through mere photographs. The second time I saw it, I was left enchanted by its subtle tackling of the interconnections of time, memory, love, and obsession. The third time I saw it, I became fascinated by Marker's fluency in his medium. Metaphorically put, La Jetée is as open as the clear skies that day when the image of the girl was engraved on the man's mind, and as tremendous and terrifying as the apocalypse that befell the world after it. A masterpiece.
    ________________________

    Chris Marker is now 86. He lives in Paris and does not grant interviews. When asked for a picture of himself, he usually offers a photograph of a cat instead. His cat is named Guillaume.
  • March 24, 2008
    Quick Review:

    One of the most influential (whether you or the filmmakers its inspired have ever even seen it) sci-fi films ever made.

    An amazing achievement of sight and sound. The film is comprised entirely of still images, but what is cinema if not just still images 2...( read more)4 times per second. Marker just played around with that, and it works, entirely to the films credit.
    Its an incredible film with an excellent and proufound story (later developed further by Terry Gilliam in 12 Monkeys).

    La Jetee is, along with Un Chien Andalou, one of the most important short films in the history of cinema.

    Take the half hour and see it. You won't be dissapointed. Its great, and its one of my favorites.

    Don't miss it. You can view it on Youtube, or you can see it on the new criterion dvd along with Sans Soleil, which is far more preferable.
  • January 25, 2010
    An extraordinary experimental short French movie with a story light years ahead of it's time. It uses a series of black and white still photographs with a narrator telling us the tale of a man sent back in time after a nuclear war has devastated France. He volunteers to be used a...( read more)s a guinea pig because of a disturbing childhood image that he remembers when he was a child. Once back in the past he falls in a love with a woman. But just as he thinks he can escape from the present and return back to the past to be with the woman he loves.........well I won't spoil the ending for you.

    This is an amazing thought provoking science fiction movie and it's so clever the way director Chris Marker made it. Terry Gilliam later used the same story in "12 Monkeys" and to be fair La Jetee will stand the test of time better than that movie.There's one moment in the movie which will make you wonder if you're seeing things or not - it's around the 8 minute mark. Look closely at the woman.I thought it was a superb touch.

    Overall, a stunning short movie to watch with an ending that's so downbeat. Highly recommended.
  • January 5, 2010
    A beautiful, lovely sci-fi experiment.
  • October 13, 2009

  • August 27, 2009
    28 minutes de bonheur absolu...
  • June 16, 2009
    Oh, you have to watch this. Track it down and give yourself the pleasure of some fine sci-fi. You deserve it.

Comments


  • Wotanraven
    January 2, 2008
    There is indeed a difference between this movie and 12 Monkeys... 12 Monkeys is "inspired by La Jetée". Now inspired is too weak a word, there would be no 12 Monkeys without this movie. Period.
    Now I understand why calling it the "original 12 Monkeys" would startle you, but then again, how else do you want to call it? Its not because 12 monkeys is 4 times longer than this that its not directly inspired by it. Its not because la Jetée is a "photo-novel" that the live action 12 Monkeys isn't the remake.

    But I loved 12 Monkeys, astonishingly they "remade" La Jetée extraordinarly well.
  • onefinalhit
    May 15, 2007
    People need to stop calling this the "original 12 monkeys". That's like calling Yojimbo the original A Fistful of Dollars. There's a huge difference,please.

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