Låt den Rätte Komma In (Let the Right One in)

Låt den Rätte Komma In (Let the Right One in)

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Låt den Rätte Komma In (Let th...

Anders T. Peedu, Henrik Dahl, Ika Nord, Karin Bergquist, Karl Robert Lindgren

Oskar, a bullied 12-year old, dreams of revenge. He falls in love with Eli, a peculiar girl. She can't stand the sun or food and to come into a room she needs to be invited. Eli gives Oskar the streng...( read more  read more... )th to hit back but when he realizes that Eli needs to drink other peoples blood to live he's faced with a choice. How much can love forgive? Let The Right One In is a story both violent and highly romantic, set in the Stockholm suburb of Blackeberg in 1982.

Id: 10964956

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  • December 30, 2009
    ''You have to invite me in.''

    Oskar; a shy bullied boy, finds love and revenge through Eli; a beautiful yet mysterious girl whom turns out to be a vampire.

    Kåre Hedebrant: Oskar

    Lina Leandersson: Eli

    Lat den ratte komma in(2008) or in English ...( read more)>Let the Right one in; Lets start by explaining the title of the film (as well as the novel upon which it was based) refers to the Morrissey song Let the Right One Slip In.
    Also referring and according to vampire myths; vampires must be invited in before they can enter someone's home (this point is also expertly shown in the film).


    Directed by the talented Tomas Alfredson, based upon the book by John Ajvide Lindqvist whom subsequently worked on the screenplay for the film. The material upon which Let the right one in is based was pure gold in terms of imagination; The film adaptation; equally magnificent in it's scope and capture of Vampire lore, at the same time putting a unique spin on the legendary subject matter. The story tells us a unique perspective from a child's eyes and a mysterious girl he becomes entwined with.
    Let the right one in is in Swedish; sometimes the subtitles aren't even necessary as the characters use all sorts of methods and gestures that say more than mere words. Anyone whom complains about the subtitles should not watch; it is wasted on you. An unappreciative audience is an insult to this Let the right one in; because it is a magnificent masterpiece which lingers in the memory using clever circumstances and horrific happenings in equal doses. It rivals any horror movie in the span of the last 40 years in terms of effectiveness and creativeness.
    Also tackling bullying from schoolmates, parenting skills from estranged parents and the imagination of a boy whom is innocent, graceful and shy.

    The cast relatively unknown to me before; effectively portray believability and magnetism especially the two leads: Oskar and Eli. The acting is so real that I actually did not doubt for a second their growing love and chemistry throughout the story.
    Another memorable character Yvonne played by Karin Bergquist turns out a surprising role as one whom becomes infected by the vampiric gene. Imaginative scenes including her falling down a stairs with cats covering her body or her burning in intense flames as a blind is opened in a Hospital defies belief yet captivates and enthralls at the same instant. Hats off for such clever techniques and acting.

    Though the film takes place on location at Blackeberg, a suburb of Stockholm, the film principal photography was shot in Lulea in the north of Sweden; to ensure enough snow and cold weather.
    Up to several tricks were used to create the right sound effects for a few gorier scenes used. Biting into sausages replicates the sound of biting into skin and flesh, drinking types of yogurt also were used to sound like drinking blood. The sound of the children blinking was made by the skin of a grape rubbing against each other in an almost blinking motion.
    Also rightly voted movie of the year by Empire magazine, whom are sometimes compromised in terms of opinions and reviews(Surprisingly the first time a foreign language film topped their list since the mind blowing Cidade de Deus(2002) in 2003).

    Overall, Let the Right one in is a visual, imaginative treat. A horror of renowned highness, a bloody tour de force and certainly one to be watched by any film appreciator.
    Guillermo Del Toro director of the fantastical, realistic Pan's Labyrinth; said in his words of Let the right one in, '' As delicate, haunting and a poetic a film as you're ever bound to see''. That only barely begins to sum up the majestic, awesome quality this blood sucker piece is. This IS is the vampire movie of the decade, the swan song and testament to an old legend. It certainly beats Twilight on all counts having more romance, creativity, respect for Vampire lore and horror in Let the right one in's little finger alone.
    Just do not pass up this opportunity, as the title suggests: Let the right one in. If you don't you will be the one missing out and that certainly sucks. A bloody dreamed up masterpiece adaptation.

    ''Are you a vampire?''
  • December 15, 2009
    WTF?

    review to come
  • December 8, 2009
    Almost perfect!
    one of THE best vampire movies ever made AND a fresh turn to vampire movies, I loved it :)
  • December 4, 2009
    I have to admit I watched this film, knowing nothing about it at all and had I known it was a vampire film, perhaps I wouldn?t have watched it with the same enthusiasm, however this is the most naturally acted Vampire film that I?ve seen to date.

    Two fantastic child leads and ...( read more)the storyline came across more like a genuine murder tale.

    Slightly stretched out in parts, but most certainly worth the watch. The accompanying music is simply beautiful.
  • December 3, 2009
    This was a Swedish vampire movie. It moved a bit too slow for me & well the vamp Is actually a 12 year old (she can?t remember which probably means about 1000) Really feel indifferent to the movie. I neither liked nor disliked it. The disk was in English so no worries I?d say a C
  • January 1, 2010
    Good vampire movie. Let The Right One In is one of the few original tales, to come out of this overcrowded genre. It's a story both violent and highly romantic, with the two young leads acting beyond their years. I loved the directors easy going camera work, and the under use of ...( read more)fancy special effects. I would recommend this to anyone bored of the crap vampire movies that have been produced recently.
  • January 1, 2010
    A Swedish vampire movie? This was too good to pass up. In a genre not particularly known for subtlety and finesse, this one was downright classy! They didn't tell you everything, choosing instead to let you draw some of your own conclusions. Can't say I'll watch it again but ...( read more)I don't regret the one time! Appreciated them sticking to actual Vampire lore. *cough*stephaniemyer*cough*
  • December 31, 2009
    Good vampire-drama. Not what I expected but it had some good performances. The ending was poetic.
  • December 30, 2009
    this by far a great Vampire movie or story only that it doesn't come with rocker vampires or aristocratic vampires either is just plain and simple and it is actually a very real movie and yes it is a little slow but it actually gives you the time to feel the cold and their way of...( read more) life. You actually can't feel it more real because for that you have to be in the movie 2 kids falling in love and needing more from the other that they can actually perceive. it is just mesmerizing and it doesn't fail fascinate. The love story seems to be out of a fairy tale!

    Twelve year old Oskar (Kåre Hedebrant) is so wimpy that he's constantly picked on by the other boys at his school, especially Conny (Patrik Rydmark) and his two friends, Martin (Mikael Erhardsson) and Andreas (Johan Sömnes). Out of fear, Oskar never fights back. In the evenings, however, he sits in the courtyard rehearsing knife attacks on his tormentors. One evening, Oskar notices a new girl about his age and her father moving into into #15, the apartment next door to his. Oddly, the first thing they do is to cover the windows with cardboard. What Oskar doesn't know is that Håkan(Per Ragnar) is not Eli (Lina Leandersson)'s father...he is her renfield...and Eli is a vampire. It is Håkan's job to bring Eli fresh blood, which he gets by killing other humans. First he anesthetizes them with halothane, then he strings them up by the feet, slits their necks, and catches the blood in a jug, leaving the bodies to be discovered the next day. Unfortunately for Eli, Håkan is having problems securing blood for her. On his first kill after moving into the new apartment, he either lost or forgot the jug filled with blood. Consequently, Eli is beginning to get hungry.

    One evening, as Oskar is in the courtyard stabbing a tree in lieu of his tormentors, he notices Eli watching him. She's not very friendly, as she tells him right off that she can't be friends with him. The next evening, they run into each other again in the courtyard. Oskar notices that Eli is not wearing a coat even though it's the dead of winter in Stockholm. What's more, she's not even cold. And she smells bad. Still, Oskar shares with her his Rubic's cube and shows her how to work it. After Oskar has gone inside, Eli goes hunting. She waits in the shadows under a bridge. When two neighborhood friends, Jocke (Mikael Rahm) and Lacke (Peter Carlberg), part company, and Jocko walks under the bridge, Eli calls out, "Help me!" Thinking that the little girl has fallen, Jocko picks her up. Suddenly, Eli latches onto him and bites his neck. Gösta (Karl-Robert Lindgren), a friend of the two men, sees everything from his apartment window. By the time he is able to stumble into the Sun Palace Cafe and get help, however, Jocko's body is gone (Håkan has already covered up the killing by tossing the body into a pond), but they do find Jocko's blood in the snow. The next morning, Oskar finds that Eli has solved the Rubic's cube and left it in the courtyard. When they meet there later in the day, Eli is a bit more friendly, taking the time to explain to Oskar how she went about solving the puzzle. She also smells better, but it's odd that she cannot remember her birth date when Oskar asks. Since Eli doesn't know her birth date, she doesn't celebrate her birthdays and gets no presents, so Oskar offers her the Rubic's cube.

    The next day at school, Oskar stays after class to copy the symbols for Morse code from the encyclopedia. On his way home, he is confronted by Conny and his two friends. When Conny orders Oskar to show him what he copied from the encyclopedia and Oskar refuses, Martin grabs Oskar and Andreas begins to whip his legs with a stick. As an added measure, Martin slaps the stick against Oskar's cheek, gashing it. Oskar later tells his mother that he fell during recess. But when Eli asks what happened, he tells her the truth. Eli tells him that he must start to fight back. If so, they will stop tormenting him. If they don't stop, Eli promises to help him. Oskar shares with Eli the Morse code that he copied from the encyclopedia. That night, they practice tapping on the wall that separates their apartments. The next day at school, Oskar signs up for the weight-lifting program. Later, he takes Eli to a candy store and offers her a piece. At first, she refuses; then she tries one. Oskar finds her heaving on the sidewalk around the corner. He hugs her. Eli asks him whether or not he would still like her if she wasn't a girl. "I guess so," Oskar replies, not quite understanding what Eli is asking.

    As the friendship between Oskar and Eli deepens, Håkan starts feeling a bit jealous. He tries again to obtain blood for Eli. This time he preys on a student alone in the weight-lifting room, but he is interrupted when Matte (Christoffer Bohlin)'s friends come to pick him up. Knowing that he is trapped and about to be discovered, Håkan pours acid on his face so that he can't be identified. When Eli learns that Håkan has been taken to a hospital, she shows up asking for her father. The desk clerk tells her that Håkan is on Level 7, so she climbs up the outside of the building until she gets to his window. Håkan lets her in and offers her his neck. After Eli drinks his blood, Håkan falls to his death. Eli returns to the apartment building and taps on Oskar's bedroom window, asking to be let him. Oskar is almost asleep but he tells her to come in. Eli crawls into bed with him, and Oskar notices that she doesn't have any clothes on. He asks her whether she'd like to go steady with him, and Eli replies "I'm not a girl." That doesn't seem to bother Oskar, so they decide to go steady. The next morning, Eli returns to her own apartment, but she leaves a note for Oskar that reads, "To flee is life; To linger is death. Your Eli."

    One afternoon on a school outing to a local pond for some ice skating, Conny, Martin, and Andreas again confront Oskar with a warning that they are going to push him into an ice hole. This time, however, Oskar stands up for himself and takes a swipe at Conny's head with a stick, causing his ear to bleed. At the same time, two younger students gone off to pee behind some trees notice a body frozen in the ice. The police are called, and the body is cut free. Later that afternoon, after school is out, Oskar brings Eli to a basement room at the school. When Eli asks why they're there, Oskar pulls out a knife and cuts his palm, offering to mix bloods with her. Watching Oskar's blood drip on the floor, Eli can no longer stand the hunger that she's experiencing now that Hakan is not providing her with blood. She falls to the floor and begins to lap up Oskar's blood.

    The body stuck in the ice is identified as that of Jocko's. Jocko's drinking buddy, Lacke (Peter Carlberg) and his girlfriend Virginia (Ika Nord), try to convince Gösta to tell the police what he saw the night that Jocko was murdered. During the discussion, however, Lacke defends his closeness with Jocko by pointing out that Virginia is "cold", Consequently, Virginia storms off. Lacke follows her to the subway where Eli jumps on her. Fortunately, Lacke is able to kick Eli off before she kills Virginia. Unfortunately for Virginia, Lacke's save only means that Virginia is doomed to become a vampire. She notices the change the next morning when she opens the blinds and quickly closes them again. That evening, she visits Gösta's apartment looking for Lacke, but she is visciously attacked by Gösta's cats. Later, in the hospital, Virginia realizes that she's been infected with something and decides that she doesn't want to live. She asks the doctor to open the blinds to her room. Immediately, she is consumed in flames.

    A wimp he might be but Oskar is not a dummy. He has figured out that Eli is a vampire and confronts her. Knocking on the door ot her apartment, he is let in to see that there is no furniture and that Eli smells bad again. When Eli comes to his apartment and asks to be invited in, he stalls, asking her what would happen if he didn't invite her in. Eli steps inside and begins to bleed from various places on her body. Oskar relents and invites her in. Eli explains that she drinks blood because she has to. Apparently, Oskar understands, as he allows Eli to shower and put on one of his mother's dresses. As Eli dresses, Oskar peeks in the door and notices that Eli has a horizontal scar across her public area and no evidence of a vaginal slit. [NOTE: In the novel, Eli was born male and castrated at age 12 by the vampire that turned him.] When Oskar's mom comes home, Eli immediately scampers across the window from Oskar's apartment to hers, even though it's two stories up.

    The next morning, Oskar finds a note from Eli asking him whether he wants to meet her that evening. Lacke has somehow traced Eli to her apartment. He breaks in and finds her asleep in the bathtub. Because he can't see in the dark, he rips open the cardboard covering the windows. Oskar, who was in the apartment waiting for Eli to wake up, screams "NO!" giving Eli sufficient time to jump on Lacke and drink his blood. After feeding, Eli thanks Oskar, but informs him that she must go away. That night, Oskar looks out the window to see Eli moving.

    The next day, Oskar gets a call from Martin, asking whether or not he's going to be at swimming practice that afternoon. Martin also tells Oskar that he thinks Oskar was right to stand up to Conny. That afternoon, while Oskar is in the pool, someone starts a fire in the trashbin out back, forcing the attendant to leave the pool area unattended. As Martin distracts Oskar, Conny, Andreas, and Conny's big brother Jimmy (Rasmus Luthander) enter the pool area. Jimmy orders everyone else out of the pool. When they are alone with Oskar, Jimmy gives Oskar an ultimatum...either stay under water for three minutes or have one of his eyes poked out...Oskar's eye for Conny's ear. Then Jimmy grabs Oskar's hair and pushes him under. A minute passes. Suddenly, feet can be seen skimming on the surface of the water, followed by Jimmy's severed head, and then Jimmy's severed arm. An almost drowned Oskar is pulled from the water by Eli, who has just slaughtered three of Oskar's tormentors, leaving the fourth sobbing on the side of the pool.

    Epilogue: Oskar sits on a train. Snow is falling outside. A large basket sits in front of him. From inside the basket comes a rapping. Oskar raps back in Morse Code, "P-U-S-S", Swedish for "kiss".

    Oskar, a bullied 12-year old, dreams of revenge. He falls in love with Eli, a peculiar girl. She can't stand the sun or food and to come into a room she needs to be invited. Eli gives Oskar the strength to hit back but when he realizes that Eli needs to drink other people's blood to live he's faced with a choice. How much can love forgive? Let The Right One In is a story both violent and highly romantic, set in the Stockholm suburb of Blackeberg in 1982.
  • December 30, 2009
    I've never seen a movie quite like it. Beautiful and thought provoking.

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