Anthony Quinn, Giulietta Masina, Richard Basehart

A carefree girl is sold to a traveling entertainer, consequently enduring physical and emotional pain along the way.

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94% liked it

16,032 ratings

Critics

97% liked it

31 critics

PG, 1 hr. 55 min.

Directed by: Federico Fellini

Release Date: September 6, 1954

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DVD Release Date: November 18, 2003

Stats: 881 reviews

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Flixster Reviews (881)


  • August 2, 2009
    I'm sure I'll incur the wrath of hard-core Fellini fans for saying this but, here goes, La Strada is my all-time favorite Federico Fellini film. (Yes, it's true - I like it even more than I like 8 1/2).

    Even though Anthony Quinn and Richard Basehart are fantastic ...( read more)in this film, every scene is stolen by the incredible Giulietta Masina. She's naive, sexy, comic and tragic all at the same time. Her dialog is limited and yet she says so much with her expressions and gestures.

    Giulietta Masina- La Strada


    Masina's persona is a little Debbie Reynolds, a little Shirley MacLaine, and a touch of Charlie Chaplin. She's completely loveable and absolutely perfect for this role.
  • March 31, 2009
    No question, this is my favorite Fellini. Masina is always good, but she truly shines in this one. I've seen terms as unkind as "retarded" and as kind -- if you can call it kind -- as "simple" used to describe her character here. Flixsters, I'm here to argue that her character...( read more) is neither retarded nor simple, and is certainly not "addle-brained."

    Up to the point of the murder, Gelsomina is what I would call innocent. The word "sophisticated" used to mean something quite unlike what it means today. Nowadays, when we say someone is sophisticated, we are generally being complimentary. We mean that this person is quite worldly wise. Originally, however, if you were labeled sophisticated, the connotation was not flattering. If you were called sophisticated, it meant that you were viewed as, roughly, being "ruined by the world." Your innocence was far behind you. You were damaged goods, and irreparably so.

    So up to the point where Quinn murders Basehart, Gelsomina is innocent in the ways of the world, lacking in life experiences which disabuse us of our innocence. But from that point on she is ruined by the real world, sophisticated in the truest sense of the word, irreparably damaged by that experience. It is her psychic state post-murder that might -- might -- be termed "addled."

    Quinn is great in this one, and Basehart is astonishing. If you only ever see one Fellini, flixsters, this is the one I'd strongly recommend.

  • November 20, 2008
    The performances are wonderful from the three main characters, so the humor and tragedy is believable. Fellini is beginning to move away from his early influence by the Italian neo-realism movement. Parts still owe something to neo-realism, but other parts are a bit more fantas...( read more)tical. With these Italian pictures of the 40's and 50's audio tracks were not recorded simultaneously with the film, so whether the audio is changed to English dialog or is heard in the original Italian, it is all dubbed. I noticed more with this movie than some other Italian films I've seen from around this time that the dialog and trumpet and violin audio and video don't quite line up. I expect a little more from listening to the original audio on the collector's edition I viewed, but I suppose that was just the technology of the times and it contributes to the fantasy aspects of the story.
  • August 20, 2008
    Giulietta Masina is wonderful. She is unique, and brimming with an overt positive attitude that charms through warmth; and La Strada is the perfect tool to showcase her original talents. Fellini's road bound journey is filmmaking of a straight structure with simple people, but in...( read more)volving complex relationships and innovative filming techniques. Rota's score complements the tenderness, while Quinn's brutal arrogance balances the steadiness of Fellini's lensing eye.
  • April 19, 2008
    cute. but shallow.
  • October 24, 2009
    My heart sank at the end. A beautiful and simple story with so many wonderful scenes, most favourites are with Basehart.
  • October 11, 2009
    Though Federico Fellini was well-known for his use of circus-like, surrealistic imagery, "La Strada" is the antithesis of it. It was told with simplicity, yet this simplicity paved way for its awesome emotional power. Anthony Quinn gave a great performance as Zampano, a strongma...( read more)n which have muscles that are seemingly as hard as his heart. While Giulietta Masina, shines as a naive woman who constantly searched for love inside Zampano's hardened heart. Gelsomina reminded me of Lars Von Trier's female protagonists, which until the very end, although suffered too much, still preserved their naivety. "La Strada" is an unconscious love story, and while Fellini films like "8 1/2" were built from dreams and fantasies, "La Strada" is built of human emotions.
  • September 20, 2009
    Another of my favorite Fellini films. Definitely one of his most offbeat.
  • September 12, 2009
    Sometimes surreal, sometimes charming, sometimes cute, sometimes cruel, but always a unique and memorable neorealist gem.

    96/100
  • September 6, 2009
    El pequeño relato de Gelsomina, un ser humano que podía diertir a los demás pero que su mundo interior era demaiado solitario. En contraste, un hombre fornido y dedicado al circo por supervivencia, quién usaba a la pobre chica como ayudante, esposa y repertorio.
    Un relato estreme...( read more)cedor que nos habla sobre los sentimientos internos, los impulsos y la nostalgia de querer ser. Una gran pelicula de Fellini con actuaciones que dejan huella, se nota que su estilo ya tenía forma. El final es una tragedia personal y espacial.

Critic Reviews


January 1, 2000
Roger Ebert, Chicago Sun-Times

La Strada is the first film that can be called entirely 'Felliniesque.' full review

View more La Strada (The Road) reviews at RottenTomatoes.com

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