Jeanne Moreau, Alexandra Stewart, Charles Denner

Julie Kohler is prevented from suicide by her mother. She leaves the town. She will track down, charm and kill five men who do not know her. What is her goal ? What is her purpose ?

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79% liked it

3,328 ratings

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9 critics

Unrated, 1 hr. 47 min.

Directed by: François Truffaut

Release Date: March 22, 1968

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DVD Release Date: January 23, 2001

Stats: 148 reviews

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Flixster Reviews (148)


  • July 21, 2009
    Francois Truffaut ("The 400 Blows"/"Jules and Jim"/"The Wild Child"), one of the most beloved and prolific directors to emerge from the French new wave movement, directed this tribute to Alfred Hitchcock in 1968. Two years prior, Truffaut had released "Fahrenheit 451", which was ...( read more)one of his lesser works as he restrained himself to meet the comforts of the Hollywood system. "The Bride Wore Black", however, retains it's nouvelle vague sensibilities whilst embracing the Hollywood tradition. Although it's not one of his better works, it's a noteworthy piece in that it's narrative is virtually identical to Quentin Tarantino's "Kill Bill" films (Tarantino said he never saw "The Bride Wore Black" prior to filming them, however).

    The film is based on the novel of the same name by Cornell Woolrich, and it's a simple revenge tale which follows the stoic bride, Julie Kohler (Jeanne Moreau), as she kills the five men responsible for the death of her husband. The five men, all wealthy, were recklessly handling a rifle inside an apartment when a shot was accidentally fired, killing Julie's husband on the church steps immediately following their wedding ceremony.

    The first of the men is the playboy, Bliss (Claude Rich), who confronts Julie at a party she had not been invited to. The second is Coral (Michel Bouquet), a lonely man whom she takes to a concert. Next comes Morane (Michael Lonsdale), whom she kills by disguising herself as his son's teacher, Delvaux (Daniel Boulanger), a slimy used car dealer, and Fergus (Charles Denner), a womanizing artist who falls in love with her.

    Although the material sounds like every torture porn released this decade, it's surprisingly inventive, clever, and even, at times, darkly humorous. The murders are never disturbing because of the creative ways they're set up and shot, and the film's success is it's remarkable ability to build suspense on five separate occasions. While the film is a bit implausible (we're never told how Kohler found the five men outside of "it took a long time"), it's a series of entertaining episodes that offer laughs, scares, and surprises.

    The film is scored by Bernard Herrman, the long-time Hitchcock collaborator, which adds to the homage. Where Truffaut's imitation differs from Hitchcock's films, however, is that everyone one of it's characters is kept at an arm's distance, and the plot is entirely minimalist. Also different is the fact that the bride's motivation is revealed around the half-point of the film, whereas Hitchcock may have reserved such a reveal for the final reel.
  • June 22, 2009
    Stylish revenge thriller by François Truffaut, who I think was rather too ponderous, subtle and out of his element everytime he tried to get into Hitchcock territory; but with the macabre Bernard Herrmann in the music, and the sophisticated and calm Jeanne Moreau; he had winning ...( read more)aces.
  • November 15, 2006
    Well done but pretty damn boring.
  • February 6, 2009
    It is obvious that this is the movie that inspired ¨Kill Bill¨ because there is a lot of similities and homage scenes, eventhough Tarantino stated he has never seen it. Guess what?! I don´t believe him.
    ¨The Bride Wore Black¨ is a hitchcokian flix that is beautifully photograph...( read more)ed and employs a no-nonsense score. The film is fairly gripping and well acted,
    I would give it a higher rating because the story good, however flawed.
  • September 26, 2008
    The premise of Kill Bill (oh you Tarantino copycat...),brilliantly extracting influences from Hitchcock,probably through their conversation monsieur Francois arranged in an interview style,the Bride is Moreau in her most sexual display and provocative grandeur.Beauty is subjectiv...( read more)e,revenge is a personal cause,under the surface injustice wears any color possible,detective stories are of course enchanting.The tricks of Truffaut's majesty.
  • November 27, 2009
    Francois Truffaut was a respected and talented director, but there's only one Hitchcock. Call me a homer. I don't care. Of course, imitation is the sincerest form of flattery and Truffaut was most certainly meaning this to be a tribute to the filmmaking master. But Truffaut falls...( read more) short in his effort to mimic Hitchcock. I found this kind of pretentious and boring. A Hitchcock movie always left me gripping my chair.
  • August 20, 2009
    good & great revenge plan & Jeanne Moreau was fantastic...
  • August 12, 2009
    The Bernard Herrmann score made this one memorable for me. !
  • January 12, 2009
    Truffaut's take on revenge and Hitchcockian filmmaking is more interesting from a psychological standpoint, with its damaged heroine (the excellent Jeanne Moreau) and her unusually average, and increasingly sympathetic, quarry. The filmmaking technique on display is wildly diverg...( read more)ent; polished and inventive at times, seemingly sloppy and amateurish at others. It's always watchable, interesting and quite a lot of fun, despite having what feels like the longest third act in history. Ultimately, the film is vindicated by Truffaut's love of pulp fiction and its irresistible conventions, which he flaunts to playful effect here. Clearly a massive influence on Tarantino's KILL BILL.
  • December 17, 2008
    This was really different from the other Truffaut films I have seen. Jeanne Moreau is fantastic as always.

Critic Reviews


March 13, 2007
Roger Ebert, Chicago Sun-Times

Miss Moreau remains one of the screen's great actresses, and there is a supporting cast of unusual quality. full review

View more La Mariée était en Noir (The Bride Wore Black) reviews at RottenTomatoes.com

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