What grappled my attention from "Last Night" was the fact that it was a heavy-loaded marriage-drama driven by choice and secret. Before seeing the movie I had never seen a trailer and only read a description, and just from that I was easily convinced to see it. Catching it… More
What grappled my attention from "Last Night" was the fact that it was a heavy-loaded marriage-drama driven by choice and secret. Before seeing the movie I had never seen a trailer and only read a description, and just from that I was easily convinced to see it. Catching it down at a local art house, and when I say local I mean about a thirty-minute drive (released yesterday, only limited), I was glad to have given the time to find this little, darkly-pitched drama for quite a few reasons. Knowing me, your probably wondering why I didn't just watch this online or rent it on Comcast On Demand (its on there for about ten dollars), well if you must know, I was in the mood to take a night out by myself, catch a movie that would make me think, and then reflect on it later. I didn't bring a friend with me, didn't tell anyone where I was going, I just wanted a quiet, perfectly still night out where I could be alone with just my thoughts. "Last Night" definitely gave this to me.
Walking out of this film, with only about three others behind me (not enough people know of this film, and that's a pity), I was truly happy with the results. I told myself that the film wasn't great and that it was only decent but it was the small qualities from the movie that made it worth-while. One of my favorite aspects that came from the film is the way it moves back and forth between the husband's night and then the wife's so smoothly. Cutting back and forth to two different storylines (pretty much) might sound messy, but the edits are done faultlessly thanks to Massy Tadjedin.
Starting off introducing the audience to Joanna and Michael Reed, a "you'd think be" perfect couple living in a beautiful, probably very expensive Manhattan apartment. On their way to a party with all of Michael's co-workers, Joanna meets Laura, a beautiful recruit to the company Michael never told Joanna about before. What angers Joanna is the fact that the two went on a business trip in the past to Los Angeles, and she instantly believes Michael is attracted to her-and maybe cheating. After a huge argument on the eve of another business trip including Laura, Michael leaves the next morning and the two are left feeling awkward. Out on a walk to clear her thoughts, Joanna runs into Alex, an old lover of hers she fell for when her and Michael were on a long break a couple of years back. Joanna spending the night catching up with Alex, and Michael spending the night resisting temptation from Laura, the balance between the two might just fall once and for all.
A pleasant little viewpoint that comes from "Last Night" is Massy Tadjedin's ultimately serious-minded script that doesn't hold back from any standings. What pleases me most when it comes to her writing is the fact that it all feels realistic. A dinner scene in the film, that's cuts back and forth between another scene, is never cut in length. When I say this I mean that the scene starts with them sitting down, and it doesn't cut to sometime later to what's happening then, it literally shows the whole evening on what's going on and it gives you a good feel of all of the characters, especially with the rich, crafted dialog. Though some scenes feel a little dry and without taste, it all works out in the end for the best.
The character development in the film, at first, doesn't really feel to right. I felt the chemistry between Sam Worthington and Keira Knightly was off, but then, once you know the plot of the film, you get the real understanding and depth between each character. The two give good performances in the movie, Knightly much stronger than Worthington, who felt out of his usual zone at times. The best performance in the film, however, came from Guillaume Canet, one of the four main characters who isn't a big-name Hollywood star. His character Alex was smooth and likeable, and you hoped all the best would be given to his character in the end. My least favorite performance in the film was from Eva Mendes, who didn't really have good chemistry at all with Sam Worthington, and never really did anything to go out of her way with the lines she did have. It might have just been her highly unlikeable, saggy character that caused me to dislike her in this.
One of my favorite shots in the film is between Sam Worthington and Eva Mendes, not because the chemistry was astounding, but because of the setting. Taking place at night in the Hotel pool, I thought the scene was directed incredibly. Shot with a very dark, gritty (almost) kinds of scan to the screen, the light- blue shining off the faces of the stars looked visually-stunning. The look of the scene isn't remarkable, but it was great while it lasted.
You can give kudos to Massy Tadjedin for the writing and directing on "Last Night", creating a piece that can be enjoyable for all at least once. The movie isn't perfect, but what I enjoyed from it is how quiet and still it is. This is a movie to sit back, open your thoughts, and relax too. If you've already been smashed by Thor's almighty hammer, or you're just not interested in this weekend's biggest smash-hit, then I recommend trying to find this film, because it's good in the littlest of ways.
Thanks for reading!