Jacqueline Bisset, Valentina Cortese, Dani

A film company at work. Actors arrive and depart; liaisons develop. Julie, the beautiful but possibly unstable lead, is recovering from a breakdown, aided by an older physician, her new husband. Alpho...( read more  read more... )nse is insecure, he babbles. When his fiance exits with a stunt man, he threatens to quit. Julie must convince him to stay. Alexandre, a consummate pro on the set, runs back and forth to the airport hoping a certain young man will visit. Severine, no longer young, hits the bottle and covers blown lines with emotional outbursts. At the center is Ferrand, the writer director, who must make constant decisions, answer a stream of questions, and deliver the film on schedule.

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90% liked it

6,466 ratings

Critics

100% liked it

22 critics

PG, 2 hrs.

Directed by: François Truffaut

Release Date: September 7, 1973

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DVD Release Date: March 18, 2003

Stats: 356 reviews

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Flixster Reviews (356)


  • March 22, 2009
    This is one of those movies that I enjoyed watching because it gave an insider's look at how movies are made and the drama behind it. Plus, it's directed by Truffaut and has the spectacular Jacqueline Bisset star in it.
  • March 7, 2009
    Why not give Truffaut a big budget and let him play with it? Why not indeed. La Nuit Americaine is the director's own account of life on the set, of the process of making a film, with all of its difficulties and its perks. With the help of dozens of charming, excellently written ...( read more)characters and the development of many different threads to a common storyline, he exemplifies the laughter and the tears and the interconnexion of humanities that the process of flimmaking implicates.

    Where Godard was ambiguous and Fellini was grandieuse (I'm talking Le Mepris and 8 1/2, respectively), Truffaut is subtle, good-hearted, and intimate (as he always is). Filmmaking is a personal, consuming project, and he chooses to portray even the most technical aspects of it which, any other director might have thought, could have been unappealing to an audience. Truffaut finds the humor and soul behind every task, as he does in his absurd plot deviation about his film's star's, Alphonse's, romantic obsession with one of the girls working on the movie.

    Jean Pierre Leaud is just as great as he always is playing the neurotic, insecure, obsessive Alphonse with a charming sense of comedy. Jacqueline Bisset is ethereal as she drifts through the movie, in a role of another, different neurotic. The same can be said of Valentina Cortese and Jean-Pierre Aumont, whose deep conviction of their having big screen presences only causes them to become legends in front of our eyes.

    During La Nuit Americaine Truffaut is so full of fascination, and admiration, and pride for what he does, that in the end the feeling is that of having just heard a good friend, or many good friends, speak about their jobs as directors, assistants, actors, make-up artists, or producers. There is an endless possibility of identification with their feelings, situations, attitudes. Day for Night is a film to inhabit and love.

    The film opens with a fantastic long shot that I will never forget. The note is happy. The music is beautiful. La Nuit Americaine is the best form of escapism.
  • December 11, 2007
    9/10

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    Cinema celebrated, reality questioned, Americanism studied, love admired (almost mocked); all together under the moc...( read more)kumentary that is Truffaut's self portrait put to film Day for Night. It's not the best film (that happens to be) about movie making, it's the best film ABOUT making movies. Very few other films (I can only think of Cinema Paradiso) love cinema more than Day for Night.
  • September 18, 2009
    Cinema on the run.Fucking gorgeous.The ingenious thought that generates the brain is "do we actually care of what Art truly is...and if so,how can we expand our knowledge more?".Cortese is adorable...
  • October 23, 2008
    Another Truffaut classic. A must see for anyone studying film.
  • September 19, 2009
    I love movies about making movies.That's why i watched "The American Night" (there is 3 names but this one is more suitable for the movie) 2 o'clock in the morning.I though it would be helpful for me to be a director.But it is more like a soup opera while a movie is shoting.Becau...( read more)se in this movie everyone's hand is in everyone's pocket.But dont understand me wrong.This movie has a Cnema love.You can see it in the director's dreams or when he got his books about movies.I liked that in the movie.

    It is about the problems while a director was trying to shoot a movie.But there should be more problems.Only problem is love between actors and actresses.So that is fault of the movie.Other than this everything is normal.
  • August 27, 2009
    ...( read more)//www.flixster.com/movie/la-nuit-americaine-day-for-night-the-american-night-videos/SCENE+FROM+DAY+FOR+NIGHT-11052050">
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  • July 29, 2009
    Reminds one that film is a fragile but sublime art.
  • June 8, 2009
    Il cinema raccontato dal cinema. O meglio la vita che coincide col cinema. Splendido film di Truffaut, stavolta regista di ben due film, dentro e fuori dal set di produzione. Decine, forse centinaia le citazioni cinematografiche, ma soprattutto una memorabile visione della realtà...( read more) filmica. Cosa avviene esattamente durante le riprese di un film? Quali eventi e quanti rapporti si consumano attraverso la macchina da presa? I film non si fermano, vanno come i treni.. che spettacolo.
  • April 21, 2009
    Day for Night exudes all the enchantment, zaniness and transitory pleasures of the movie-making business. And the kitten that wouldn't hit its mark: so cute!

Critic Reviews


January 1, 2000
Roger Ebert, Chicago Sun-Times

A poem in praise of making movies. Not good movies, not bad movies -- movies. full review

View more La Nuit Américaine (Day for Night) (The American Night) reviews at RottenTomatoes.com

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