Robert Montgomery, Audrey Totter, Lloyd Nolan

Based on a novel by Raymond Chandler, the story focuses on private eye Philip Marlowe as he searches for a missing wife and discovers a different woman's corpse in a mountain lake.

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1,007 ratings

R, 105 min.

Directed by: Robert Montgomery

Release Date: January 1, 1947

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Flixster Reviews (68)


  • September 4, 2009
    "lady in the lake" is an amateurish noir by robert montgomery's gimmicky experiment of filmmaking with raymond chandler's novel by the same name. it utilizes the entire first-person perspective which is also applied in humprey bogart's "dark passage" which was also released aroun...( read more)d the same time in 1947. but montgomery's trial is thorough becuz montgomery's philip marlowe is basically just a narrator, a void awaiting to be filled by the audience.

    first of all, it takes a great deal of imagination as well as some enduring composure as a constant reader to visualize oneself in the position of philip marlowe as you're reading chandler's detective novels with his die-hard ace marlowe. as an enthusiastic reader of chandler's novels, i've found montgomery's primitive direction borders on my perception of the plots as i leaf one page after another. obviously, i cannot help but wonder whether montgomery's choice of such kind of directing is due to his limited craftmanship as a director since he cannot think any other way to present a movie?

    second of all, the process of film-viewing is a highly passive involvement with the original texts since the filmakers have filled in the pages with their own envisioning of the story. as a viewer, you're detached in a position to judge whether the fimmaker's presentation is marvellously creative or not with a smugly ignorant condescendence even you've not got in touch with the texts beforehand. but on the contrary, reading is an active experience or commitment to devote your absolute attention into the story, and you're more left alone with your own imaginations on the characters, backset and the stream of consciousness kind of soliloquy as the character's self-revelation...you concede into the author's viewpoint at the moment you open the book or you wouldn't dedicate your time and efforts on consuming all the materials..when you're reading, you're fabricating a movie made on your own with your mind in absolute privacy....

    so "lady in the lake" is merely a passable movie-piece since the director cannot offer you anything more than a whirling camera with some bizarre hand gestures. but somehow it simulates your inward state as you read the original books while imagining yourself as marlowe and see things in his angle...meanwhile it also lacks a sort of deepening refinement of characters' dimensions which the book usually renders by monologues..in the case, it proves that audrey totter is indeed a good actress who could pull off an acting job by playing opposite to an abscent leading man, shedding tears to a lifeless machine without the helpful eye-contact in the love scenes.
  • October 28, 2007
    I spent the first 45 minutes annoyed by the crabbiness with which Robert Montgomery played Phillip Marlowe, but I eventually warmed up to Lady in the Lake. The whole 1st person POV was really gimmicky kind of annoying for a little while (especially with the crappy editing between...( read more) shots) but you eventually go numb to it. The segues with Marlowe in his office bugged me and tipped me off to the fact that Montgomery was clueless in the director's chair. As with any Chandler, the dialogue's as great as the story is. Audrey Totter turns in a performance that's sultry as all hell when she's not giving the stink eye or overly dramatic expressions. If you ever check it out you've got to stick with it and not dismiss it before the first act is up. The ending's worth it.
  • January 17, 2009
    A film that's one big gimmick, but fun to sit through once, even if it does take you out of the film.
    Think Half-Life set in a Film-noir setting, yet it's mostly those parts where people talk to you and you have nothing to shoot.
  • March 4, 2009
    Awkward and stiff in parts. First person camera work is bizarre and the fixation on Christmas is even more bizarre, But that's why I love it. Also 50% of the time the first person camera is focused on Audrey Totter, and while her eyes are downright crazy in this movie, I can w...( read more)atch her all day. Extremely biased review.
  • February 8, 2009
    an average detective story, but is shot completely in the first person, keep eyes peeled and try snd solve the language of the fifties and who possibly did the dirty deed.
  • September 6, 2007
    If ever there were a movie that cried out for a remake, this is it. Not because the film is bad, exactly--it's rather frustratingly average--but because the central concept is great but is failed by the available technology. Director and star Robert Montgomery tries to tell us th...( read more)e tale of Philip Marlowe's bizarre case by framing the film entirely through Marlowe's point-of-view, as if we the audience are seeing through Marlowe's eyes. This is indeed a delightful concept, but sadly a camera on a track and a crane is not believable as a human stand-in and the many "hidden" cuts to allow the camera to be repositioned are way too obvious. Also, while the many scenes showing Marlowe in mirrors are a nice touch, they are all clearly at the wrong angle. Today's steadicams would have been a Godsend to the filmmakers. The film is also hampered by the apparent belief that the audience just wouldn't "get it," as multiple times we cut to Marlowe in his office facing us in order to explain to us something that is happening. This wouldn't be so bad except the second time it's followed by the scene where we actually see everything happen that he was just explaining to us! It's certainly an interesting film to look at, and historically important for its inventive use of the POV shot, but it really just plays out like all those Nancy Drew computer games, but without the ability to interact with any of it.
  • August 8, 2007
    The POV effect is extremely annoying
  • June 29, 2007
    Extra props for filming it (almost entirely) in the first-person. This technique was well done for it's time, but the story didn't pull me in.

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