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Plot:
Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys Antoine's fi...( read more 
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Recent Reviews
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MCT:June 26, 2008
Conclusion du cycle Antoine Doinel, et de loin le moins intéressant des quatre films. Truffaut aurait probablement dû faire une trilogie et s'abstenir de retourner à son personnage une dernière fois. Il a lui-même avoué qu'il considérait le film comme un échec parce qu'il n'amenait rien de nouveau.
L'oeuvre est construite comme une récapitulation des aventures d'Antoine. On y voit de nombreux flashbacks sous forme d'extraits des films précédents, ce qui devient vite lassant pour le spectateur familier avec les autres volets. De plus, bon nombre de ces extraits sont sortis de leur contexte initial... Le récit en temps présent n'est pas très prenant. Malgré quelques moments biens, il s'agit tout de même d'un long métrage négligeable. -
MCT:May 11, 2008
Each film in the Doinel series was not quite as good as the one before it. I liked to reminisce about the great moments from the past films, but that's all this film is: Truffaut patting himself on the back for his previous work.
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MCT:March 31, 2008I know Truffaut said that he disliked this and felt is was a bad ending to the series even if people enjoyed it, but I feel that that was a dishonest remark as I feel this is an honest depiction of the Doinel series. As an autobiographical piece, he wants it to end nicely, sweetly and to see how he goes through his travails with women, I fell so much for him and it is the wonder of Truffaut's cinema, his beautiful characters. Wes Anderson tries to be like this, but he creates no sympathy without having to mock his characters and for Truffaut, he makes his character loved and here he succeeds over Anderson.
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MCT:March 22, 2008
The finale of the Antoine Doinel series is easily the weakest, using a whole lot of clips from earlier movies, but if you've followed it this far, you'll want to see how his life turned out.
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MCT:March 10, 2008Encore une fois, une approche différente de celle des trois autres. Pourtant, Truffaut avait bien constaté que les deux premiers volets du cycle Antoine Doinel avait connus un succès international. Pourquoi changer une recette gagnante? Là est la question.
Néanmoins, c'est encore une oeuvre très poétique, mais qui se charge plutôt de suivre la vie des 4 personnages principaux plutôt que de s'attarder, comme ç'avait jadis été le cas, sur le cas de Doinel. Les personnages sont d'ailleurs vraiment fascinants et Dorothée vient remplacer avec brio Claude Jade qui, elle, s'efface pour un rôle un peu plus secondaire.
Bref, une belle rétrospective de l'entière vie de Doinel. C'est tout de même plus ou moins dommage que le tiers du film soit constitué d'extraits des trois premiers films, mais ça nous permet de faire certains rapprochements sentimentals intéressants. -
MCT:February 12, 2008
The final part in the story of Antoine Doinel. I enjoyed the flashbacks, mainly the Antoine and Colette ones as its the only part in the series I have yet to see. Overall a nice way to end the story of Antoine Doinel.
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MCT:October 27, 2006I have already graded this and said somthing about it. I tihnk I said I have seen some of these but not all and I really want this box set and to see this films.
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MCT:September 17, 2006
El final de la historia de Antoine Doinel. Un buen final para toda la saga. El diálogo final entre Doinel y su chica es de lo mejor.
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MCT:September 11, 2006
7/10
Looking through the extras on the Criterion version of Love on the Run I came across a clip from a French television show on film (those French make me mad with envy) in which director Francois Truffaut not only mentioned how he was unhappy with the final film in his Antoine Doinel Cycle but also went into detail explaining how its technical aspects are distracting instead playing as contributing factors of the film as a whole artistic work. Not only do I agree with him but I revel in the fact that the film has this ambitious experimental quality and, while detracting from the film as a whole, I enjoyed this and the film altogether.
Love on the Run is the only film of the Doinel series that cannot be viewed and appreciated individually. Because of this, as well as it's forgettable narrative style and lack of character development (of the newly introduced characters), this is the worst of the Doinel films.
Even still I'd be hard pressed to say I disliked the film. It's an elegy of sorts, using clips from the four previous films to remember and then predict what will happen next in the life of Antoine. The use of these flashbacks is at time impressive and always fun as I reminisced of Antoine's past life experiences.
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